New Poetry by J.S. Alexander: “Sabat”

AWAY HE STAYS / image by Amalie Flynn

 

Sabat (Loyalty)

Dead bodies stop looking like bodies
after a certain point.

The face, like a popped milar balloon
with all the air blown out the top,

the legs, oddly angled, their bottoms
looking for all the world

like tubes of children’s toothpaste
unevenly squeezed.

No, the dead here never arrive in an
orderly manner, like in the movies.

This is Afghanistan, so they show up
carried in blankets or what’s left

of clothes, bandages waving
like May flags.

But they all go out the same way.

The mullah works systematically,
washing and praying, singsong in his labors.

Next to him, a step back Mortaza watches
them prepare his brother for the next life.

Mohammad Gul was the pride
of Ismail Khel.

Young, handsome, brave.  Funny.
Everyone said he was funny.

You don’t hear that much in Afghanistan,
someone being funny. As they lift what’s left

into the particle board box that looks like
an Ikea desk repurposed

hands seek to guide Mortaza out.  But
he pulls away, he stays.

He watches as they wrap Gul’s head in
cotton and prop it up on

pillows of cheap foam.  They spray him with Turkish
perfume from the bazaar, and then

drape the Afghan flag and the prayer rug over his
box, taping it down with rolls of

scotch tape.  Mortaza sniffs back a tear, both for
his brother and the debt

he knows he’ll now have to pay.  He’s not scared,
just tired, and knows

that somewhere, out in Lakan,  is a man he’s never
met but will kill, as the way demands.

When we walk out, together, my boots slip,
squeaking and squishing on the sodden, dirty
tile.

JS Alexander

JS Alexander is a former Special Operations Marine and current Diplomat with service in Iraq, Afghanistan among other conflict zones. He has a BA from the University of Virginia, and an MFA in Poetry from the Writing Program at Bennington College. His work has appeared in Consequences and War, Literature and the Arts.

1 Comment
  1. A striking poem! I’m supposing the author personally witnessed the event, as the poem suggests and the logic of first-person narration in poetry implies. Not all the time, but often enough, I’m drawn back to memories of events on my own tour in Afghanistan that were so outside the realm of anything I have or might have experienced in the States that it can be hard (now) to imagine they actually happened.

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