New Nonfiction by Adrian Bonenberger: “An Alternate View of Moral Injury”

Library of Scotland

An Alternate View of Moral Injury

Introductory note: I originally composed this essay between 2022-23. I’ve gone back and forth about publishing it; it’s true, I stand by everything I’ve written, but I’m certain that many people won’t like reading it. It is certain to damage or even destroy my reputation in certain circles. Let it be so. When I saw Donald Trump’s remarks on the utility of subjecting Liz Cheney to combat on October 31st, 2024, I realized that the misperception that an individual’s experience of combat was absolute or had some absolute value needed to be checked. Here is the essay as I wrote it originally.

For some years now, I’ve wrestled with an uncomfortable truth. It occurred to me for the first time in Ukraine, in 2016, where I encountered it confronting my experiences at war in Afghanistan in conversation with veterans of Ukraine’s war of self-defense against Russia. At first, the truth shocked me. Later, my recollection of the revelation nagged at me while I read certain articles or watched televised or cinematic depictions of war that emphasized its various negative consequences.

A War on the Rocks essay brought the matter home and inspired me to write this piece, which I hope will illuminate the issue for the public. The WoTR essay is titled “Moral Injury, Afghanistan, and the Path Toward Recovery.” It claims that most or maybe all the veterans of the US war in Afghanistan suffer from moral injury.

In the standard definition of moral injury, a person’s morality (and therefore their self) becomes injured by doing or seeing things that conflict with their idea of right and wrong. Distinct from Post Traumatic Stress Disorder (PTSD), moral injury affects or should affect everyone good who participated in the evil of war. If you are an essentially good person, then doing things in war that would be bad or wrong outside war ought to fill you with revulsion, and damage you.

Grim consequences lay in store for veterans who avoid therapy or treatment for this condition; harder to employ, more susceptible to radicalization and extremism (political, ideological, religious, whatever), divorce at higher rates, more likely to traumatize their children with uncontrolled outbursts, suicide at dramatically higher rates.

It’s undeniable that some epidemic afflicts veterans of war — not only in Afghanistan, but all wars. The stakes are high. This affliction corresponds with violence of all stripes. It’s important to confront and accept difficult truths, both for individuals, and as a civilization. And the veterans affected by it, whatever “it” is, have for the most part endured in silence.

And where you have victims, there must be aggressors, criminals. “The American government and the Department of Defense should be more candid in acknowledging the failure of America’s war in Afghanistan” says the WOTR essay, channeling anger about what the United States was doing in Afghanistan and why.

As someone who has written often and critically about the outcome of the war in Afghanistan, one might think I’d be enthusiastic about DoD or the Biden Administration issuing some formal apology. That’s not how I see it; in fact, the USA could have done little differently in Afghanistan save to get out earlier and in a more organized way. The evacuation of Afghanistan was an unparalleled calamity; rather than hand wringing over words, I’d prefer to see the current administration do more to help Afghan allies who languish in terrible conditions. Besides, the decision to leave was itself a kind of implicit endorsement of the idea that the time had come for Afghanistan to stand on its own. I supported that idea at the time. Should the US apologize for ending its occupation of Afghanistan? I don’t think so.

By far the most interesting discussion — one that I’ve been having with friends and combat veterans since the thought occurred to me in 2016 — is what to do about PTSD versus moral injury versus whatever we call a soldier who doesn’t experience either. The casual conversations I’ve heard about people who suffer psychological or “moral” wounds in war conflate different forms of injury. Sometimes I think that enthusiastic and well-meaning crusaders mistake both injuries’ origin and location.

A brief caveat before continuing, here: this essay discusses the experience of troops in war. While it could be expanded to include non-combat veterans, or civilians indirectly exposed to war, this would risk widening the scope of the essay to the whole of human experience, a theme so broad that only the wisest and most ambitious thinker would dare consider it. I am not such a thinker, nor is this already (with apologies, dear reader) sprawling essay even a hundredth of what would be necessary to explore PTSD and moral injury outside the relatively narrow scope of war.

The world of so-called moral injury consists of PTSD as extreme response to some form or forms of trauma, and the aforementioned “moral injury” (feelings of grief, trauma, or betrayal connected to service). The soldier so injured has been compelled by circumstance or authority to do something in war that violates their code of ethics, from an order that leads to a friend being hurt or killed, to a badly planned or executed operation in which the wrong people (usually civilians, often children) are hurt or killed, and everything in between. War is filled with such hazards; they are nearly impossible to avoid. When a soldier or officer falls afoul of one of these calamitous moments through their actions or decisions, the harm they see or do causes them (and those around them) distress, and the memory of the act also causes distress.

Some cannot escape the memory. It could be observing a crime, such as rape or torture, or it could be shooting or stabbing an enemy soldier. It could be watching helplessly as a line of refugees is expelled from their homes. It could be exile; unwilling to potentially expose oneself to moral hazard, the soldier is sent far from their unit to a larger base, away from danger, and in so doing abandon their comrades to that risk instead. One can easily imagine this type of thing, and the nightmares it would cause over a lifetime to a decent person. Doubly so during a war of conquest, an unjust war. Surely, as I write, some Russian soldiers are in the process of being “morally injured” by their horrible and evil government and also by their own complicity in the crime of attacking a peaceful country that offered their own nation no threat or insult.

What is the distinction between PTSD and moral injury? PTSD is a diagnosable and physiologically distinct injury. According to the Department of Veterans Affairs, 7% of veterans develop PTSD, mostly in war. Physiologically and psychologically, the experience of war is so damaging to them, they can no longer function correctly within society without some form of treatment. Authority figures fill them with an instinctual fear and disgust. Bureaucratic incompetence, which many people take in stride as part of the cost of doing business in a civilized world, becomes to a combat veteran suffering from PTSD an active threat to be avoided at all costs. People suffering from PTSD know what happens when you give folks great power then bury their accountability for that power behind walls of hierarchy: nothing. Maybe the platoon leader will get thrown under the bus for ordering you to shoot at a motorcycle, maybe you’ll get demoted. Maybe he’ll get pardoned by the President. It’s all the same shit; shit that the person suffering from PTSD has to relive through nightmares and debilitating, unjustified feelings of fear, horror, and shame.

These are casualties of war. There are ways to treat PTSD that help with its symptoms, but it is not currently within medicine’s power to cure it. Some cases resolve on their own over time, such that victims can live whole and healthy lives. Others linger. In a few cases, usually when addiction disorders are involved, and along with the PTSD going untreated, war comes to define a life’s course, often tragically.

Because of its physical characteristics — medical imaging detects differences between groups of people who have PTSD and healthy controls— PTSD occupies one sphere, the objectively verifiable.

Moral injury occupies another, more subjective sphere. People who suffer from moral injury feel troubled by what happened to them, or by what they did, but there is no sign of trauma that a doctor can identify. Their diagnosis lies in the realm of philosophy and perhaps religion.

What is the number of people who see themselves as affected by this subjective diagnosis we call moral injury? It’s difficult to say; solid numbers are hard to come by. Anecdotally I’d say the number of people who are troubled by their experience of war (in Afghanistan, Iraq, Ukraine, Vietnam, or WWII) *because it made them feel complicit in something awful* is somewhere between 20-30%. My source for this is innumerable conversations with veterans from different services and countries in a variety of contexts. Many (what does that mean? Seven or eight in ten, the remainder left over from those identifying as harmed?) will say that while war was difficult, they are at present largely untroubled by what they did.

A quick caveat here: because this is anecdotal, when I say 20-30% are or were troubled by their experiences in war, I’ve necessarily wrapped that 7% who have PTSD in with those who have moral injury. Not everyone who has moral injury has PTSD, but everyone with PTSD has been morally injured. Therefore the total number of people who find the experience of war so damaging and troubling that it defines their experience is (as far as I can tell) somewhere around 20-30%. I’m eager to see the results of VA studies hoping to better understand the prevalence of moral injury, as well as how they define it, and suspect that the number will be higher for some wars, and lower for others.

Maybe — best guess — somewhere between a quarter and a third of all veterans feel overall that war was a bad experience for them, either because it physically injured their brains, or they felt and feel awful about what they did or saw during war.

This leaves two thirds to three quarters of combat veterans. People who don’t feel betrayed by their country (perhaps, in some extraordinary cases, such as the Wehrmacht in WWII, which was adjacent to unthinkable horrors and directly complicit in some of them, one might find lower numbers — even then, perhaps not, just take a look at veterans of the South’s Confederate Army), or that they did anything wrong in war. Have they been morally injured? You can tell them they were, and while they may nod and smile if you are an authority figure or friend or family, in the company of other combat veterans, they will tell the truth — not only were they untroubled by the experience, but they were proud of it.

Here is the plain truth: many combat veterans derive some pleasure or satisfaction from doing things in war that are considered bad or wrong outside of it (killing, hurting other people, destroying buildings with fire or those weapons that produce fire). Killing the enemy fills most soldiers with a savage glee in the moment. It may trouble the conscience afterward, particularly once the soldier has returned to civilization. These troubling thoughts are the product of healthy and uninjured moral instinct, but it doesn’t trouble the soul. On a biological level, for most veterans of combat, there is nothing wrong with killing enemy soldiers or destroying their positions or equipment or even the people who are nearby during war.

***

Let’s sit with that for a moment. I want people to consider it on its terms. The claim is not “you have justified a thing after you did it because it was a bad thing to do, and you felt bad, but life must go on.” No, the claim is “it felt good and just to kill the enemy, and I was only troubled in any way upon considering what the reactions of others might be first that I did the killing, and second, that I enjoyed it,” plus perhaps “those civilians who were hurt or killed as a result of combat — that was someone else’s fault, not my own.”

The most popular version of war is one told by a traumatized combat veteran — typically a relative or friend — that goes something like “I got lucky and killed the enemy before he killed me, but maybe he was the lucky one because I have to live with the guilt.” In this version of war, everyone feels guilty about what they had to do in war save perhaps for the psychopaths, or the wretches who were unhinged by the experience.

This version of war is echoed in mainstream movies, prestige television dramas, and even video games. Its claim — that the majority of US soldiers are suffering from moral injury, betrayed by a country that sent them to a foolish war in Iraq or kept them in a pointless occupation of Afghanistan — is the one with which most people are familiar. But it cannot be true; either the war was bad and people are outraged about it (in which case, they aren’t morally injured; rather, they feel a justifiable sense of outrage, their morality is behaving correctly) or the war was bad but was not perceived by soldiers as such at the moment — only when they arrived home and were essentially told that they ought to feel bad about it, by friends, by literature, and by cinema — in which case, the moral injury does not exist within the veteran but is a kind of mutable social construct that comes into being or vanishes depending on the veteran’s surroundings.

On Killing, by Dave Grossman, is the most significant and popular book to forward the claim that the default setting for most people is against killing. According to Grossman, people must be trained to overcome an innate resistance to killing for any reason. Something like “thou shalt not kill” but as a concept hardwired into humans, which must be overcome. The book bases its arguments on a dubious WWII-era study (sadly, irreproducible) that concluded that only 15-20% of soldiers fired at humans in combat during WWII. In any particular engagement, 80-85% of the soldiers were shooting at nothing, or not shooting at all. Somewhat famously, swapping out human-shaped targets for bullseye targets and training them to fire at those human silhouette targets popping up at different distances is said to have increased soldiers’ rate of engagement in Vietnam to nearly 90%.

The study raises many questions, such as: how reluctant were soldiers to fight Germans or Italians versus Japanese; how did soldiers feel about *killing* rather than shooting; and, most importantly, if there was a deep and essential aversion to killing in humans, how was 2 ½ months of training including a week of shooting at human-shaped pop-up targets at a range able to bring the number of effective soldiers from 15% to 90%?

An uncomfortable answer is that Grossman’s book on the subject of killing and the study on which it was based both miss something fundamental: that the majority of soldiers have no problem killing an enemy who is trying to kill them or the context in which surviving that occurs (a context that sometimes includes damaging or destroying civilian property and life). Indeed, the majority feel pleased with themselves at the time, and mostly afterwards as well. Killing isn’t a problem in war (in fact, it’s an advantage), but the existence of that truth does become a problem when those combat veterans return to civilization. This return creates a new kind of moral injury — to civilization, to morality, by the combat veterans who carry knowledge or self-awareness like an infection or an unspoken accusation.

***

This social component of moral injury is reflected by literature and movies about Vietnam and WWI, and tells a very specific type of story about war, authored by people with refined sensibilities who did not enjoy war for an audience with refined sensibilities. Veteran-writers (and artists, and filmmakers) are more likely to be a part of this 20-30% of people who suffer from PTSD or moral injury. Certainly in my experience, this is the case. And they (we) have struggled to explain what was distinct about Iraq and Afghanistan from Vietnam. This was not the case when it came to finding a distinction between Vietnam and Korea, or Korea and WWII, or WWII and WWI; on the contrary, those distinctions were straightforward for all involved (some had been involved in at least two of those wars), and for the most part came down to technological advances.

One constant of war is that there are soldiers who are troubled by what they do and see or injured as a result of enemy action (shelling, bombing). And the soldiers who are troubled by these things are greatly troubled; it’s not something they could easily accept or stand. Consider: Kurt Vonnegut and Joseph Heller (both of whom were injured, morally, by their wartime service) each wrote extraordinary novels that are routinely referred to as among the best literary works of the 20th century. And Catch-22 and Slaughterhouse Five are about how useless and absurd their experiences were… in World War II, fighting the Nazis. Only a fool or a Nazi would argue that fighting the Nazis was a mistake, that fighting against the Nazis was a just and justifiable activity might as well be a Voight-Kampff test for political sanity. If one does not understand the necessity of stopping Nazi Germany, one is not sane in an important sense, or one does not understand the Nazi project sufficiently well to see why doing so was necessary.

It is just as easy to imagine Vonnegut and Heller in Vietnam, a very different war, and a war that history has proven to have been a massive folly and waste in every sense (many knew this at the time, too). The details would have been different in their books, but the themes would have been the same: corruption, an out-of-control military industrial complex, the futility and tragedy of sending children to die. They could have written these books about Iraq and Afghanistan, too, or any of the smaller (though no less consequential to the civilians who experienced them) brushfires in the Global War on Terror.

Slaughterhouse Five and Catch-22 aren’t the only great books about war. For Whom the Bell Tolls is an incredible portrait of war. The Battle of Malden, too, is a story — in poem form — about a battle (at Malden) that draws very different conclusions about what goes into a war (fear, obligation), and what comes out from it (honor, fame).

