New Poetry by Ben White: “Cleaning the M60 – 39 Years and January 26, 1984”

TO FLESH BONE / image by Amalie Flynn

39 Years

The death
Of a soldier
Was an accident,
A waste –
PUT_CCCCCCA shame,
So the anniversary
Is nothing to celebrate –
PUT_CCCCCCOr forget

January 26, 1984

Back on the continent
At the 1st and 51st Infantry –
A battalion that doesn’t exist anymore –
The Cold War was fighting a strange peace
With weapons and tension
Wanting to release a dimension
PUT_CCCCCCOf battle prepared,
PUT_CCCCCCTrained for,
PUT_CCCCCCAnd ultimately expected
While volunteers selected
Stood ready in the West
And along the borders
PUT_CCCCCCAwaiting orders to mobilize
When one cold January,
Thursday morning
Soldiers had to realize
The power of 7.62 mm ammo
Tumbling into the chest
PUT_CCCCCCOf a brother in the band
With manslaughter unplanned
And wounds giving the medics
An ambulance to ride in
PUT_CCCCCCUntil the doctors
PUT_CCCCCCAt the Krankenhaus
Opened up the chest
And showed them what
One M60 round
PUT_CCCCCCCan do
To flesh,
Bone, and what
A few minutes ago
Had been functioning,
PUT_CCCCCCDistinguishable organs.




New Poetry by Kat Raido: “Blood Goggles”

 

LICKS THE VEINS / image by Amalie Flynn

Walter Cronkite left footprints
in the gravel of Saigon
but he didn’t tell you their names
didn’t show you the morning commute
of an accountant in Hanoi

they televise bedsheets
replacing blown out glass
in homes of blown out people
but not the Arab Renaissance Bookshop
which opened its doors in 1966

fire hoses are used
to extinguish human spirit
courage licks the veins like flame
and the only parts of war
they can’t powerwash away
are the bloody crevices
under their own fingernails.




New Poetry from Scott Janssen: “Bottle Tree”

VIETNAM DID I / image by Amalie Flynn

On my first visit I asked
A stock question about
Whether you’d been in the military.

Marines, nineteen sixty-six, you said,
A hint of menace in your eyes.
I never talk about it.

On my way out the door
I asked your wife about a
Tree in the front yard,

Its branches capped with
Blue and green and pink
Bottles made of glass.

It’s a bottle tree, she said.
Pointing at a cobalt blue bottle
Glinting with sunlight,

She told me it had
Special power to lure in
Ghosts and lurking spirits.

They get trapped in there, she said.
Then sunlight burns them up
So they can’t haunt us anymore.

Eight months later
You could no longer walk.
I rolled your wheelchair

Onto the warbled porch
Where we sat and talked
About how rough life is.

I never told you about
Vietnam, did I? You whispered.
I shook my head.

As you spoke,
Your eyes averted,
I looked at that cobalt blue bottle

And imagined it slowly filling
With blood and shrieks
And grief and the sound of

Rotor blades and the smell
Of burning flesh and the
Taste of splattered gore

And the sensation of
Adrenaline pulsing and
Memories of home and

Buddies who were killed
And of fear and rage and
betrayal and weeping

That lodge in your throat
Before you swallow
It all down

Into your belly.
Don’t ever tell anyone
About this, you said,

Your hands trembling,
Jaw shivering.
I asked if there was

Anything else.
You started to say something
But stopped yourself.

No, you said.




New Poetry from Chad Corrigan: “Hidden Mountain Tops”

SMOKE CLOUDS / image by Amalie Flynn

The top of the mountain is hidden.
It looks like a cloud of smoke.
But it’s a snow filled cloud.
The map says it’s thirty-seven hundred
and sixty-nine feet.
The clouds must be about thirty-four hundred.
From their helicopter cockpits
they still look up
dwarfed by the mountain
and ceiling.
Small against the storm.




New Poem from Olivia Garard: “Hurry Up”

Hurry up

Halt. And quiet,
Marines sleep.

Covers askew
necks cocked
weighted by
the waiting.
Dozing softly
in dark down-
time flutters by.

U.S. Army Soldiers from the 4th Brigade (Airborne), 25th Infantry Division, in support of Talisman Saber 2013. (U.S. Air Force photo/Staff Sgt. Zachary Wolf)

Sweet & sour
breath bellows,
flickering life.
Bellies swell &
roll heaving
hearts into a
billowing pyre.

Ares kisses each
Achilles slowly.
From his lips—
welding dry ice—
wafts the incense
of men burning
in god’s slag.

Still in sleep—
mouths agape.




New Poetry from Paul Lomax

Faces

                     oak branches reach               
through villages                    veiled
beneath nuoc mam frowns,

enlightened cracks                creak
above unwilling spills
leaving
                                every chào buổi sáng
                                every gaze

                                                                 very little

Sir, Yes Sir

& there was never any toilet paper
never any soap            not even a blanket
                                       just salivary glands
washing up against    underarm hopes

& yesterday                  eye had a sore throat
dry as hashish
salty as the Dead Sea
& from my ass
chickens continue to fall
like spent shells
cracking the red         green chickadees

& today                         eye shot around
looking for                   regurgitated sweat glands
while
              Monday
              Wednesday
              Friday
              every Sunday
                                     eye bury rubber thalami
deep behind thick lips asking
When will the chopper arrive?

