Poetry from Dennis Etzel: “The War in Coming Out,” “The War in Men,” “The War in their Duties”

SELF-ASSURANCES FENCED IN / image by Amalie Flynn

The War in Coming Out

Today we honor those soldiers who fought for our country
against oppressing forces. It was a matter of showing up.
Like Leonard said, They gave me a medal for killing two men
and a discharge for loving one. Howard told me how it was
a point-blank question in the draft line for Vietnam: Are you
a homosexual? Howard didn’t lie. The man started
screaming, We have another f-g here. We have a queer one
here. It was a matter of showing up.

The War in Men

When they enter, the guards strip them down and beat them.
The guards shout, demanding compliance. They are shown
their quarters. The guards continue, tell themselves, it’s
either us or the prisoners. They don’t care why they are here.
The guards didn’t choose to be here. They say, The prisoners
must have done something, or they wouldn’t be here. As
small as serving time to be sent back to the front or as big as
waiting to face prison in the US. Little self-assurances
fenced in and in solitary confinement.

The War in Their Duties

My father joined the National Guard to avoid being drafted.
When the draft came, the National Guard was sent over.
Same old song and dance. Cliff said he saw the action
through the helicopters. He saw the bullet holes and repairs
needed, as his duty was to fix them. Cranked up I Can’t Get
No Satisfaction. Gordon told me he served in Vietnam, too.
He played French horn. He played Reveille. He played Taps.

Dennis Etzel

Dennis Etzel Jr. lives in Topeka, Kansas where he teaches English at Washburn University. He has a number of books of poetry including My Secret Wars of 1984 (BlazeVOX 2015) which was selected by The Kansas City Star as a Best Poetry Book of 2015 and Fast-Food Sonnets (Coal City Review Press 2016) is a 2017 Kansas Notables Book selected by the State of Kansas Library. His work has appeared in Denver Quarterly, Indiana Review, BlazeVOX, Fact-Simile, 1913: a journal of poetic forms, 3:AM, Tarpaulin Sky, DIAGRAM, and others.

1 Comment
  1. “Gordon told me he served in Vietnam, too.
    He played French horn. He played Reveille. He played Taps.”

    At first, the repetition of play rubbed me raw. Then I saw with chastened eyes the grotesque ricochet of play and Taps. Hat tip, Dennis.

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