New Poetry by David Dixon: “Last Night, I Dreamed of the Korengal”; “Look at This Thing We’ve Made”; and “War Poetry”

DAPPLING THE FOREST / image by Amalie Flynn

Last Night, I Dreamed of the Korengal

boulders like giants’ teeth
the kind of giant that will grind your bones for bread
jut out of the ridge like
molars from a bleached jawbone in profile against
green terraces draped over the hillsides
like a silk robe on the floor
while above me the tall necks of pines
tower to the sky
dappling the forest with the light of an afternoon
perhaps the last afternoon, for

the dark windows of flat-roofed houses
skulls with empty eye sockets
stare down at us
the stare of the dead
at those that soon will join them

rounds snapping around me like the angriest of hornets
stingers of copper poison of lead

overhead the four-bladed locusts hover
stings in their tails
as prophesied by John on Patmos
but who
even in his wildest nightmares
his fever-dreams of sickness or madness
could not have

dreamed of the Korengal

Look At This Thing We’ve Made

I.

Wife
Look at this thing
we’ve made

toothless, shriveled, red-faced, howling
at the world
with every breath

we love it as we’ve never loved
anything else
this perfect child we’ve only just met
yet now could never bear to part from

II.

Daddy
Look at this thing
I’ve made

a picture of a brown horse, riding
across a narrow strip of green grass
along the bottom of the page
white house on the left
with four pink windows
the sky coming down blue like the sea
to meet the grass and the horse
and the house
blue filling up every crevice

blue like her eyes wide when she smiles

isn’t it beautiful

of course it is
it is the most beautiful thing I’ve ever seen
and it hangs now on the refrigerator
next to last week’s spelling test
and drawing of a unicorn in the snow

III.

Son
Look at this thing
I’ve made

long and cold
it is all black steel, aluminum
grooved and machined
to perfect precision, tolerances
of less than a millimeter

slide the magazine into the well
pull back the charging handle
let it go
hear how it slides
hear that satisfying snap
of the round riding home into the chamber

see this here
wherever that red dot is
is where the bullet goes

easy

with it in your hands you need not fear
need not worry
you are a man among your fellow men

son of Aries himself

IV.

Class
Look at this thing
you’ve made

poster for the classroom door
so everyone knows it’s us
Mrs. Foster’s Wiggleworms

a picture you’ve each drawn of yourselves
all hair standing on tops of heads and glasses too big for faces
heads without ears
smiles nothing more than little curved lines
dots for eyes

and each of you did so well
adding a picture of something you love
yellow and brown triangles with red circles
pepperoni pizza
puppy dogs and kitty cats
Pokémon and Captain America’s shield
the sun above flowers
a drawing of the beach
blue waves meeting
a line of brown sand

I love it
Wiggleworms

V.

America
Look at this thing
we’ve made

holes in the wall
pockmarks in the cinderblock
splinters of the door
blasted into the hallway
broken glass from windows
designed in other times by unwitting architects
to let in sunlight
so children would feel connected with the wider world around them
but which instead admitted
the gaze of inchoate rage

floor slick with blood
in lines where bodies earlier so bright with promise
were dragged by their classmates
teachers
police
strangers to another room
to be identified

by wailing parents and sobbing siblings
instead of by a poster of their favorite things

Look at this thing
we’ve made

War Poetry

soldiers are poets.

rifles fire
in staccato rhythm:
the beat poetry
of bullets snapping back and forth in lines
that sing

and sting.

machineguns talk like lovers
arguing back and forth.

desperate orders are
earnest haikus
the quiet in the loud.

reloads our enjambments.




New Poetry by Cheney Crow: “The Grey Phone”

ON MY STREET / image by Amalie Flynn

The Grey Phone

Lights on, lights off.

The scrambler phone howled
on my father’s desk
during Vietnam.
Mostly late at night.

Somewhere, the enemy.

A regular sequence
for dads on my street.
First the phones, grey with no dial,
a red light blazing with its siren howl.

Somewhere, the enemy.

Then the ruffle of staff cars
pulling up to collect the men
on our silent, guarded
street. Lights on, lights off.
Keeping us safe.
The deep rumble of inboard motors
at the dock. Three blocks away,
the boat drove the men across the Potomac,
a machine gun mounted mid-deck.
The Tet offensive.

Keeping us safe.

They did their best. It wasn’t enough.
My father shook his head that politicians
would try what the French under DeGaulle
couldn’t manage in twenty years.

Somewhere, the enemy.

One father on our street had two sons:
one went as a pilot. The other, conscientious
objector, chose oceanography.
He loved them equally. We played chess.
One father died. Also one son.
Somewhere, the enemy.

I played guitar and sang folk songs at hospitals,
ward to ward, for air-evacuated wounded,
the most severe. Hard to look at, but
some of them smiled at a teenage girl.

Nixon ended the draft to be more popular.
Politicians do things like that.

Keeping us safe.

All the dads on my street were against the war.
They threatened to resign en masse
unless we got our prisoners back.
Lights on, lights off.

Somewhere, the enemy.

Nixon ended the draft to be more popular.
Politicians do things like that.
All the dads on my street were generals.
They did their best. It wasn’t enough



New Poetry by Lisa Stice: “Our Folklore”

FIND MYSELF LOST / image by Amalie Flynn

Our Folklore

Long ago, you were molten rock, and I—
well, I spoke the language of bears.

But now that I have been out of the forest
for so long, all the words and grammar escape

me, and I often find myself lost. And you—
well, you are often mistaken for a statue

in this solid state. No more rumblings and
agitations. We are both quiet these days.