This was metabolized as a journey
never ridden with a smile as
                                    eye digest what’s left in my boots
scraps from blue potatoes in my underwear
minister to seasons, —
             crucifying Charlie
             rebuking Snoopy
             backsliding Lucy

& tomorrow
before a billion points of aortic lights                                                
cast across a face-less velvet canvass     twirling                    
with 7 spleens ducking & diving             whirling                               
                                     eye watch Mars
salute every Corporal                         
yelling with every breath                                                                                                       
                                    eye followed my orders…!

Thomas Cole. “The Course of Empire: Desolation,” 1836. New York Historical Society Collection.


Silent as Impression Made by Stone

Silent   as an impression          made by stone
Black onyx flamed with writings       to go gentle     in the night
So it is that I   a Mysterious Traveler                          walk this way alone

In this silence              I sit on the side           of the dirt bone
Waiting at the edge     of the black line          of the farthest woods
Silent   as an impression          made by stone

Where all who believe             this                              sarcophagus sown
Well into the hands                 of Osiris and Ra          as mummies
So it is that I   a Mysterious Traveler                          walk this way alone

All but a water lily      speaks              in the shadow                          of a lotus tone
I go formless   shadowing-less            across wading waters              tarrying
Silent   as an impression          made by stone

Delivered        on parchment paper                             to a mass of one
This message   driven from     essence long since gone
So it is that I   a Mysterious Traveler                          walk this way alone

In my will        take this much             without loan
Paint me                      crate me                                   canvas this I say
So it is that I   a Mysterious Traveler                          walk this way alone

The Blood of Rain

Drowning in meadow-spoken roots, I reach for heartfelt songs, once, so rich with oxygenated virtues, twice, so free from an unforgiving life. Songs gleaned from salvific tomatoes, flowing sweet the Nile. Voyages imprismed as a glint refracted without blink, without smile, messages to splat against something, anything – life-supporting droplets passed with grass concern, lawn pity. What was there: a bed of crabs to obscure the analgesic dirt, the antiperspirant stench, the grandeur embodying a crimson stance. Like knuckles half-curled tapping on the drum of a shack, shadow of a room existing as a postal address with but one letter in the box, this song of rain continues to pour dry. Behind closed mores, I lick deliberate snowfalls, wrangled after birth. What did this mean? From where does this floodwater spring? My cup remains half filled, cracks lining its bottom have laid their webs. I watch reminiscent musings of pellets fall, nerve endings teleconference heme & beryl-blues & female & globin & woman & man & child, all raced by fashionable weather, as I drown, listening to the pulsations of torrential veils.

Why am I so thirsty?




New Poetry from Randy Brown

victory conditions

My father taught me
to say I love you
every time
you stood in the door

left for school
went to work
flew off to war

it became a habit
a good one
like checking the tires
or clicking your seat belt

but now
every conversation feels
like a movement to contact

we took the same vows
we swore the same oaths
we wore the same uniform
we see the same news

I raise my kids
like he did his
and have the same hopes for them

How is it that we now live
in two countries?

 

three more tanka from Des Moines, Iowa

1.

The leafblower drone
buzzes into consciousness—
fast cicada hum.
I wave to the new police,
before I close the window.

2.

Yellow Little Bird
hovers near high-voltage lines
conducting repairs
outside my bedroom window,
but I am miles away.

3.

Thunder and popcorn;
a remembered joke about
the “sound of freedom.”
In rain, I stand listening
as rifles prepare for war.

 

a future space force marine writes haiku

1.

This drop won’t kill you—
terminal velocity
varies by planet.

2.

We spiral dirt-ward,
samaras in early fall,
sowing destruction.

3.

Reconnaissance drones
orbit our squad’s position:
Expanding beachhead.

4.

“Almost” only counts
in horseshoes and hand grenades.
Go toss them a nuke.

5.

If war is still hell,
at least my bounding mech suit
is air-conditioned.

“An American pineapple, of the kind the Axis finds hard to digest, is ready to leave the hand of an infantryman in training at Fort Belvoir, Va, 1944. American soldiers make good grenade throwers.”

This is just to Say All Again After …

after William Carlos Williams’ “This is Just to Say”

I have expended
the “pineapples”
that were in
the ammo box

and which
you were probably
saving
for final protective fires

Forgive me
they were explosive
so frag
and so bold

 

Most Likely /
Most Dangerous Enemy Courses of Action

what most
threatens my children

social media /
unending war

the rat race /
the daily grind

half-baked policies /
global warming

a lack of hope /
a lack of justice

my constant distraction /
my constant distraction

 

the stand

if you can’t stand injustice
take a knee

if you pray for others
take a knee

if you believe in freedom, not fabric
let others see

you practice
what you preach