And another story about war — The Iliad — has more to it than Ajax’s madness, or the wrath of Achilles. There’s Diomedes, who becomes so inflamed by combat that after wounding Aeneus, he wounds Aphrodite, and attacks Apollo when that god descends to rebuke him. Later, Diomedes wounds Ares. To the Greeks, Diomedes was as important as Achilles — but his berserker rage and the cultural context in which it exists is basically incomprehensible to the modern reader, and as a character he’s largely forgotten, overshadowed. Modern audiences prefer Hektor seeing his son recoil from his frightening helmet, and they prefer Achilles exacting revenge on Hektor for killing Patroclus, and reveling in that vengeance (as the reader or listener revels with him).

Western civilization has come to see war as an evil, and true wars of necessity have become increasingly rare (at least, until recently). As a result we’ve lost touch with one of the most obvious and fundamental elements of war as it is experienced by soldiers. Our literature and art of war have been the literature and art of a minority of war’s participants.

One reason for this is that it is more important to storytellers to explain that war hurt them than it is for those who had a “good” experience of war to explain that to anyone. This is analogous to the phenomenon in which there are more negative reviews online than there are positive reviews; one is likelier to act out of a sense of injustice or rage than contentment or happiness.

Another reason is that war is universally awful and evil from the perspective of civilians. As fewer and fewer people serve, fewer and fewer civilians are veterans, and fewer of those non-veteran civilians have any basis for understanding war as it occurs to the people fighting in it. They are therefore most likely to enjoy stories that are sensible to them from the perspective of a victim, or someone who has been injured or exploited. There is little market for Diomedes’ tale — some hundreds of thousands or millions of people across the world.

As war and the experience of war ebbs from social consciousness, its opposite, peace, flows. I believe that this is one of the sources of moral injury and explains why and how it is becoming more widespread in the military and among veterans. People today go to war expecting the rules of peace to apply and are surprised and outraged to learn that they do not.

Here it is important to note that war is evil — occasionally necessary (such as Ukraine’s noble and vital defense of its borders against an invading Russia, or the Allies’ war against Nazi Germany) but always and unquestionably evil. Whether a person’s experience of it is pleasant or unpleasant is irrelevant to that fact.

***

In civilization, the good feelings that one enjoyed while fighting during war get offloaded to spaces that feel comfortable to an audience that would be unreceptive to a more honest but otherwise troubling account. Frameworks are created to hold such conversations; myths constructed, and built, passively but energetically. The conventional explanation for why people emerge from war with positive associations becomes either that in war people get a sense of purpose that they lack elsewhere (the reason for the war), or that (per Sebastian Junger’s Tribe) even in the absence of a unifying purpose behind a particular war, there is a strong sense of meaning inherent to living inside a small group of peers. This sense of meaning and purpose can easily be found in a military unit.

There is something to this. Nearly everyone agrees that a “good” in war is the sense of camaraderie one builds under extreme adversity; doubly so when part of a good unit filled with good people (and a majority of people are decent or from a moral perspective overall “good,” otherwise civilization would not be possible). Having been in a “company of heroes,” one finds oneself seeking to recreate those conditions, either as a leader or as a subordinate — the memory of that moment stays with you always and is real; it is as true an experience as a person is apt to encounter in the world, the template for all the great myths and legends. King Arthur and his knights of the round table, Homer’s Iliad and Odyssey, the Epic of Gilgamesh, the Romance of the Three Kingdoms.

While we extract good to redeem the unmitigated disaster that is war — the almost unimaginable scope of destruction and evil war entails — there is a taboo that resists most efforts to overcome it. This taboo is one of society’s most powerful, a basic precondition for civilization: the taboo against murder. No culture views this act as tolerable; it is incompatible with modern civilization, and people who murder face stiff penalties and social opprobrium. For premeditated murder, planning to kill another person “in cold blood,” the legal system reserves its harshest punishments. It has been this way for millennia; we can tell that this is the case from the remnants of ancient legal codes such as that of Hammurabi. The sixth commandment retrieved by Moses from God instructs in the original Hebrew that “you shall not murder” (not “you shall not kill”).

But in war all you do is meditate about ways to kill your enemy; you dedicate most of your time and attention to figuring out ways to do that, while they’re doing the same to you.

War is bad, killing is bad, but killing in war is necessary — moreover, as many combat veterans will tell you, killing or wounding one’s enemies in war feels good. Killing and wounding civilians and destroying their possessions — collateral damage — isn’t good, but, for most people, is understandable, tolerable. The combat veterans who are fine with killing or hurting their enemies do not experience moral injury in war, or injury at all; for them, the experience is good or at least just. But these combat veterans do experience moral injury in another space: returning home, where they are encouraged to view themselves as wicked or flawed by civilizations in which killing and wounding people is a major (and useful) taboo.

Killing enemy soldiers in war is experienced as a good by the individual (at least, most of them), but those same individuals understand, regardless of their background, that such an act is, strictly speaking, bad or evil — and that they must be bad or evil for having experienced pleasure from the act. The way combat veterans deal with this is to talk with each other.

If in conversation a combat veteran explains that they did not take pleasure in killing the enemy, one no longer brings up the subject with them; these make up the relatively small group or subset of combat veterans who suffer from the experience, and combat veterans are not interested in perpetuating their anguish. The matter is let to drop.

The rest of the veterans talk and reassure each other both that (1) they are not crazy, and (2) they are not evil; they are decent people. Killing in war, after all, is ok, regardless of whether one derived pleasure from the act or not; it is killing in civilization, in peace that is forbidden. Moreover, usually the reason one kills in war is to prevent killing in one’s own civilization; certainly, that is why Ukrainians are carrying arms against the Russians invading and occupying their land.

Here, I believe, is the crux of the problem with how moral injury is understood or discussed. The vast majority of the writing and thinking public whose views they reflect, assume a priori that killing likely fills a person with horror and anger; that murder is in addition to being a civilizational taboo, a human taboo. It is not!

I don’t think civilization depends on those things both being true; it’s certainly the case that if murder was permissible, that civilization as we know it would not be possible. In rural Afghanistan, for example, where certain types of killing are permitted (badal, or revenge, permits killing in response to a person or tribe’s honor being imputed, for example, but also offers compensation as a suitable replacement for blood), a town looks like a medieval fortification in part because one must constantly worry about 6-10 men from some other tribe attacking you over a disagreement — something trivial and recent, or maybe something older, something from a century ago or more. The amount of energy and anxiety that goes into this rather than any other productive activity including sleep is a brake against progress. And even they have formal social constraints on murder.

Precisely because killing one’s enemies *feels* like a good and satisfying way to adjudicate disputes, civilization needs to take it in hand; every society, no matter how small or undeveloped, does so. It is the first thing a society must do to secure its existence: resolving disagreements through peaceable and satisfying mechanisms (such as, in rural Afghanistan, the practice of resolving badal through monetary compensation).

There is a tension here. Every civilization is made up of a majority of people who would prefer not to make war, who in war develop PTSD or become outraged at their nation for putting them in a position where they have to violate their ethical code, and a minority of people who are fine with combat. If it were any other way, logically, countries would spend more time waging wars against each other. In the past, when civilization was less influential than it is now, this was the case; war was far more common, and the minority of people who enjoyed it wielded more power. But the costs and stakes for modern war are so high that few are willing to bear it save in truly extraordinary circumstances. In a just country people are willing to bear that cost if they must in a necessary war of self-defense, or against a truly wicked and chaotic enemy, such as Nazi Germany or Putin’s Russia. They serve in a military during times of great peril, and do so understanding that it is preferable that they bear the cost of service (intuiting from their reading, studies, and stories from relatives who served that the cost will be great). Meanwhile, the minority of people in civilization who enjoy war or are ok with it (who are the majority of people in the military) join or stay because they for their part intuit that it could or would be a good thing to do; they’ve read or heard stories from combat veterans about the thrill of conquering one’s hated enemies, and seek out combat. Without their numbers or excitement at the prospect of war, it’s difficult to imagine any military attracting the numbers or energy needed to win. Whereas in civilization, a majority of people are formally and firmly opposed to war, in a professional all-volunteer military, the majority of people are trained and encouraged to be in favor of it.

This explains the prevalence of stories about and around moral injury from WWI and Vietnam, and their relative absence from WWII. As discussed earlier, Vonnegut, a prolific author, happened to be caught in one of the few unequivocally immoral acts of the second World War on the Allied side — the British firebombing of Dresden. On the other hand, Heller happened to be one of the people doing that type of bombing.

Is the current recruiting crisis facing the U.S. military tied to perceptions of moral injury and PTSD and the futility of serving honorably? Absent a clear and true understanding of what service means, what happens in the military — what happens in battle — it is impossible to say for certain, one way or another. The widespread expectation that a person will inevitably be morally injured or develop PTSD can’t help. Not everyone who serves is dealt moral wounds. I think the majority of people who serve grow from the experience.

Both because it does not occur to the type of person who thrives without the instinct for blood, and because civilization has robust traditions and laws in place to discourage fighting and killing, it becomes difficult or even impossible to face this truth that war exposes, which is that decent, law-abiding, and mentally well-adjusted citizens could accept or even enjoy killing other humans under the right circumstances. This is the true threat to civilization, this is the rich soil in which political or religious radicalization thrives. And this is why combat veterans are so prone to those specific forms of radicalization. Not viewing things dispassionately and on their own terms, civilization creates a moral hierarchy, in which the combat veteran who feels little or (if they’re being honest with themselves) no shame for their behavior in war is at the bottom, and the wounded or traumatized or betrayed veteran is near or at the top, along with the good civilians whose hands are clean from blood.

This truth, exposed by war, comes into conflict with one a lie that is essential to civilization: that war is not pleasurable to anyone, and makes everyone crazy. The majority of soldiers who have killed an enemy fighter or destroyed an enemy position or fortification with artillery fire or bombs know the truth (that savage destruction is pleasurable) like they know a spoon is a spoon, it is as obvious as the cloudless midday sky is blue — and radical political groups use that truth like a crowbar, to pry otherwise stable and useful combat veterans away from their societies. The fascists and Nazis infamously had the most success with this tactic, deliberately targeting the many combat veterans of WWI to form political organizations dedicated to the idea that war was the highest truth. They took it a step further — in fact, this is one of the reasons the Nazis needed to be opposed so violently and at all costs — their project was to invert the moral order that exists in civilization where murder and fighting are at the bottom and peace on the top. Nazi Germany aimed to elevate killing to the highest form of good, in order to usher in a brave new future. Repudiating their vision of things paradoxically required the most bravery and death in war that the world had ever seen. It ended with the United States dropping two atomic bombs on Japan.

Those atomic bombs are important, and not enough gets said about them. The second bomb — why even mention the first, when you can look at the second — was dropped on Nagasaki. The city, an important center for the production of ships and naval armaments, was not even the day’s primary target. That was a city called Kokura. Obscured by clouds and smoke from fires that resulted from the firebombing of a third city, Kokura was spared when the bombers couldn’t drop their payload on target. They flew on to Nagasaki (incidentally, then the most Christian city in Japan, owing to its having been provisionally open to sixteenth century Dutch and Portuguese traders and the missionaries who accompanied them). There, the US bombers dropped an atomic bomb that killed between 60-80k people. WWII ended (depending on who you talk to, and what sources you read, partially or entirely as the result of that second atomic bomb) hours later.

Most people I know (and everyone from my grandparents’ generation who lived through those times— even the socialist-leaning people, such as my father’s father and his wife) believed or at least acted as though they believed that the US was basically justified in ending WWII the way it did. What of those 60-80k who died, or the 150k in Hiroshima before? These were overwhelmingly civilians. Dozens or hundreds of soldiers were killed in Nagasaki; thousands in Hiroshima. Everyone else was relatively speaking a noncombatant, whether they were at home preparing a meal, or — a distinction that was important four years into a war that had dragged on for various participants in some form since 1937, though we do not observe it now — in a munitions factory pouring gunpowder into tank or aircraft bullets.

So, when we talk about “collateral damage,” and the psychic damage it entails, we have to take into account the bombing of cities we did during World War II, and especially those bombed almost as an afterthought with atomic weapons. Collateral damage, like moral injury, is and should be a great concern to any civilized person, in or outside war, but we must account for the fact that the US erased hundreds of thousands of Japanese people, and, more relevantly to the essay, most people are essentially fine with that. People may rue it in the abstract, or when they think in concrete terms about the death of, say, a Japanese child — that the US dropped these atomic bombs — but there isn’t enough energy behind the few who deeply care about such matters to even force the US to formally apologize for dropping the bombs. Why should it? Most people —Japanese and American — understand that the single greatest incident of collateral damage in military history, the dropping of the second atomic bomb on Nagasaki, was at worst understandable, and at best necessary (I’d draw the line at “good” and hope others would, too).

Don’t take my word for this. None other than Paul Fussell, author of The Great War and Modern Memory (among others) and renowned for his criticism of war and warmaking, wrote upon consideration of the event’s anniversary: “Thank God for The Atomic Bomb.” Whether you agree with Fussell or not — hardly a warmonger, again, and likely among that 20-30% who’d describe themselves as morally injured if writing today — it’s at least worth considering that the closer one gets to the possibility of dying in Japan, the happier one is that the war was concluded before you got there.

If dropping atomic bombs on Japan to force its surrender is something most people at the time believed was necessary, and almost nobody today gives much thought to it, it shouldn’t be hard to understand why most or at least many soldiers are, while troubled by the collateral damage they see or cause in war, able to go on with their lives after. When it occurs in a war that a soldier sees as unjust or unnecessary, the troubling but comprehensible ability to rationalize away “collateral damage” diminishes in proportion to the injustice and wickedness of the war and the deeds the soldier does while in service. Instead, the soldier is wracked with feelings of guilt, impotence, rage, and betrayal — moral injury.

When peaceful nations and civilizations cannot admit the truth of war, the truth about themselves, for the majority of war’s direct and indirect participants — that the killing there felt fine, and also that there’s nothing wrong with killing feeling or being fine in a necessary war — they create a terrible hazard for their country and culture. In seeking to preserve a pristine account of human morality within civilization (murder or deliberate and unsanctioned killing is bad), they help lay the groundwork for unscrupulous agents of chaos to seize upon combat veterans, and set them against what becomes to them a hypocritical and even evil system — a system capable of waging war and countenancing killing, but not capable of seeing it clearly.

The “betrayal,” then, is not the United States government or Department of Defense refusing to take responsibility for the failure in Afghanistan. While it may be true that such a project would be useful for some soldiers — maybe it would help treat PTSD and moral injury, maybe it wouldn’t (anything that undermines an individual’s sense of agency over their life is psychologically harmful, it’s difficult to see how in the United States specifically, and its modern day all-volunteer military, such a remark would truly help the individual) — what the majority of combat veterans and citizens would really like to hear from their country is that what we did in Afghanistan was fine.

