New Poetry By Abby Murray

Hercules and Cerberus, 1608. Nicolo Van Aelst, Antonio Tempesta. Los Angeles County Museum of Art.

13 WAYS TO APPROACH A THREE-HEADED DOG

I.

Those who tell you

to carry raw meat

have never met me.

Bones are better,

they last longer,

but if there’s

no bones to be had

bring peanut butter.

 

II.

In this analogy

I am always Cerberus.

My beloved is inside,

changing.

When he wants me

to sleep in his bed

he comes to me

shaped as a body

like yours.

 

III.

I grew old here.

Compliment the quartz

mouth of my cave,

my heavy collars,

the bronze of my bark.

Tell me I sound

familiar.

 

IIIa.

I live to be recognized.

 

IIIb.

My hearing is spent.

Your language

is a red fruit

everyone loves

to chew.

 

If we lock eyes

I’ll stand.

 

V.

I wouldn’t call

human souls

delicious

or even tempting.

I swallow

what I must.

 

Dogs escape

all the time,

cats too, crows

and wolves.

I let wolves pass

because they sit

a while before

they go,

they don’t trust

this river any more

than I do.

We watch it twist

around itself together.

 

VII.

What would I buy

with your money?

Lie down. Stay.

 

VIIa.

I do not know what a changed mind

feels like. Grass? Maybe sun?

 

VIII.

In this analogy

you are convinced

you are sui generis.

You will be the one

with quick feet.

In this analogy

the ferryman drops

your fare into a sack

with everyone else’s.

 

Bring water.

I’m not saying

it will buy you

time

but I am thirsty.

 

In this analogy

you are the one

who thinks you saw

the city shimmer

before it split.

You’re not wrong.

 

XI.

My beloved

has built a city

where all the bread

is free.

 

XIa.

His garden

is free of spiders,

nothing

that can be crushed

is sent there.

 

XII.

Show me what

a sleeping dog

looks like.

 

XIII.

Are you the moon?

If you are,

make me know it.

I keep a song

in my throat

for you.

 

 

Johann David Wyss, The Swiss Family Robinson, George Routledge and Sons.

 

HOW TO DIE IN PEACETIME

 

Welcome the cancer cell,

its sense of justice

more twisted than the DNA

inside its rebel membrane.

Welcome its obsession

with reproduction and division,

the way it makes a home

in the left breast and waits

so patiently, still a pearl

within a pearl within a pearl.

Welcome its false history

and family-friendly values,

its desire for more and more

children, the way it butchers

its own meat forgiven

by the prayers it sends abroad,

the way it campaigns for leader

of the immune system

and loses gracefully each time

until it doesn’t, until the first

letter is tied to the first

brick and flies through the first

window of a neighbor’s house.

Welcome its lavish parties,

electrons everywhere,

flags that flicker like emblems

of peace in the bloodstream,

welcome its marksmanship

when it shoots down the doves

who wake it each morning.

Your body is a sovereign

unable to wage war on itself,

your body is a black night

rippling with radiation.

This is peacetime, this is grace,

this is our merciful killer

rising like a star in our bones.

Let us raise our telescopes

and toast to its brilliance,

its speed, its true aim.

 

 

ARMY BALL

 

You’ve outgrown the army ball,

the men I mean, not us, the wives,

who spend hours buffing time

from our necks and faces.

We dazzle in our pearls

and tennis bracelets clipped like medals

to our limbs: my OIF amethyst,

OEF diamond studs, SFAT cashmere.

Some new wives miss the mark,

overshoot the dress code

and show up in wedding gowns.

They pick and pick at the tulle,

the crystals, the ruching.

At our table, your jaw is softened

by gin and a single year,

the one before Iraq

when Blackhawks dropped you

into the unarmed mountains of Alaska

and you floated down like bread.

We toast the dead and drink.

We howl like dogs for the grog.

Men come forward with liquor bottles

so large they contain entire wars,

dark rum for the jungles of Vietnam,

canned beer for Afghanistan.

A bowl the size of a bus tire

is filled with two hundred years

of booze and we serve ourselves

with a silver ladle made in America

but polished last night, too early,

its grooves blushing with tarnish.

 

 

RANGER SCHOOL GRADUATION

 

A cadence is written like so:

wives show up for the mock battle

at Ranger School graduation

in heels and spandex skirts,

some of us threaded into silk thongs

and some bare-assed,

some in black and gold

I heart my Ranger panties,

all of us too late

to hear this morning’s march:

You can tell an army Ranger by his wife!

You can tell an army Ranger by his wife!

Because she works at Applebee’s

and she’s always on her knees,

you can tell an army Ranger by his wife!

This is how we sway like choirgirls:

America oils our hips.

Rope off the wood chips

and call it a combat zone.

When you’re paraded into the lot

beside Victory Pond I pretend to know

which smudge of red is you.

Already I am washing your uniform, your back.

Your mother says oh, oh!

and claps: the sound of deer ticks

kissing your blistered necks

before we can.

 

Abby Murray

Abby E. Murray teaches creative writing at the University of Washington Tacoma, where she also offers free workshops for soldiers, veterans and their loved ones. She is the editor of Collateral, an online literary journal that showcases writing about the impact of military service beyond the combat zone. A recent recipient of the Sustainable Arts Foundation Award, Abby has poems in current or forthcoming issues of Prairie Schooner, Radar, and Minerva Rising. She is the author of a chapbook from Finishing Line Press, How to Be Married After Iraq, and a collection of poetry which won the 2019 Perugia Press competition, Hail and Farewell.

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