Underlining instead that the war in Afghanistan was a failure in order to help salve the outraged or disappointed few, one inevitably imposes moral injury on those people who did not experience much or any to begin with, or who have processed it and moved forward with their lives — a majority of combat veterans. For my part, while it’s clear that the occupation of Afghanistan was carried out largely under false pretenses — I blame the generals and to a certain extent the battalion commanders — I’m not sure who would or should own that series of bad or lazy decisions. The presidents who permitted it to continue (Bush, Obama, Trump)? Their top generals? The evacuation of Afghanistan was botched by the State Department. Would that apology be The Secretary of State at the time — Blinken?

To the critic who might say that such an apology or explanation might be owed Afghans, I would say that this too is a dangerous self-deception. Those people who wanted victory the most in Afghanistan, the Taliban, achieved it, and the Taliban don’t need America’s apology, they earned their victory honestly, they won, the victor has truth in their hand. For the Afghans who are upset that their country fell, rather than looking to America for an apology (with the possible exception of Afghan soldiers who have been given no path to safety once their government fell), they should look instead to those brave countrymen of theirs who lie in the ground, now — and to those leaders of theirs at the time who failed to organize an effective defense, or empower the non-state volunteer organizations that are critical to helping prosecute a successful war of defense when the state itself is weak (as was certainly the case in Afghanistan).

***

Back to the problem of moral injury, which is really a problem of how to bring combat veterans back into society after war. To recap, there are (1) veterans suffering from diagnosable PTSD, which can be treated (7%); (2) veterans suffering from a sense of outrage or betrayal toward their country for putting them in a position to do things they hated or which caused avoidable harm to innocents (13-23%); (3) veterans who for the most part enjoyed their time in the military, feel good about having dispatched vile and wicked enemies or directly and actively participated in dispatching them — a difficult and praiseworthy thing! — and only wish that they could share this without feeling like outcasts (70-79%) and (4) psychopaths who enjoy killing (less than 1%, though overrepresented in combat arms for understandable reasons). These last two groups (3, 4) views collateral damage as just that — damage that was outside what was intended, and therefore, beneath consideration for them, personally.

We know how to treat PTSD effectively. Efforts are afoot to discover ways of treating the moral injury felt by certain veterans (usually and most understandably veterans of combat) which, assuming the treatment won’t then leave the remainder of soldiers radicalized, is good and useful. How, then, to help the majority of veterans, who know a terrible truth that has been obscured from people living in peace and civilization — that killing can be a joyful act, that leaves one with a lifelong sense of confidence and pride or at least is basically untroubling? How further to do this in a way that does not undermine or damage the peaceful people on whose behalf these combat veterans did their killing? Answering these questions will help guide more of the correct people into the military and keep out people who probably ought not to serve (those who are physiologically predisposed to PTSD, for example, as well as psychopaths whose affinity for murder will lead them to kill when killing is unnecessary) and whose writing and movies end up presenting a flawed and incomplete portrait of war. It ought also to help solve the military’s recruiting woes, reducing uncertainty around how a person’s service will be seen and experienced. Wondering if you could pull the trigger and kill someone who is an enemy of your civilization? Worried a commander might send you to kill the wrong person, accidentally? You are probably better served applying to college or graduate school than joining the infantry.

There is an excellent blog post about this phenomenon that a friend suggested to me, written by Bret Devereaux, PhD, the author of ACOUP. I recommend that one read the post in full. In it, Devereaux, one of my favorite historians, examines what he describes as the curious phenomenon of pro-war medieval poetry through the lens of an 11th-12th century Occidental poet and nobleman. The poet-knight enjoys war unreservedly; Devereaux says this could be partly because war, for the armored poet in question, is objectively safer than for most of the other people taking part in it at that time (the unarmored and poorly equipped peasant conscripts). Perhaps this was the case for American soldiers in Iraq and Afghanistan as well, with their advanced body armor and night vision; their jets, helicopters, and artillery? In any event, Devereaux concedes at the end of his post that the poet is sincere in his attitudes toward war, and that it likely reflected a widespread cultural sentiment active at the time, rather than the idiosyncrasies of a deranged individual.

Unlike fascists or aristocratic warrior-poets, I don’t think the answer is to create a code in which killing is elevated to a good in our civilization. To begin with, this would do great harm. It is, moreover, unnecessary — the majority of combat veterans, as I mentioned earlier, already know what they did was good, this does not require endorsement from a culture or government — neither apology nor applause is needed. This is a characteristic of truth, all who see it know it for what it is (whether they like or hate that truth is another matter).

What is the solution? A well-funded and capably staffed Veterans Affairs is a good start. For PTSD: continue exploring treatment and therapy. For moral injury: gauge the true extent of the problem across wars (I suspect that unjust wars such as Vietnam or fruitless wars such as WWI will have a higher amount of moral injury than those that are seen as just or necessary, such as WWII). For the rest of the soldiers who fought in wars and don’t see much or anything wrong with what they did: local spaces for community are still the best answer. American Legion and VFW are and should be good places for soldiers to meet and talk free from the judgment or guilt that can be levied by those who never served or fought against those who did. It seemed for a couple decades while GWOT was in full swing that there was an essay a week or so about how returning veterans didn’t like being asked whether they’d killed anyone, so it’s fair to assume that’s still not a great conversation-starter. But for curious civilians who want to go the extra mile anyway, find a way to create space for honest conversations with friends and relatives. Few combat veterans have ever been given permission by anyone besides each other to have those discussions.

Also, stop with the fiction that an individual’s experience of war — positive or negative — should determine one’s own attitude toward it. War is always evil, though sometimes necessary. Regardless of how one came out the other side.

Finally, simply admit that every war is not horrible for everyone. If one believes, as I do, that truth is the basis for human progress, an acknowledgement of fact — rather than a rhetorically hollow and ultimately meaningless grand gesture of the sort that gets most countries into war in the first place — is the real hope for healing a kind of injustice that exists for most combat veterans. “Tell me about the war” free from implicit judgement has the advantage, too, of being something anyone can ask, whether of a friend, acquaintance, or relative. Try; it might just work.




New Poetry by Douglas G. Campbell: “The President’s New Children’s Crusade”

The Mudweary Bringing / image by Amalie Flynn

The President’s New Children’s Crusade

We are the mudweary
bringing the blossoms of death.
We are the Contras, the blessed,
liberty’s torching lames us,
we are the old children.
shredding night’s humid serenity.
bombs unleashed are our laughter.
we are the young men of war.

We are the death marchers
who slink through the mountain,
one endless serpent of soldiers
sent to strangle our enemies;
The president sends us
with his blessing, blesses us
with his sending, blesses
the bleeding.

There is no need for interceding,
for the Sandinistas
are infidels wrapped in red,
red in their wrapping;
rapping on doors in the night.
Contras are the bringers of light
rapoing indoors when we might,
we bring the light to the burning,
always discerning the right,
the right. After the bellies
are emptied of babies,
after the buildings are belching,
their flames springing higher
we scatter, no matter the plunder,
the thunder roars through the dark,
the spark of freedom is lighted,
ignited.

We are innocents marching,
we are the crusaders of death,
new life we bring our nation,
new breath, new salvation our message.
We have the president’s blessing
he sends us the blessing of rending,
his blessing is drowned
in the bleeding.

 

 

 




New Poetry by Sylvia Baedorf Kassis: “Detritus”

 

“Bullets 1.0” by Sylvia Baedorf Kassis (acrylic, ink, gesso, rust and found shell casings)

Detritus

You can tell me
that what happens
PUUUupon the soil
PUUUUUUUUUbeneath our feet
does not matter

that the violence –
PUUUgunpowder
PUUUbullets
PUUUlandmines
PUUUblood spilled
PUUUand rot of bones and flesh
does not affect the terroir

that the terror
over centuries
on land –
PUUUdisputed
PUUUand stolen
PUUUfought over
PUUUconquered
PUUUand lost
is not ad infinitum
buried in this graveyard
PUUUUUUUUUUUUcalled home

You cannot tell me
that what happens
PUUUupon the soil
PUUUUUUUUUbeneath our feet
does not matter

that the battles –
PUUUsweeping or contained
PUUUas enemy or ally
are not eternally captured in the earth
PUUUdust inhaled and ingested
PUUUUUUUUUbut also embedded
PUUUUUUUUUUUUin our collective consciousness
like a rusty compass
nestled in the palm of each newborn child
PUUUUUUUUUUUUits arrow clearly pointing
PUUUUUUUUUUUUUUUUUUUUUUto the forever trenches
PUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUof inheritance.




New Fiction by Robert Miner: Shades of Purple

Bar Bathroom

Danny Llewellyn hadn’t shit himself since he was a toddler, back when nobody minded. Since then, he’d joined the Army, gone to war, left the Army. He was, by most people’s estimations, a man, especially because his exit from the service had been hastened by injuries sustained in combat. All the pain meds during his hospital stay had stopped him up, and things down there never quite got back to normal. That was part of the reason the accident took him by surprise—in those days, each bowel movement was a protracted trauma of its own.

It happened at the Veterans of Foreign Wars hall in Overland Park, Kansas. The VFW had a bar room. The bar room had a vinyl floor, and the walls were covered in photographs, unit insignia behind glass, and certificates of appreciation for good works in the community. The bar itself was u-shaped, made from teak like the deck of a boat, light and polished. It was the nicest bit of anything in the whole building, which makes a lot of sense when you think about it.

The winter sun had just set. Friday. Danny walked the mile from his apartment to the VFW through wind and gray slush. He had plans to get blind drunk, and he didn’t want to drive home. When he arrived, there were three people in the bar room. Two of them, both men, sat next to each other in chairs on the right side of the bar. Their backs were mostly to Danny, and he couldn’t see their faces, but they looked older. There was white hair and wrinkled necks and the broad, uneven shoulders which become under the weight of a hard life lived.

Only the bartender saw him come in. She was in her forties, and she didn’t take good care of herself, but she had great big tits, and she wore low cut shirts because she knew the fellas liked something to look at. She pitied most of them for what they’d seen and done.

The bartender told him to have a seat anywhere. The man in the chair nearest to Danny swiveled to see who she was talking to. He had a bushy gray mustache and wore a ball cap that identified him as a Gulf War veteran. Danny limped to the side of the bar opposite the men. The limp was the result of the explosion that had sent shrapnel up and down the right side of his body. The damage to his thigh and hip was especially bad. The doctors said he’d probably limp for the rest of his life, even as the pain got better.

Danny took off his jacket and sat. He ordered a Miller Lite while trying not to stare at the bartender’s cleavage.

“What’s with the hitch in your giddy up?” It was the mustache in the Gulf War hat. “You get that over there?”

Danny nodded. He hadn’t yet figured out how to talk about what happened to him, and he didn’t like to lie, so when people asked about it, he said as close to nothing as he could.

“Iraq or Afghanistan?” This time it was the other man asking. He was a head shorter than his friend, so he had to lean over the bar to be seen.

Danny told them Iraq.

The bartender brought his beer in a smudged glass. There was a lot of foam. Danny went for his wallet, but the bartender waved her hand.

“First timers get one on the house. Thank you for your service.”

Danny looked down and thanked her.

The old guys held up their drinks, so Danny did the same. His hand shook, and a little foam spilled over the edge of the glass, but the occupational therapist at the VA had told him he had to practice if he ever wanted the tremors to get better.

He took a big gulp of the beer and came away with a foam mustache. He wiped it off, willing himself not to think about shit-burning detail, but the sensation of something on his upper lip brought him right back with such force that he could practically feel the rough edges of the metal picket in his hands.

Before higher headquarters dropped the chemical toilets, his unit had been shitting in wooden outhouses. Each one had a hole in the floor positioned over a 50-gallon drum. The setup worked, but something had to happen to all that waste. Pour in some jet fuel, light on fire, stir. Danny always seemed to draw shit-burning detail. It wasn’t so much about the odor (jet fuel masks the smell of shit as well as anything), but his cackling squad mates had photographed him more than once with the Shitler mustache that inevitably takes shape under your nostrils after breathing in the smoke. All the while, other guys were out on the glamorous missions.

The two old vets were back in their conversation now. The first guy, the one closest to Danny, was doing most of the talking. He spoke with an intimidating energy. Intense. Fatigueless.

The bartender came around and asked if Danny wanted another. He said he wanted two. The fast talker was out of his chair now. He had the body of a marathon runner and the shiny cheeks of someone who still shaved every day. He was telling a story about a helicopter crash in which he’d been the pilot. He described the sound of bullets piercing the cabin, the feeling of losing control of the stick, the centrifugal force as the Kiowa plunged spinning towards the ground.

“I was sure I was going to die, of course.” He put both hands on the back of his chair and leaned. “In flight school, they tell you right off that helicopter crashes only have a twenty percent survival rate.”

The pilot had actually been in two crashes. The second one was during a training exercise. Mechanical failure. Danny didn’t know any of this, nor would he have been able to do the mental math on the odds of surviving two crashes, but he was still enthralled. His focus was the result of admiration and jealousy. Look at his joie de vivre! This was what happened to soldiers who never pulled shit-burning detail.

Danny was astounded that the bartender and the other veteran seemed bored. She was looking at her phone. He was paying more attention to the rim of his glass. Even if Danny assumed—as he did—that they’d heard this story a hundred times—as they had—it still deserved reverence.

Danny drank fast, and the beer sat heavy in his stomach. Foamy, so foamy, on top of whatever else had built up in there over the last few days. Panda Express. Frozen pizza. More Panda Express. He groaned a little, enough to draw attention.

“Say—” The pilot was looking at him. “What’s your name, young buck?”

Danny said his name.

“I’m Sal. This is Glenn. And the lovely Tina, of course.”

Danny said hello.

“What’d you do over there, Danny?”

Again, Danny did his best to avoid the question. Rather than say what he did, he told them what he’d been trained to do. Often as not, that’s what people meant when they asked about war. He told them he was an 11 Bravo. Infantry.

Sal’s expression brightened. “Glenn, you’ve finally got another knuckle dragger to talk to.” To Danny he added, “Glenn thinks infantrymen are the only real soldiers.”

“I hate it when you speak for me,” said Glenn. Sal the pilot shrugged.

Glenn stared straight ahead and took a drink. Truth was, he believed that anyone who volunteered to serve deserved as much reverence as a Medal of Honor winner. Heroism was mostly a question of circumstances beyond any soldier’s control. He’d won a Silver Star in Vietnam—his was one of the decorations hung on the wall of the bar room—and the citation read like a Hollywood script. But so what? He didn’t like talking about what he’d been through either, though his reasons were different from Danny’s.

Now on his fourth beer, Danny slid right past tipsy and into drunk. He hadn’t eaten since breakfast when he’d poured some questionable milk over a bowl of Raisin Bran.

“Got any war stories?” Sal asking again. “Good ones get another beer on me.”

Danny looked down. The pattern of the wooden bar was lovely, soft waves of amber and tan and brown running lengthwise along the planks. They reminded him of Iraqi dunes, which made him think of the day he’d been blown up. He’d been in and out of consciousness, but the view of the windswept sand out the door of the MEDEVAC chopper stuck in his memory.

Danny told them there wasn’t much to tell.

“There’s a story behind that limp.”

Tina the bartender sucked her teeth. “Sal.” She seemed to have some power over Sal, because he sat next to Glenn and was quiet for a while.

Of course, there was a story, it just happened to be one that Danny never wanted to think about, much less tell to a couple of war heroes and a bartender whose tits he planned on thinking about while he jerked off later.

But could he omit the embarrassing details without inviting more questions he’d have to avoid? Probably not. The embarrassing parts seemed like the whole thing.

They’d had the chemical toilets for about a week. A week of shitting in luxury—no risk of splinters in your hamstrings, flies kept mostly at bay by the thin plastic box around you, the smell of other soldiers’ waste muted by the blue concoction in the tank below. A little hot, maybe, but so was everything else. So was shit-burning detail. And now that was done forever. Danny had begun lingering in the new toilets. Five minutes. Ten minutes. Fifteen. Locking the door to the stall was like shutting out the war.

It was the middle of the night, and Danny’s bladder woke him up. Before, he might have just pissed into an empty two-liter plastic bottle and gone back to bed, but now the new toilets beckoned. He took an issue of Hustler from the stack under his cot and grabbed his rifle and stepped out of the sleeping bay.

The sand of the unimproved road looked blue in the moonlight. The concrete Texas barriers, too. It was a short walk to the row of chemical toilets, newly laid gravel at the edge of camp crunching under his unlaced boots.

None of the toilets were occupied. Danny chose one at the end of the row, because even though the likelihood of a midnight rush was low, he liked the idea of not having guys on both sides of him while he did his business.

Danny stepped into the toilet and closed the door. He waited for his eyes to adjust to the darkness before dropping the black PT shorts to his ankles. He took an effortless shit. His last one for years. From the sound, it must have knifed into the water below like an Olympic diver. He sighed. He opened the Hustler and stared at the glossy body of a girl with curly red hair.

That was the last thing he remembered until the fractured visions from his evacuation to the hospital in Balad. No matter how many times his squad mates told him how gruesome, how badass his injuries had seemed when they found him, Danny could only ever imagine himself strapped to a litter in the MEDEVAC chopper with his t-shirt on and his dick flapping in the rotor wash. The psychologists told him that was probably because of what he’d been doing when the mortar hit. Knowing hadn’t yet helped.

Danny’s stomach made a sound like a bullfrog. He was too drunk to care about the current of discomfort that shot through his groin. Besides, he was used to ignoring pain. He ordered another beer and drank it and ordered another one.

“You’re not driving are you, hon?” asked Tina.

Danny told her he wasn’t. He smiled, but he could tell the smile was crooked. Tina gave him the beer anyway. It was nice that she trusted him.

Sal was talking again. Danny didn’t know about what. He heard a few words here and there, but his drunk brain was busy trying to overwrite his memories. Maybe there was a way to change his perception of the past. Then there wouldn’t be any dishonor in lying.

Through the densifying haze of his vision, Danny saw Glenn’s eyes. They were focused on him. Unnervingly focused. Glenn got up and walked over to Danny. Sal was still talking. He didn’t seem to mind a mobile audience.

“Not my business, I know,” said Glenn, “but that’s a lot of beers in not a lot of time.”

Sal was still talking in the background. Danny nodded his agreement.

Glenn patted Danny’s shoulder like he was afraid it might break.

“Just to say, we’ll be here all night, you know?”

The pain that swept through Danny’s gut gave no warning. It stabbed at his stomach, puckered his asshole. Sweat erupted on his forehead. He sprang to his feet, and his chair toppled backward. It smacked the floor—Bang! Glen started to ask what was wrong, but Danny was already waddling to the door where he’d come in, only to realize he didn’t know where the bathroom was.

He stopped in the middle of the room, holding everything tight, afraid if he opened his mouth for directions, he would fall to pieces.

Tina, Sal, and Glenn looked at each other. They all thought he was going to vomit.

Tina said, “Go ahead, baby. It’s alright.”

Danny collapsed to his knees. Release. The heat of it running down his hamstrings, spreading across his skin and soaking his jeans. He could hardly believe the stench.

“Stay back,” he said.

And then a new memory, a clear one, struck him in the middle of the forehead like a sniper shot. He’d said the same thing, or tried to, when he felt the hands of his comrades on him, lying in the wreckage of the chemical toilet, cut and broken and dying. What if another mortar fell? What if people died because he’d lingered after a satisfying shit?

They ignored him of course. They lifted him up, uncaring about the smells and the stains his blood put on their clothes. They carried him for hundreds of meters to the helipad. They reassured him the whole way.

You’re not going to die. We won’t let you.

They hoisted him into the chopper and strapped him down and told him they’d see him soon. They squeezed his good hand.

He remembered all this for the first time, sitting there in his own filth. And then he was levitating again, as Sal and Glenn hoisted him to his feet. They guided him toward the bathroom.

“Thanks,” said Danny.

They agreed it was no trouble at all. Danny had his arms around both of them, and he thought that Glenn was sturdier than he seemed, and that Sal had a more tender touch than he’d expected.

Tina waited until they’d gone out of the bar room before she pulled another pint for Danny. She set it in front of the chair next to Sal’s seat. She figured that’s where he’d be sitting when they returned.




New Poetry by Richard Epstein: “The Dance”

WITH A BURST / image by Amalie Flynn

 

I can still see it.
I hit him with a burst from my M16.
He jumped up and danced.
Everything gray.
Bamboo stood silent
and lowered its leaves.
The earth stood still.
Breathe! I said.
Breathe!

 




New Poetry by Peter Mladinic: “Fist”

AIR THICKER THAN / image by Amalie Flynn

 

In Okinawa I made a fist
and my fingers stuck together
that stop over night
my one stop before Danang,
between two worlds,
the flag burning, tear-gas
U.S. and the Vietnam rat-tat-tat
automatic fire, the LBJ
How many kids … and the sandbag
fortified bunkers. Didn’t
see anyone die, only the dead.
In Okinawa, planes
on the runway, the air thicker
than Danang’s.
The smell of napalm,
how real for some.
I stood holding a metal tray
in a chow line, slept
in a top bunk, spit-shined boots
so their tips were mirrors.




New Poetry by David Burr: “Harvest”

HARVEST OF THOSE / image by Amalie Flynn

 

PUTTTI don’t know whether war is an interlude
PUTTTduring peace, or peace an interlude during war.
PUTTTTTTTTTTTTTTTTTTTT-French Prime Minister Georges Clemenceau, 1919

Hurl of metal – iron, steel – as shrapnel,
as bail hail, as HE detonation, all
forged and spit out again with new fire,
matériel barrae, meat-mincer for
extruding the mortal mettle of mere men.
The sowing and the reaping are all one –
short is the harvest of those born to it.
After the wrecking, reaping, reckoning,
all are scuppered on the killing field,
khaki men with hopes of home snuffed out.
Sheaves of men scythed down mid the muck-mire-mud,
bowels churned with the disemboweled earth, red wet.
Gravity flows to the lowest reach, but not
here in the gorge of this blood-gutted earth,
saturated but not satiated.
On and on this crimson stain will drain,
young men will come to fill the gap – futile
like a record where the sylus is stuck
in the groove over and over again –
out of trenches to fatal, final ground.
They die individuals, but banal
as communally their yield is too large –
none a hero in this no-winners game
nor a tragedy – just raw statistics.
All that grieve them soon too, to oblivion.
After this Great War comes the entr’acte
before World War roman numeral II,
just in time for those who survived and bred
to lose their sons in the next harvesting.
Never an end, merely an ellipsis …




New Poetry by Jayant Kashyap: “The War”

A NIGHT KNOWS / image by Amalie Flynn

The War

“The war continues working, day and night.”
The War Works Hard, Dunya Mikhail

It has a way of knowing people,
the way a night knows our stories.

Everything’s quiet, then you learn to fall,
deeply. It’s said how you approach an issue

says a lot about you,
PUUUbut how do you approach war?

Everything quiet – almost
at peace – when you learn to fall. Deeply.

And even the night changes its colour.
The dawn is difficult to accept.

Your palms have broken into little chips
of stone, which you will either throw

at people or swallow yourself.
In the kitchen, the water’s boiled, the pan

is ready for eggs. The child you sent out
to get some bread hasn’t made it back.

In the news: everywhere, the streets
PUUUhave learnt the meaning of blood.

 

 

 




New Poetry by Phillip Sitter: “Krakivets, Odyn” and “Elemental”

WINDOW / image by Phillip Sitter

 

Krakivets, Odyn

I wasn’t a medical volunteer – only came in with a backpack, an overweight suitcase,
all the baggage of the past eight months and a heart to pump into here
the ability to stop someone’s bleeding in whatever capacity and degree I could.

But that would’ve been too much nuance for that moment,
with me just being able to count to not much more than eight in Ukrainian
and the guard’s English and tone more apt to counting to three.

I’ve already forgotten some of the exact nuances of that moment.
Did the guard ask me through the open car door, over the empty driver’s seat in the dark, “What were you doing in Ukraine?” or something more like “What brought you to Ukraine?”

For almost a week? Your first time, with emphasis on now?
Incredulity, perhaps, that someone would choose to come to a war,
unarmed, at least in the Kalashnikov sense.

Was he holding such an automatic rifle, a worn cousin of the one I’d fired       in Texas -just precaution-or was it only a fellow guard I saw cradling the legacy of an empire chasing again the impossibility of restoring itself

by unloading                terror upon
and blasting                    through flesh
of people                           like him or me?

I tried to answer the guard’s questions but he got frustrated
and he waved us on to keep the line of hundreds of vehicles moving toward Poland,
as foreign fire engines and weapons re-supplies for firefights came in the other direction.

And with that, we crossed the line — after the Polish guards searched the car, anyway.
One side, the imminent threat of death from the sky above — and not on the other.

Those night skies, no light on the ground to obscure the stars or guide the drones.
I slept well, except when I cried myself to sleep the last night in Kyiv at the thought
of having to leave you, brother, in all this.

Your big windows in Lviv didn’t bother me much.
Neither did the lights in the sky out your windows in Kyiv,
lights that moved in the darkness.

 

Elemental

Hydrogen, the sun’s power
sends light 93 million miles
to give life to the sunflower
that stands for hope in all our trials.

Nitrogen and phosphorous, they make the sunflower fields more fertile.
When used in explosives and incendiaries, they add more shock and awe to a projectile.

Oxygen, the spark of life in my lungs.
I would give you the last of it from my chest,
my last breaths, if suited best,
for a continuance of your song to be sung.

Heavy stuff, uranium.
It’s not all gone as quickly as in a flash,
not for many or most.
Did I mention half-life with strontium-90?
Like calcium, it seeks bones as hosts.

Carbon, the basis of life as we know it.
If I had to, could I recall any debt to be owed it?

Could all I’ve ever sent off to be recycled
be traded to rebuild your body, your blood, your soul?
Enough to make you whole?
With enough left over to also recreate the man shot off his bicycle?

Our bonds are strong.
Between two hearts, two time zones.
Subatomic critical mass, but love more than chemistry and physics alone.




New Poetry by Shawn McCann: “All I Can Do Is Watch” and “No Way To Fight Back”

DONE WITH MOONS / image by Amalie Flynn

All I Can Do Is Watch

It’s 0400
on a bridge crossing over
the Tigris River.
Qayyarah is a town along its fertile banks,
15,000 people call it home.
I wonder how long it has been here,
how many times conquered
and rebuilt.

On the outskirts lies an oil field,
it’s where I live.
The wooden walls
of this makeshift bunker
in the sand
wouldn’t stop an attack,
just slow it down.

Surrounded by blackness,
my mind wanders valleys of homesickness,
forced to breathe toxic air,
flanked by those who want to kill
my invasive body, parade it
through the streets.

A bright light hits the oil field,
shakes the ground.
Movement on the hill to the north—
I call it in.

Orange flames rise in oxygen,
twirl in mirthful celebration,
the smoke swirling higher,
my life forever changed and
all I can do is watch.

 

No Way to Fight Back

I can smell the exhaust from
the plane that’s taking me home.

Standing in line to board the whale,
maw open wide to let us inside.

Air forming breath in the illume,
I’m done with moons in this hemisphere.

These stars, still foreign to me.
Even at the end, I know I don’t belong

in a land of sharp sand, the broken
glass bowl of democracy.

This land won’t let me leave, though.
Raining metal explodes my dreams of home;

swarming red flames engulf
the surrounding canvas. The sound

catches the light, knocks me flat
to the ground as alarms blare attack,

bullets ricochet off cold slabs.
And just like that, I’m crouched inside,

cold-cocked by the reality of
no way to fight back.




New Poetry by David Dixon: “Last Night, I Dreamed of the Korengal”; “Look at This Thing We’ve Made”; and “War Poetry”

DAPPLING THE FOREST / image by Amalie Flynn

Last Night, I Dreamed of the Korengal

boulders like giants’ teeth
the kind of giant that will grind your bones for bread
jut out of the ridge like
molars from a bleached jawbone in profile against
green terraces draped over the hillsides
like a silk robe on the floor
while above me the tall necks of pines
tower to the sky
dappling the forest with the light of an afternoon
perhaps the last afternoon, for

the dark windows of flat-roofed houses
skulls with empty eye sockets
stare down at us
the stare of the dead
at those that soon will join them

rounds snapping around me like the angriest of hornets
stingers of copper poison of lead

overhead the four-bladed locusts hover
stings in their tails
as prophesied by John on Patmos
but who
even in his wildest nightmares
his fever-dreams of sickness or madness
could not have

dreamed of the Korengal

Look At This Thing We’ve Made

I.

Wife
Look at this thing
we’ve made

toothless, shriveled, red-faced, howling
at the world
with every breath

we love it as we’ve never loved
anything else
this perfect child we’ve only just met
yet now could never bear to part from

II.

Daddy
Look at this thing
I’ve made

a picture of a brown horse, riding
across a narrow strip of green grass
along the bottom of the page
white house on the left
with four pink windows
the sky coming down blue like the sea
to meet the grass and the horse
and the house
blue filling up every crevice

blue like her eyes wide when she smiles

isn’t it beautiful

of course it is
it is the most beautiful thing I’ve ever seen
and it hangs now on the refrigerator
next to last week’s spelling test
and drawing of a unicorn in the snow

III.

Son
Look at this thing
I’ve made

long and cold
it is all black steel, aluminum
grooved and machined
to perfect precision, tolerances
of less than a millimeter

slide the magazine into the well
pull back the charging handle
let it go
hear how it slides
hear that satisfying snap
of the round riding home into the chamber

see this here
wherever that red dot is
is where the bullet goes

easy

with it in your hands you need not fear
need not worry
you are a man among your fellow men

son of Aries himself

IV.

Class
Look at this thing
you’ve made

poster for the classroom door
so everyone knows it’s us
Mrs. Foster’s Wiggleworms

a picture you’ve each drawn of yourselves
all hair standing on tops of heads and glasses too big for faces
heads without ears
smiles nothing more than little curved lines
dots for eyes

and each of you did so well
adding a picture of something you love
yellow and brown triangles with red circles
pepperoni pizza
puppy dogs and kitty cats
Pokémon and Captain America’s shield
the sun above flowers
a drawing of the beach
blue waves meeting
a line of brown sand

I love it
Wiggleworms

V.

America
Look at this thing
we’ve made

holes in the wall
pockmarks in the cinderblock
splinters of the door
blasted into the hallway
broken glass from windows
designed in other times by unwitting architects
to let in sunlight
so children would feel connected with the wider world around them
but which instead admitted
the gaze of inchoate rage

floor slick with blood
in lines where bodies earlier so bright with promise
were dragged by their classmates
teachers
police
strangers to another room
to be identified

by wailing parents and sobbing siblings
instead of by a poster of their favorite things

Look at this thing
we’ve made

War Poetry

soldiers are poets.

rifles fire
in staccato rhythm:
the beat poetry
of bullets snapping back and forth in lines
that sing

and sting.

machineguns talk like lovers
arguing back and forth.

desperate orders are
earnest haikus
the quiet in the loud.

reloads our enjambments.




New Poetry by Cheney Crow: “The Grey Phone”

ON MY STREET / image by Amalie Flynn

The Grey Phone

Lights on, lights off.

The scrambler phone howled
on my father’s desk
during Vietnam.
Mostly late at night.

Somewhere, the enemy.

A regular sequence
for dads on my street.
First the phones, grey with no dial,
a red light blazing with its siren howl.

Somewhere, the enemy.

Then the ruffle of staff cars
pulling up to collect the men
on our silent, guarded
street. Lights on, lights off.
Keeping us safe.
The deep rumble of inboard motors
at the dock. Three blocks away,
the boat drove the men across the Potomac,
a machine gun mounted mid-deck.
The Tet offensive.

Keeping us safe.

They did their best. It wasn’t enough.
My father shook his head that politicians
would try what the French under DeGaulle
couldn’t manage in twenty years.

Somewhere, the enemy.

One father on our street had two sons:
one went as a pilot. The other, conscientious
objector, chose oceanography.
He loved them equally. We played chess.
One father died. Also one son.
Somewhere, the enemy.

I played guitar and sang folk songs at hospitals,
ward to ward, for air-evacuated wounded,
the most severe. Hard to look at, but
some of them smiled at a teenage girl.

Nixon ended the draft to be more popular.
Politicians do things like that.

Keeping us safe.

All the dads on my street were against the war.
They threatened to resign en masse
unless we got our prisoners back.
Lights on, lights off.

Somewhere, the enemy.

Nixon ended the draft to be more popular.
Politicians do things like that.
All the dads on my street were generals.
They did their best. It wasn’t enough



New Poetry by Joshua Folmar: “Sudoku”

A REMOTE DETONATION / image by Amalie Flynn

Sudoku

Death? She’s your final lover, playing
the numbers of this cosmic game—set
between lines on an overlaid map

of patrol routes winding through wadis
deserted in Iraq—here’s shrapnel
fragment: zone 3, row 2, column 1.

The first time she came, she was like fire-
crackers: pounding down the dirt, skirting
the stack with sweat and AK rounds.
Chute down and right 2 columns. Death swears
she’ll never betray me; promises we’ll
be together soon—gives me dysentery.

She keeps me at a distance, shitting
in Gatorade buckets on post. She’s
such a tease not to finish me off.

Humbling me, she pulls the ego from
my chest: a puzzle I tried to solve,
but I couldn’t get the numbers right.
The 9’s looked like electrical wire
sticking out sandbags of IEDs—
she was a remote detonation

at the town square’s edge, jacking my head
off at block 8, row 7, column 6—
click. We made the news at 5 today.

The TV in this dusty bardo
switches from news to daily numbers—
Play? What for? Where are you, Habibti?




New Poetry by Lawrence Bridges: “Time of War and Exile” and “Taking an Island”

THE BROKEN LAND / image by Amalie Flynn

TIME OF WAR AND EXILE

Delicate horse feathers climbing the bier,
Rhesus monkeys playing sincerely with bombs,
Alouette, the weightlifter, seasons the vegans’ food
with the rillerah and finds Roger dozing
among bananas.
PUUUUUHistory is pleased by turnabouts
none can explain nor defend because they’re dead.
If only we’d noticed that it was primal
behavior going back eons that was on display –
No war, no truth, no civility – the beards grow over
niceties that fast! Then we make peace to survive.
No wise hand placates the broken land, nor kisses
the clan that feeds it. I watch myself
display courage in emptiness. With emptiness,
every hour is the same, a wait for exile
from the churning heart long separated
from its homeland.
TAKING AN ISLAND

The stations in my head
broadcasting jazz and news since
VJ-Day almost
have witnessed everybody
escaping annihilation
almost,
and I’m loading material
bare-chested on a beach
in the tropics, a sniper
in a nearby palm playing Bach.
I have nothing but the memory
of home and her
tattooed on my arm,
the caressing lagoon
at my ankles
a whiff of plumeria
as I carry my weight,
swift bullet whizzing toward
my head



New Poetry by Matthew Hummer: “Amortization”

JUST SAY IT / image by Amalie Flynn

AMORTIZATION
Carl showed me the chart
years ago, when we first
thought to buy a house.
But we wouldn’t write
a note saying she’d go back
to work the same hours
after birth. The under-
writer, in fluorescent office
by the two lane road
between golf course
and condo, wanted a wink-
wink. “Just say it.” A lie
worth a sixty thousand
dollar house, brick
row home with sagging
window frames and tilted
doors. A loan unto
death. Camus, I think,
pointed that out. Mort,
en francais.

PUUUUUUUUUUDianoia: How
you’ve led me astray.
Res publica. Fasces.
Words and phrases we use
without knowing the root.
Character in the play. “History.
History!” Dag Nasty said
at the end of a song: Now
that it’s gone just admit
it to yourself. Now that it’s gone
just admit it to yourself.
Drum rapid as the rumble
of a gasoline engine—leaded.
Army green paint.
Nova; V-eight.
From stop to start, shifting
up from floor to top.
Another typical youth…

Thirty years to pay
it off. The life of the loan,
more than two dog lives.
Not the lifetime guarantee
of a washing machine—the expected
lifetime of the appliance. Five
years? Seven? Fifteen
before nineteen
eighty. The green fridge
next to the coffee pot
kept milk for decades.
Vietnam to Iraq, outlasting
the man smoking cigarettes
on the concrete patio, feeding
peanuts to squirrels and telling
a child about the Battle
of the Bulge, the tank driver
who fell back in headless,
the German soldiers who “tried
to get away in the snow,”
the aristocrat’s sword the post
office stole from the box
he sent home.
PUUUUUUUUUUThe guarantee
spans the projected lifespan.
Lottery ticket, Camels,
Dominoes, V.A.,
Life insurance. Actuarial
predictions with cosign charts—
bodies in the morgue. Dead
reckoning. Except the Black
swan, clot-shot.
Dead cat bounce.
Bank-breaker. Mid-
life degeneration.
A rogue wave rises
and swallows the bobbing tanker.



New Poetry by Almyr Bump: “Plowing Water”

IN BROKEN GROUND / image by Amalie Flynn

 

Plowing Water

We return to nightmare
ground, looking over the scene

of the crime, the copper
reflection of little clouds

in the torpid, tainted
canal masking disquiet

and chaos created
in us. Toiling in soft sand

underneath a burden
that would make a mule bleat,

we bitch and moan when told
to drop the rucks. Now we must

dig in, not like blind moles,
but like crippled gravediggers

in broken ground started
by high angle hell. Mangled

sandbags and serrated
pieces of metal pulled from

dirt wounds, also a hand
only missing two fingers.

Using a bayonet,
we bury rancid, fetid

flesh in a hole, puking,
not worried about a name.




New Poetry by J.S. Alexander: “Sabat”

AWAY HE STAYS / image by Amalie Flynn

 

Sabat (Loyalty)

Dead bodies stop looking like bodies
after a certain point.

The face, like a popped milar balloon
with all the air blown out the top,

the legs, oddly angled, their bottoms
looking for all the world

like tubes of children’s toothpaste
unevenly squeezed.

No, the dead here never arrive in an
orderly manner, like in the movies.

This is Afghanistan, so they show up
carried in blankets or what’s left

of clothes, bandages waving
like May flags.

But they all go out the same way.

The mullah works systematically,
washing and praying, singsong in his labors.

Next to him, a step back Mortaza watches
them prepare his brother for the next life.

Mohammad Gul was the pride
of Ismail Khel.

Young, handsome, brave.  Funny.
Everyone said he was funny.

You don’t hear that much in Afghanistan,
someone being funny. As they lift what’s left

into the particle board box that looks like
an Ikea desk repurposed

hands seek to guide Mortaza out.  But
he pulls away, he stays.

He watches as they wrap Gul’s head in
cotton and prop it up on

pillows of cheap foam.  They spray him with Turkish
perfume from the bazaar, and then

drape the Afghan flag and the prayer rug over his
box, taping it down with rolls of

scotch tape.  Mortaza sniffs back a tear, both for
his brother and the debt

he knows he’ll now have to pay.  He’s not scared,
just tired, and knows

that somewhere, out in Lakan,  is a man he’s never
met but will kill, as the way demands.

When we walk out, together, my boots slip,
squeaking and squishing on the sodden, dirty
tile.




New Fiction by Adrian Bonenberger: “King Tide”

We’d been expecting the fascists for a few days but they’d gotten hung up on Newark. Usually they moved fast. Camden had gone quiet just a week after the government had evacuated from Washington, D.C. to some secret location. Then, abruptly, the fascists flowed south, a growing mob of pickup trucks and tractor trailers bristling with guns, fuel, flags, and ammunition: to Richmond, although Baltimore was closer; finally hastening back northward after wrecking that old city, the capital of The Confederacy. Each of those cities had fallen in weeks, carved into pieces and starved, capitulating before the threat of fire and murder that appeared to have come anyway, in spite of surrender. Here and there the cities of the South and Midwest still stood, but were cut off — separate from each other, separate from us, isolated by long stretches of forest and strip malls patrolled by men in multicam holding AR-15s and shotguns, lines of utility vehicles across tracts of the largely deracinated terrain.

The suburbs across the river in New Jersey were filling up with refugees and transients, huddled between the homes of New Yorkers who could afford to live outside the city. Hedge fund managers, software engineers, salesmen, bankers, cops, lawyers, university faculty handed out blankets and food at first. Then later they became stingy, alert to any word of crime. These people were of the city but not in it — their loyalty, dubious. The thousands and later hundreds of thousands fleeing the fascists were bound for sadness and tragedy, driven from homes that would likely never be seen again. Once the center began to crumble, none but the bravest returned to their previous lives, and the bravest were not those running headlong from the hatchet and gunfire.

Many of us still half-believed the whole thing was a joke taken too far, a mass hallucination or something illegal rather than outside the law, a matter for police or maybe the FBI. Even after D.C. and Richmond and Camden we felt that it would be stopped somewhere, by others. Certainly not by us. Psychologically we were in the denial stage of grief, preparing, though far too slowly for what was coming. In that moment they had laid siege to Newark. While we’d been waiting for the fascists to mount their inevitable northern push, the push had happened; like a bullet, or a hypersonic missile, they’d moved too fast for us to track.

This sent us into a frenzy of preparation. The George Washington Bridge came down, and the Tappen Zee. All week, tens of thousands of anxious eyes stared round the clock at the western approaches to New York. But once news from Newark slowed, it was almost a week before we saw the first movement from our perch in Manhattan, across the Muhheakunnuk River.

I’d dropped out of my fifth year at Muhlenberg college to join the 1st People’s Revolutionary Corps. Academics came slowly to me so college was taking more time than it should have. My dad didn’t believe much in getting a bachelor’s degree. He’d done fine for himself in construction without one. But it was important to my mom that I graduate from college. That’s how I ended up at Muhlenberg instead of the Army or Marines like my dad wanted. As far as I knew, my folks supported the fascists. I hadn’t heard from them in months.

Now I was in a reserve detachment of scouts stationed at an observation post (or OP) in what used to be called Washington Heights. We’d renamed it Canarsee Hill. The OP overlooked the Muhheakunnuk. Mostly we were watching to the northwest but just before the weekend, Smith, another scout, who had come down from Yonkers, spotted men moving on the bluffs opposite us due west. Smith called Vargas over to the telescope to confirm.

Vargas was our leader, though our unit’s military hierarchy was still inchoate. We didn’t have ranks, we were all volunteers and organized in a broadly egalitarian way. He was our leader because he’d been (or claimed to have been) an Army Scout during the 1990s, and had definitely been in the fighting that first broke out south of here. He seemed to know his business and we respected him for his quiet competence and willingness to teach us basic fieldcraft. His crypto-reactionary loyalties and remarks we overlooked with trepidation.

“That’s them all right,” he said, his flat, battered mug pressed squinting and grimacing against the telescope. Vargas’s life hadn’t been easy since leaving the military, and in addition to a scar running across his face from eye to cheek, his nose had been mashed in a fight and never fixed. He motioned to me. “Take a look kid. See how they move? That’s discipline. They’re out of range but they’re spaced out, two by two. Way you need to remember to do things. Understand?”

In the round, magnified slice of world across the river, there they were: camouflaged shapes hunched over, moving tactically in pairs. One would stop while another moved, rifles up and at the high ready, in both pairs, presenting an appearance of constant motion and menace, rippling like a snake.

“Here, you’ve had enough,” Vargas said, taking back his position. “Ok: total 8 troops, that’s a squad… one tactical vehicle. Looks like an M-ATV. Must be another back there somewhere, or a technical. Smith, you report that up to HQ yet?”

Smith gestured at the radio. “It’s offline. I think the batteries are dead.”

“Christ,” Vargas mumbled. “Well call them with your phone. Look this is important. Tonight get new batteries from the command post.”

“I’ll get the batteries,” I said, wanting to impress Vargas. Also my girlfriend, Tandy, lived down near 180th. It wasn’t far off the way to her place, an excuse to drop in and get some home cooking.

“You think we’ll see some action?” Smith said.

“Action, action, all you want is action,” Vargas said. “If you’d seen what I did in DC, you wouldn’t be in such a hurry to get your gun on. But yeah, if there’s one thing the fascists mean, it’s action. Sooner or later.”

Verrazano Narrows Bridge at dusk, low angle, distant end terminating in cloudsThe Revolutionary Corps at that point was mustered mostly from New England and the suburbs of NYC itself. It hadn’t seen fighting in the winter and spring since the contested election. Smith and most of the others (myself included) hadn’t been there in D.C. when the fascists had made it almost to the White House and a motley, improvised group of citizens, soldiers, and loyal law enforcement had gone street to street pushing them back so the government could escape. Vargas was there — he’d been someone’s bodyguard. Who — a Senator — a woman from New York? The Midwest? What was her name… It doesn’t matter any more, though at the time it was an interesting anecdote…

Like everywhere, New England had seen violence when the fascists rose up, but nothing like what happened on the West Coast, the South, or the mid-Atlantic. Up in New England things had been resolved quickly. There weren’t enough fascists to make a go of it outside New Hampshire, and those fascists who did rise up in New Hampshire were brutally repressed after their comrades were defeated in Boston, Springfield, and Hartford. Enough police forces and national guard units had refused to betray their oaths to the Constitution, enough of the democratic revolutionary spirit remained within the breasts of New England men and women, that the reactionaries there had floundered and failed early — spectacularly so, even.

Whether they did so as part of a plan or not, what the fascists of New England accomplished was to tie northern pro-democracy states up with fighting internal enemies instead of helping their neighbors. We didn’t know that at the time, but at moments when swift and decisive help might have forestalled great bloodshed, the attention on potential local foes consumed everyone’s attention. It wasn’t long before a second wave of those enemies would appear at their borders, a howling, hostile army.

But in most other places the fascists had translated their quick offensive into victory more often than not and with surprising scope. Perhaps they sensed their vulnerabilities lay in us being able to organize our superior strength in manpower and industry. They’d been chewing the national and most state governments up since January, keeping the legitimately elected authorities and their forces on their heels, hitting them over and over where they least expected it. In our region Philadelphia and Pittsburgh had time to brace and fortify, so the fascists ran at Camden with full strength — wiped it nearly off the map. In their haste to capture Newark, they’d surrounded nearly 22,000 anti-fascist volunteers there, the entire 3rd People’s Revolutionary Corps. Most evenings one could see flashes and hear the fascist artillery thumping in the distance.

Smith and Boucher and a few of the other guys had been excited to see the fascists arrive. To them it meant taking part in a battle. Boucher, a Marxist from New London, compared them to the Germans outside Moscow. Morale was high, and Vargas didn’t do much to pour cold water on it.

A few hours after reporting their scouts up to higher, we’d observed several armored fighting vehicles and a tank maneuvering on the bluffs. The fascists put up a couple drones and tried to fly them across the river, then sent them high into the air when they realized we were outside the drones’ range. What struck me more than the size of the group was its cohesion, and its audacity. They moved up to a point and acted. They didn’t ask for permission or wait for orders from higher. We had armored fighting vehicles, we had tanks, just like them. We didn’t have artillery — only the Army had artillery — but we had drones. Seeing the fascists there, flying their black and white flag with a blue stripe down the middle, made me nervous. They’d reduced the space between them and us to that narrow band of water on which so much depended. A free and diverse New York City, the heart of our revolution, was exposed and vulnerable. How had this happened?

A half hour or hour later, further down the river, the fascists launched a motorboat. Vargas told me to observe its progress through the telescope and report movement to him as it crept across the sun-dappled surface. The boat circled wider and wider, seeing how close it could come to our lines. At the middle of the river at the apex of its approach it abruptly beelined for the city. An old red “MAGA” flag was visible on its stern, flapping in the wind. The boat’s three occupants wore tactical vests and helmets; one was scanning our side with a sniper rifle, another was piloting, and the third was talking on a portable radio, probably doing to us what we should’ve been doing to them.

I appreciated their daring. They presented a confident, professional air, like they were straight out of a movie or video game about the Navy SEALs. They knew exactly what to do. Slapping across the water at high speed, these fascists, veterans of the bigger battles to the south, were getting down to business, getting it done.

We were far enough upriver from the source that we saw the boat tossed high into the air, tumbling end over end from the explosion before we heard the shot and the boom. No forms emerged from the wreckage, and the boat sank slowly into the river. This was the first time I’d seen our side fire first. I was glad we had.

***

Shortly after the fascists had turned their attention to Richmond, while New England, New York, and Pennsylvania were wrestling with their own fascist problems, New York City had declared itself a free city. Run by an alliance of Democratic Socialists, progressive Democrats, anarchists, and independents, the historic agreement put an end to strikes and labor walk offs, stabilized a questionable police force, and, in short, unified and anchored what we all hoped would be a fresh start for the city and maybe for America, too. Hopes were high for a nonviolent revolution ushering in the promise of a full, meritocratic democratic polity.

Many people left the city, but many more came, attracted by the promise of a just new world. One of the first things we did was rename things: The Hudson River became The Muhheakunnuk, or “River that flows two ways,” in the original Lenape. Madison Avenue became Liberty Avenue. Rockefeller Plaza, Veblen Plaza. Trump Tower became Mohican tower, for the indigenous Mohican peoples. And soforth.

Where we could reduce the damage done by naming places and things for white European settler colonialists who caused real and literal ethnic cleansing and genocide, we remedied as best we could. While the fascists were shooting and murdering, we were getting resolutions passed in bipartisan committees. As the shitlib pro-government forces were fighting desperate retrogrades, we were setting up a new way of compensating labor on the blockchain: Hours (pronounced “ours”) of labor were our new, profession-blind currency. A person worked the hours they did and were rewarded based on that flat rate, digitally, plus a small bonus in consideration for specialty labor or difficult labor nobody wanted to do. My daily wages, for example, were 14 ½ Hours per day: 12 Hours for the 12 hours of work I did for the militia, plus a 2 ½ Hour bonus for the hazardous nature of my work (though I had, up until that point, done little hazardous duty — that would change soon).

What a sound and simple system; what a fair and just means of compensation. I’d never seen anything like it, and haven’t since, though home ownership and other realities of adult life have given me a better appreciation for modern economies than I had in my youth.

The People’s Council of New York had compensated those New Yorkers who had stayed in the city with Hours on a prorated basis for the dollars and real estate it confiscated in order to trade with external partners, and signed an alliance with its neighboring states, the state of New York, and the federal government. Everyone was relieved it hadn’t come to shooting. Putting nearly 120,000 people under arms, such as myself, made the city by itself one of the largest standing armies on the territory of the former U.S.A. We were all proud of what we’d accomplished in such a short amount of time.

***

At the end of our shift, I took the spent batteries from our radio and headed down to HQ. The arrival of the fascists had sent everyone into a frenzy of activity and worry. When I poked my head into the command tent, I caught our commander, a woman who had flown C-17s for the Air Force, yelling at our XO for the comms situation. I saw that there weren’t any fresh batteries to be had, then made a swift retreat from the scene so as not to contribute to the man’s confusion and embarrassment.

“Where’s the RTO,” I asked one of the guards who was vaping and lounging outside the entrance.

“Over there,” he said, gesturing upslope toward another tent about 50 meters away. I walked over, passing three soldiers setting up some sort of fortified machinegun position.

“Look downhill at the road. Now look at the sandbags. Now look at the barrel of the gun,” the first soldier was saying. “Aha! Aha! Now do you see the problem? Move the machinegun around, like so… now you see more problems. Do it again!”

Scenes like this were common. None of us had more than a week’s training — it wasn’t even formal training, more like pre-basic. While there were more leftist veterans than many had probably thought before the war, in general the stereotype of veterans as moderates or pro-fascist was pretty true. A small group of sympathetic veterans were running round-the-clock training ranges up in Connecticut and Long Island, and NYC’s soldiery was permitted to access this as part of our agreement with our neighbors.

At the signals tent, I found the commander’s radio operator fiddling with two banks of battery rechargers. “You need to get these up to your position ASAP, the CO’s on the warpath about bad comms and using smartphones,” he said.

“I’ll be back in six hours,” I said, and left the heavy green blocks on the black recharger alongside several others, while the recharge status blinked red.

Next I headed north to Tandy’s building, a fin de siècle mansion that had been converted to high-ceilinged apartments, and was now housing for students and workers. It was a 10 minute bike ride from our positions, or a 25 minute jog, easily accomplished if the sirens signaled an attack.

I checked my Hours on my phone which promptly updated on the hour with my day’s work, plus the bonus for military service. Then I stopped at a bodega for provisions. One of the best-managed parts of the city was its city-wide revolutionary food cooperative. Food came in from upstate and Connecticut, and was rationed. There was enough of it on any given day, but hoarding was strictly forbidden so what was available was whatever happened to be on hand, often local produce.

The proprietor of this bodega was an Iraqi man who’d immigrated to the U.S. after the war there, Ahmed. Together with his family he supervised the bodega’s co-op labor, and had a keen eye for organizing. He greeted me when he saw me walk in, much as he greeted everyone in uniform.

“My friend, thank you for protecting us! You must be hungry: what would you like? Eggs, corn from Poughkeepsie, sausage? Please, take what you need, eat, stay strong and healthy! And say hello to your beautiful girlfriend! You’re a lucky man!”

Ahmed may or may not have known me, but he certainly seemed to know me, and that was appreciated in a strange city. I picked up a couple sausages, a quart of milk, and a half dozen eggs. There wasn’t any cheese, so I had to hope Tandy or one of what she called her “mates” had some at their place. Then, in the back, I procured a glass bottle of Long Island red wine.

“Five and one half Hours,” Ahmed said. “Did you hear our forces repelled a fascist invasion today? Maybe you were part of that?”

He was talking about the boat. “We spotted them,” I said. “It wasn’t anything serious.”

“Please, it wasn’t serious, you sound like me when I was in the Iraqi Army. I helped liberate Mosul from ISIS, you know. It’s never serious. Until you’re in the hospital!” He raised his shirt, and pointed at several scars near his abdomen. “Here, take some chewing gum, free. It helped me stay awake during long nights. When you don’t have your girlfriend around,” he said, winking conspiratorially.

Tandy was still at class when I arrived. James, a PhD candidate in Political Science at Columbia greeted me at the door and when he saw what I was carrying he invited me in, shepherding me to the kitchen where Vince, a militiaman from Danbury, Connecticut, gladly took my contribution to the dinner. “You’re always welcome here,” Vince said, “when you have food and wine!

 This was one practical way in which being a militia volunteer translated into good social standing, but I didn’t lord it over people, just showed up with what I had and got whatever amounted to a single portion in return.

This particular collective was mostly students, so my portion was usually appreciated, in spite of my taking part in what was a violent endeavor. Only the most radical students felt that in defending our political ideals, I was participating in an immoral and unethical war, but even they sat down to eat with me. The main course was a cabbage- and barley- based soup with my eggs and sausages as a garnish— again, no cheese — food wasn’t in short supply, but the variety had significantly diminished thanks to the war. The Californians and Midwesterners were probably eating great.

Seven of us sat around a small round table. I was briefly the center of attention as I talked about the motorboat reconnaissance, and the arrival of the fascists. Before I offered my eyewitness account, I was treated to another more outlandish product of the rumor mill I’d first encountered at Ahmed’s: the fascists, I heard, had attempted a crossing in force, and were driven back only by the killing of their general in the lead boat. I was glad to correct the record.

My much more prosaic account of the fascists’ arrival was held up to the various perspectives present at the meal. Some felt as my fellow militiamen did, that this was an opportunity to strike back while the fascists were few, that we should take the fight to them. Others that the fascists were too strong — that they’d make their way across the river sooner or later and so we should head up to Canada while we still could. Most held the opinion that nonviolent resistance was the way to resolve this, that fighting would only lead to more fighting, that perhaps the situation could be resolved through discussion and diplomacy. Reports of atrocities, this last group dismissed as liberal, pro-government propaganda.

The apartment’s owner, who also owned the building and had been well liked and admired before the war for his egalitarian and attentive approach to ownership, asked why we couldn’t come to some accommodation with the fascists.

“Let them have their wretched dystopian hell. Let them live in the rot that accompanies dictatorship, fascism, and all abominable authoritarian places,” he said. “Give them the land they have and tell them not to come any further.”

“What about our comrades in Newark?” said one of his tenants, Jenny, a black girl whose parents had moved to New York City from South Carolina in the 1960s for work. Jenny worked at a small factory sewing uniforms for the militia, and was one of the more prescient of us when it came to the threat of the fascists, and the importance of fighting. “If we abandon those like us in the South, or in Newark, why did we abstain from voting for Biden? If we don’t fight for our convictions, to help each other, shouldn’t we just join the fascists?”

“I voted for RFK Jr.,” said the former apartment owner to good natured jeers and boos, “I voted for RFK Jr. and I’d do it again” he yelled, with similar good-natured energy. Here, having voted for RFK Jr. was far less objectionable than voting for “Genocide Joe Biden,” which was tantamount to heresy.

Vince spoke in the lull that followed the yelling. “Anyway the fascists have started and they won’t stop. The real choices are Canada — assuming they don’t roll up there next — or fight. Fight or flee and hope someone else beats them. They’ll chase us to the end of the earth, they’ll never halt. Might as well be here.”

“They’ll negotiate when they’re punched out,” said Christina, a journalism student at City University of New York and one of the more moderate people in the collective. She was a bit older, in her 40s, and had been a public school teacher during an earlier life that hadn’t quite worked out on Long Island, near one of the Hamptons. “If we make a deal they agree to — ceasefire, a demarcation of borders — they’ll just rearm and keep going. These people are always the same — Hitler, Genghis Khan, Putin, Alexander the Great. Read history. They stop when they’re stopped, which is when they die. Because they know stopping means dealing with the violent energies they’ve unleashed, and they want to be fighting external enemies, not internal enemies.”

“It would have happened sooner or later,” added Jenny. “The moderates, the Democrats and shitlibs spent the years since the end of the Cold War selling everything as fast as they could, and supporting global racism and genocide. They’re as responsible for creating this movement as anyone else.”

Sometimes I wished I was confident and practiced in my public speaking, like the students. My first day with the unit I’d brought this line of reasoning, about Biden and the Democrats and the shitlibs, to Vargas, and he’d scoffed at what he called my naiveté.

“What happened in D.C. was, when they couldn’t get to the people they said they were mad at — the government, the globalists — the fascists made do with the vulnerable. They headed right for the poorest neighborhoods on their way out of the city and just about wrecked them,” he’d said. “As bad as Biden and the Democrats were over the years, I’ve never saw the suburbs where most of his supporters lived reduced to a smoking ruin, their inhabitants murdered, captured, or fled.”

I didn’t mention that perspective here at the table. It didn’t seem like the time or the place for it. Besides I wasn’t sure what I thought about it all. Sometimes in describing the fascists as intolerant of other viewpoints and dogmatic in their application of violence, I thought maybe we were guilty of that, too, in some ways. Certainly nothing like what the fascists did, but still… when I thought about our project, sometimes I questioned its wisdom or justice.

“You’ll never convince me violence is the answer,” said James. Soft-spoken and charismatic, when he spoke, people listened. His father was a first-generation immigrant from Cuba, and his mother, a Chinese immigrant. They’d met in Flushing, Queens, a real American love story. “Violence begets violence. Without anyone to fight, the fascists will fight each other. Ultimately they’ll lose interest in the cities and fall to quarreling among each other. You’ll see.”

We did see, just not in the way James meant. But those dark days were yet to come.

***

After dinner I waited around for Tandy, but she still hadn’t come home. After an hour, still restless after the day’s events, I decided that rather than hang around and look desperate, I’d put in some volunteer time. It was still too early to get the batteries. I picked up my rifle and wandered down to the Muhheakunnuk. It was summer, and the weather wasn’t bad. Ideal for nighttime strolling provided one had the proper identification so one wasn’t accidentally shot.

At the river’s edge I stopped and stared at what remained of the George Washington Bridge. The moon illuminated the ruined structure’s contours, rendered its demise somehow more tragic, more human. Its skeletal wreckage jutted up from the river’s calm surface, like ancient ruins. In places, the bridge had twisted as it fell, partially damming the river’s flow. Now it resembled nothing so much as a memorial to America, the ruins of a vision for peace and prosperity that could not last forever, because nothing in this universe ever does.

Destroying the GW made sense from the perspective of guns and firepower; the fascists had an edge in that department owing to personal stockpiles as well as those seized by various police and traitorous military units, but weapons require people, and they had far fewer volunteers than we did. In spite of their military successes, their victories over larger but poorly-led, poorly equipped units, everywhere they went they engendered fear and hatred, an occupying force that looked and talked like your racist neighbor. The strategy, then, was to attrit them, draw them into the cities, grind them down until there weren’t enough of them to the point where we could start pushing back. Of course as I mentioned earlier the hope at that time was that some disaster or calamity or miracle would forestall our having to fight them at all.

The fascists fielded excellent soldiers and combat leaders. Their units moved quickly and punched hard, and wrecked or absorbed local and state law enforcement organizations wholesale. Their units hung together well, and were led (mostly competently and capably) by veterans and former police officers.

Further down toward the bay loyalist Army units kept the Verrazano intact and were fortifying our side. I didn’t understand the logic behind keeping that bridge but taking out the much larger GW and Tappan Zee. Maybe the destruction was partly for the symbolism. The fascists claimed to stand for law and order and tradition, and part of how it had all started (insane as it sounds to say it now looking back over the great Golgothas we made for each other during the fighting) was over statues and names. What was an iconic bridge between New York and New Jersey, named for one of America’s founders, if not a statue, a monument to an idea like traffic, interstate commerce, a community based on trust and the exchange of goods?

Then again, it was also a symbolic loss for us—if we couldn’t control the George Washington Bridge, what did that say about our long term prospects? Vargas said slowing the fascists down was our best shot and the people who were placed in charge of our efforts at first — people who as time would demonstrate were not up to the effort — were a little too enthusiastic about doing so, and less enthusiastic about actually preparing us for what came next.

Loyalist Army units had sealed the Lincoln Tunnel, which was similar to blowing it. The decision had been made with some procedure for removing concrete in mind, but when you walked down near midtown and saw the familiar entrance, saw the white and gray spill as though trolls had melted the world’s biggest marshmallow, it was hard imagining that tunnel ever working again.

From the bones of the fallen GW, I walked south for 5 minutes until I came to one of our fortified positions, down near the water, forward and downhill from HQ. It was crewed by my unit, but not one from the scouts, conventional infantry. We all had the same challenge and password. I didn’t know this group, but stopped in to chat about the motorboat, ask if they’d seen any other movement. They hadn’t. Didn’t have thermal scopes down here, were worried about night landings and infiltration. I was shocked — I thought frontline positions would have thermals for sure.

“One every 5 positions,” said the duty sergeant. “We rely on them and tracers to figure out what’s happening. Moonlit night like tonight, seems unlikely we’ll see any more action. Especially considering the tide.”

I asked why the tide was significant. Prior to the war I hadn’t spent much time near the ocean.

“Oh, a full moon corresponds with high tide. This particular high tide is what they call a “king tide,” get them in winter and summer,” the sergeant said. “Higher water means a longer distance to cross, and stronger currents. Groups trying to cross in boats would be pulled far upriver or downriver of where they were hoping to cross — maybe even swept out to ocean.”

“You think the fascists know that?”

“Oh, I’m sure of it… they’re mostly country folk, people who know things like the tides, and hunting. No that’s not going to throw them. Sad to say it. That’s the sort of thing our generals would probably fuck up.”

We stood there quietly in awe of the sergeant’s demoralizing statement, one we both felt to be true, the GW’s shredded metal beams and cables clanking and squealing upriver. A rumble of artillery in the distance and flashes of light roused us from our reverie.

“Won’t be much longer. No way they can hold out without reinforcements.”

“How do you know? How do you know they won’t grind the fascists up street by street and block by block?”

The sergeant gestured toward the southern end of Manhattan. “Brother works at one of the fish markets. Buddy of his is a fisherman, solid American and New Yorker, told him he’s been in touch with fishermen out of Newark. Apparently they’re getting pummeled. Never seen the fascists put so much work into destroying a city.”

“You think we should move down, try to help them?”

In response, the sergeant now nodded up at the GW’s ruins. “Not part of the plan. Anyway, we barely know how to hold a defense. Most of the guys here have never fired their rifles, it’s all we can do to point them in the right direction. How are we supposed to move to the attack?”

For this question and all the others, I had no answers. I’d joined the movement, I was a scout, and all I knew was that if the fascists wanted a fight, we ought to give it to them. Even then I sensed that simply to accommodate their desires would be a mistake. I looked out at the river, to where the boat had been earlier. The fighting would get so much worse in the days and months to come, far worse than almost anyone could imagine. But on that day, the thing that I noticed was the water — how high it had come up the pier — how close we were to it, lapping at the moorings and the concrete stairs, closer to our boots than it had ever been. And what terrible creatures teemed beneath its opaque surface!




New Poetry by Ben White: “Cleaning the M60 – 39 Years and January 26, 1984”

TO FLESH BONE / image by Amalie Flynn

39 Years

The death
Of a soldier
Was an accident,
A waste –
PUT_CCCCCCA shame,
So the anniversary
Is nothing to celebrate –
PUT_CCCCCCOr forget

January 26, 1984

Back on the continent
At the 1st and 51st Infantry –
A battalion that doesn’t exist anymore –
The Cold War was fighting a strange peace
With weapons and tension
Wanting to release a dimension
PUT_CCCCCCOf battle prepared,
PUT_CCCCCCTrained for,
PUT_CCCCCCAnd ultimately expected
While volunteers selected
Stood ready in the West
And along the borders
PUT_CCCCCCAwaiting orders to mobilize
When one cold January,
Thursday morning
Soldiers had to realize
The power of 7.62 mm ammo
Tumbling into the chest
PUT_CCCCCCOf a brother in the band
With manslaughter unplanned
And wounds giving the medics
An ambulance to ride in
PUT_CCCCCCUntil the doctors
PUT_CCCCCCAt the Krankenhaus
Opened up the chest
And showed them what
One M60 round
PUT_CCCCCCCan do
To flesh,
Bone, and what
A few minutes ago
Had been functioning,
PUT_CCCCCCDistinguishable organs.




New Poetry by Kat Raido: “Blood Goggles”

 

LICKS THE VEINS / image by Amalie Flynn

Walter Cronkite left footprints
in the gravel of Saigon
but he didn’t tell you their names
didn’t show you the morning commute
of an accountant in Hanoi

they televise bedsheets
replacing blown out glass
in homes of blown out people
but not the Arab Renaissance Bookshop
which opened its doors in 1966

fire hoses are used
to extinguish human spirit
courage licks the veins like flame
and the only parts of war
they can’t powerwash away
are the bloody crevices
under their own fingernails.




New Poetry by Amalie Flynn: “Strip”

 

CROWN OF LAURELS / image by Amalie Flynn 

Strip

On my computer screen terror
Attacks and kills and shifts into
What comes after
This strip of neighborhoods or
Houses a hospital hit
Like carved out carcasses of
Dust and dead bodies bloody
And gray bloated flesh
An eyelid stuck a skull cracked
Open
The close weave of a sweater
Knit into the charred skin
Of a child of a child of a child
How this happens
Again and again and again
Arms and legs twisted back
Or out of socket
How this cannot be unraveled
Because war wears
A crown of laurels made out of
Eye lashes tiny teeth
Dead lips a corsage of
Brain matter soft and shot point
Blank or bombed this
Bombardment
Of matter
What should matter but doesn’t.




New Poetry by Abena Ntoso: “Dear Melissa”

CARE STONES CRUNCHED / image by Amalie Flynn

Dear Melissa

On the walk back from the d-fac
in Kandahar I almost peed in my uniform
pants a long way from home
we were laughing uncontrollably like other
things we could no longer control
having birthed two children each and left
them in someone else’s competent care.

Incontinent overseas
on a mother of a mission drilling
cavities filling them with a matronly
patriotic responsibility for health care
stones crunched beneath our boots
we stopped and bent over shifting
weapons we carried on our hips like kids.

We almost cried in the dark after dinner
absent from bedtimes reading
The Giving Tree aloud, sent
voice recordings stateside for storytime
my son and daughter heard
me reading, heard I love you
no laughing though.

Remember how tough we had to be
for babies to sit on our bladders for nine
months only to leave them four years later
promising to return once our tour of the war
was over we were bent on becoming militant
mothers chuckling again with our children
thank you for finding life funny on the way back.

 




New Poetry by Sofiia Tiapkina: “To Forget or Not Maybe,” “Grasping the Sky,” and “Airless Embrace”

THE SILENT SKY / image by Amalie Flynn

 

to forget or not maybe

to forget or not maybe
to fight for memory or not
i’m here i’m she
lying on my back underneath me
blue cherries of bruises ten backs
all pierced by bullets all riddled
no one seems to cry here this defenseless death is unshared with any and all
i look around at people all around still people these old trees outside what a spring so wildly
blooms and dies with a scream
i rise from my knees or maybe just
think that i rise i was a teacher
what remains of the school now
walls shrubs suckle blood from the soil
i taught them to never
kill people and now
i’m face to face
with the killers of children hands and face changed the maples turned perfectly crimson too soon
broke my
spine and soul i would tell them if i still taught never kill anyone
i rise from my knees call out to god
god i accept everything i
understand the end of life
i accept it i am desecrated
why do you punish me
with this life
after death

 

Grasping the Sky

Inside us: a piece of
sky, blue and rusty,
smelling of winter and
gunpowder.
Who will see us as we crawl, chasing
the shadows of the clouds?
She reanimates the land.

The bombs, and bullets, and bodies took
its breath away and send it straight into cardiac arrest.
The scars of war are on her palms and tongue,
but she keeps going because without the land,
her heart will stop, too.

Land—земля—zemlia: a greenplace, a birthgiver, our bread.
She puts her hands around it and tries to close off
the wounds of horror and destruction and
deathdeathdeathdeath
that the inhumans opened with their hungry teeth.
Sometimes, when the blood stops rushing through her ears
or between her fingers,
she hears the echo of “brotherly nations,” “local misunderstanding,”
“child actors.”
The land moans under the weight of
countless bones.

We carry no
prophecies under our skin.

The silent sky
floods our mouths.
Who will hear us climb up
the lifeless mushrooms?

He rebuilds the house.
A new foundation in place of his ancestors’
home built with tears. The missile took
the walls, but the kitchen table is still
standing in the middle.

House—будинок—budynok: a warm place, a safehold, our nest.
He drinks tea at the kitchen table.
One year anniversary,
he feels the explosions
reverberating through his ribs.
His daughter would have turned three.
His wife would have put a pot of
lilacs by her crib.
He drinks tea at the kitchen table of a murdered house.
It’s hot and bitter, and for a minute, he forgets
a new future of new houses with
no one inside.

Everything we wanted
was in the sound
of the sky without
the stench of corpses.
Who will remember us if
the task ahead will take a generation?

They reconstruct their homeland.
Too many questions, too little time: where
do they fit between now and then;
how do they embezzle millions yet fight corruption
as never before; what are dignity and justice and fairness
if the debris of a shelled hospital hide
the broken pieces of mothers and newborns.

Homeland—Батьківщина—Bat’kivschyna: a free place, a seeing glass, our hope.
They won’t live to see it without blood and tears
soaking its black ground. How do they repair machine-gunned hearts?
How do they rebuild a cracked-open sky?
They reconstruct their homeland as the bombs
try to bring them to their knees. Too many
questions, too little time. But the question,
“Will we live?” is not one of them.
Millions of hands breaking the chains
shout the answer louder than
air raid sirens.

Inside us: a whisper
of summer, when sunflowers
grow from the ash.
Who will catch the birds
pecking out a path between
the sky and wheat fields?

No one. Our wings hold the glory of freedom.

 

airless embrace

i miss you like i miss the sky
cold so painfully blue
angels must have
dripped blueberry juice
from the clouds
i want to tether myself
to the sky-whispers
embrace them bury my
face into their warmth
but it doesn’t make you here
i stalk the shore scooping
up birds beaks
black with blood
you used your skirt
to wipe off the
red from their feathers
why did you
let go
the earth drinks soot
i’m thirsty for
the sound of
your smile
under the winter sun
on the shore
i pick the nightingales
curl my toes to find
the damper sand
the soft homes of crabs below
i hold the memory
of your hair
between my fingers
i miss you
until i fly out of
the soil’s arms
and the sky
catches me
in its thousand
blue hands




New Poetry by Luis Rosa Valentin: “Desperate Need of Help”

Desperate Need of Help

Luis-Rosa-image




New Poetry by Jennifer Smith: “So This is My Career?”

BLANK AND CONFUSED / image by Amalie Flynn

 

So, This is My Career?

Ecstatic to deploy, I qualify on 9MM handguns—

Battle ready Air Force lawyer to defend both Iraqi and Enduring Freedom

Engineers advance to the front lines:

spend billions, move like lightning, build tents, site trailers,

provide food, water, and air conditioning. Our soldiers’ beddown

enables our fight for Oil

Sign off on this funds request, the Engineers demand

What is our mission? I ask

Make the Afghans modern, the Department of Defense

replies. We will build 200 police stations, use a US blueprint

 to cut costs. The villagers can reign in their warlords

What do the Afghans want? I ask

The US Generals look blank and confused

the second-floor bathrooms flood—the

Afghan soldiers’ Islamic practice of making wudu requires them

to wash their feet in waist-high sinks before praying salah

I fly in a contractor’s Russian MI-12V-5 helicopter to inspect one remote station

for future construction claims. Are there any? I ask

We bribe the local warlord—to keep the peace, the Lieutenant says in a whisper




New Poetry by Todd Heldt: “This Is A Drill, This Is Only A Drill” and “Suffer The Children”

ACTION IS PRETTY / image by Amalie Flynn

 

This is a drill. This is only a drill.

They voted to abolish history.
There had been no commercials.
We didn’t know which wrong to fear most,
and nobody got the joke.
When the polls ran out of ballots,
somebody hurled a beer bottle
through a church’s stained-glass window.
Peace officers deployed
pepper spray for the white kids
and bullets for the black.
You should expect to see things
like this in democracy. Because
the cost is always
what the market will bear.
We all went home or to jail,
or to hospital or morgue, grateful.
America in action is pretty,
the Blue Angels swooping in for the kill
as spectators cheer from the beaches below.
We don’t even know who we are fighting.
Someone is crossing himself.
Someone is crossing the border.
War is just how we learn geography,
and someone scaled a wall
to pick your corn. Good people
are unarmed and
defenseless in church,
and no one will tell us straight
which group of not us we should bomb.

 

Suffer the Children

12000 kids in detention
300 shot dead in their schools
200 bombed by drones
the ones we don’t know to mention
and the ones the future will starve
my two who are safe in their bedroom
who cry when they are scared

 




New Poetry by Justice Castañeda: “There Will Be No Irish Pennants”

PRESSED AND WITHOUT / image by Amalie Flynn

 

There Will Be No Irish Pennants

“Discipline organizes an analytical space.” [1]

Field Day & Inspection.

Windows shut blinds open half-mast.  Sinks will be bleached, faucets are to be
pointed outward, and aligned.  The toilet paper roll will be full.  The shower handle
will be left facing directly down towards the shower floor. Waste basket will be
empty, cleaned out with no stains or markings, set between the secretary and the
window, where the front corner meets, farthest from the door.

Beds will be made showing eighteen inches of white; six beneath and twelve above
the fold.  The ends will be neatly tucked at a 45 degree angle.  One pillow will be
folded once and tucked in the pillow case.

A shoe display will be at the foot of the bed and will consist of one pair of jungle
boots, one pair of combat boots, go-fasters and shower shoes, in this order.  All
laced left over right.

Each lock will be fastened on each locker and secretary, all set to ‘0.’

Inside one wall locker, hanging up there will be: one all-weather coat, one wolly
pully sweatshirt, one service ‘A’ blouse, two long sleeve khaki shirts—pressed
with the arms folded inward, four short sleeve khaki shirts, three cammie blouses,
two pair of green trousers, three pair of cammie trousers, and one pair of dress blue
trousers, in this order.  All shirts will be pressed and buttoned up.  All trousers will
be pressed and folded over.  All clothing will hang facing right.  All hangers will
face inwards, separated uniformly by one inch.  On the shelf inside the locker,
starting at the inner most edge, there will be six green skivvy shirts and three white
skivvy shirts—folded into six-by-six squares, six pair of underwear folded three
times, six pair of black boot socks, folded once.

The markings will be last name, first name, middle initial, stamped on white tape,
no ink spots or bleeding.  All collared shirts will be marked centered on the collar;
on all trousers and belts on the left inseam, upside down so when folded over they
read right side up.  On all underwear markings will be centered along the rear
waistband.  On all socks markings will be on the top of the left sock.  All covers
will be marked on the left inner rim.

On top of the wall locker covers will be placed, from left to right as staring at the
wall locker, one barracks cover with service skin, one piss cover, one utility
cover—pressed and without Irish pennants.

Irish pennants are not permitted.

Stand up straight.  Arms to your side, thumbs along the seams of the trousers,
shoulders back, chin up.  Heels and knees together, with feet pointed outwards at a
45 degree angle.

Eyes.   Click.
Ears.  Open.

Attention.

[1]  Michel Foucault. Discipline and punish. 143
[2]  Two faucets in each barracks room.
[3]  Irish Pennants are loose threads or strings coming out from the stitching.




New Poetry by Jehanne Dubrow: “Poem for the Reader Who Said My Poems Were Sentimental and Should Engage in a More Complex Moral Reckoning with U.S. Military Actions”; “Epic War Poem”; “Tyrian Purple,” and “Some Final Notes On Odysseus”

 

PLUM OF GALAXIES / image by Amalie Flynn

 

Poem for the Reader Who Said My Poems Were Sentimental and Should Engage in a More Complex Moral Reckoning with U.S. Military Actions

Today I didn’t say divorce
PUT_because I was sickened by
PUT_CAAAAAAAAAAAAAAthe news
from Afghanistan, translators and their families
PUT_CAAAAleft waiting at the gates,
while American personnel
PUT_CAAAAAAAAAAAAAAAAAAlifted off
in the wide indifference of their transport planes.
I said divorce because
PUT_I hadn’t made room
PUT_AAAAAAAAAin the cabinet for my husband’s things,
and he was angry
PUT_CAAAAAAAAAAAAAAI did not leave
a vacancy for what he carried home from war.
I was tired of him
PUT_stacking bowls
PUT_AAAAAAAAAon the top rack of the dishwasher,
a policy
PUT_CAAAAAAAAAAAAAAAAAAI can’t abide
when the lower rack is an open country
PUT_waiting to be washed clean.
PUT_CAAAAAAAAAAAAAAForgive me, reader,
for the weakness
PUT_AAAAAAAAAof my marriage.
I didn’t say divorce
PUT_because my husband would rather a drone
PUT_CAAAAAAAAAAAAAAhover above
a wedding procession,
PUT_CAAAAAAAAAAAAAAAAAAthe party far below,
embroidered dresses glinting, small mirrors sewn into the hems.
He prefers the drone
PUT_fire from a distant, unendangered screen.
PUT_CAAAAAnd I believe
killing should come
PUT_CAAAAAAAAAAAAAAwith a risk of dying for the killers.
But that’s not why I said divorce.
PUT_CAAAAAAAAAForgive me, reader, for the poems
of shelf space and kitchens.
PUT_CAAAAAAAAAAAAAAMarriage is not
two ideologies fighting at a table,
PUT_CAAAAwhile the soup goes cold
on the spoon.
PUT_CAAAAAAAAAAAAAAAAAAMarriage is two people
PUT_CAAAAAAAAAshouting about spices,
the ordering of jars—by alphabet or continent—
PUT_CAAAAAAAAAas if everything depends
on an ounce of turmeric fading
PUT_CAAAAAAAAAAAAAAunder glass.
Perhaps, I said divorce
PUT_for all the wrong reasons.
PUT_CAAAAAAAAAAAAAAAAAAForgive me
for scrubbing the pot with a bristled brush.
PUT_CAAAAAAAAAAAAAAMy fury
at the gold-stained enamel
is almost the same size as my rage
PUT_CAAAAAAAAAthat somewhere a helicopter
strikes on civilians in the dark.
PUT_Forgive my sentiment.
PUT_CAAAAAAAAAAAAAAAAAAAll I can do is keep scraping
the dried burning from the pan.

 

Epic War Poem

What else but a soldier raging
by his shield. What else but the dutiful.
What else but a battle muralled on a wall,
and Troy a piece of artifice to gaze upon.
What else but the voice a garment
shredded in its grief. What else but ash.
What else but men on wooden ships for centuries.
Their keening is an arrow to the throat.
What else but kings. What else but
the trebuchet of years. What else
but sawbuck fences leaning near a field.
What else but America. What else but
daguerreotypes, a line of corpses posed
within the frame. What else but the guns.
What else but the trenches stuck with mud.
What else but modernity and the long
parade of after. What else but cinders
mixed with milk while the gone are drifting,
processed into smoke. What else
but the skirmishes of scholars,
that language is too little and too much.
What else but brief eras of indifference
when the dead are left alone. What else
but the forged and hammered thing
of poetry, all the failures of our making.
What else but the litany of bombs.

 

Tyrian Purple

Please, understand: to heave Hector
through the dirt, Achilles must first
cut holes in his enemy’s heels,
Hector threaded like a needle
with leather cord and tied to a chariot
that will pull him around the walls.
Imagine a body strong enough
to be strung like this. Imagine such
stitching is an art, and we call it battle.
Andromache deep in the palace
is weaving a cloak on a wide loom,
wool like the amethyst shadows
beneath her eyes, that vivid sleeplessness.
She’s tacking flowers to the fabric
when she hears the weeping everywhere in Troy.
The bobbin unspools from her fingers
because the warp is a place of order,
and death the cutting shears.
It’s understandable why Andromache
would sit at the loom for hours,
rectangular world where nothing extends
beyond the cloth’s perimeter.
At this point in the war, everyone has lost
the thread of narrative, any reason
beyond armor and the carrion birds
with their beaks like sharpened secateurs.
Who wouldn’t want to take up some craft,
pottery, perhaps, or painted scenes
on funerary stones. Don’t hands need
occupation when the city is besieged.
Probably, a reader believes it frivolous—
these fibers dyed the plum of galaxies,
all that great, oppressive sky
and the murdered looking down
from their fixed constellations.
Even Andromache finds a pastime.
It’s late in our history to condemn
the ways people spin out a war,
how they twist the days like fibers
on a spindle. Imperial purple.
Purple of bruised loyalties. Unfadable
purple that stains the maker’s skin.

 

SOME FINAL NOTES ON ODYSSEUS

                                                Ithacans!
Stop this destructive war; shed no more blood
and go your separate ways, at once!
            – The Odyssey, 24.531-533

When the goddess cries out,
her voice is a mountain against
the fighting. But the old soldier
keeps running—war like weather
in his ears, a summer storm,
in his pulse the tossing waves.
At such a time it is difficult to see
Odysseus was a child once.
He learned from his father
the names of trees, the orchard
full of gleaming suns called apples,
the private ripeness of figs, grapes
clustered like families on the vine.
He touched their dusty skins.
Yes, even he had been a boy
who held a wooden sword,
the shadows creeping on, and
they lengthened with the night.
There are decades of water,
islands and islands between
that child and the man.
The body is said to harden,
the heart of course as well.
For someone like Odysseus anger
is an unrestricted flame.
When the goddess cries out
she is saying, worship reason
instead. But it takes her own father—
a god and his thunderbolt
—to cut through the battle.
Stop this war, he says.
According to the story, Odysseus
lays down his weapons then.
And what then? What then?
Poems always end before the peace,
the orchard overgrown now.
No one wants to read a scene
of the old soldier pulling weeds,
pruning the wildness back, his arms
still strong but not with violence,
and the air no longer stings
like lightning touching down.
No one wants the old soldier slicing
a plum the way he used to take
his dagger to the belly of a rival,
the war that fed him once a taste
he barely can recall. Most nights
his chin is red and syrupy with juice.




New Fiction from Lucas Randolph: “Boys Play Dress Up”

When visiting

a friend’s grandpa, the Boy learned that the grandpa liked watching football games on the weekends instead of the black and white western movies. His favorite football team was the Kansas City Chiefs. Their team colors were—red, white, and yellow. Some of the fans had feathers on their head and they chanted and made a chopping motion with one of their hands when the game started. Sometimes a man who was dressed up in a pretend costume would beat on a giant drum. The grandpa said it was tradition and traditions were good. The Boy asked the friends grandpa if he ever watched western movies, but he said those were all fake and weren’t worth the copper they were printed on. That’s why he liked watching football. Real men. Real blood. Real consequences.

None of that fake cowboy horseshit.

Sometimes, though, if it was late at night, the friend’s grandpa said he liked to watch military documentaries, but only if everyone was already asleep. The Boy didn’t ask why. The grandpa had an American flag that hung from the front porch of his house—red, white, and blue. The Boy’s own grandpa didn’t have one. Neither did the Boy’s father.

Were you in the War too?

No, my parents wanted me to go to college. The same college my daddy went too. In fact, we even played ball for the same team. That’s my old jersey there.

The friend’s grandpa pointed to the wall. Two framed black and white photos with wooden frames that bent and curved all fancy like hung next to each other. The Boy knew one photo was older because it had a football team where they all had leather helmets on, and the image was faded. There was also a framed football jersey on the wall with the same last name that his friend had with stitched together letters on the back of it. The team colors were—green, gold, and black.

I almost volunteered for the military. I wanted too—hell, they almost got me in the draft! Maybe I wish they would have. Just wasn’t in the playbook, I guess. Your grandfather was in the service? World War II?

Yes sir. Well—no, he fought in Korea. My dad too. Air force. He didn’t fight in any War, though.

That’s okay son, you should be damn proud. We all have our role to play. That’s what my old man used to say.

I’m going to join too—when I’m old enough, anyway.

The grandpa smiled and put a hand on the Boy’s shoulder.

That’s a good boy.

The grandpa reached over and grabbed an old football that sat on a wooden mantle with some sports memorabilia underneath the old photos and the jersey. He held it in front of the Boy’s face close enough for him to smell the aged pigskin leather, letting his eyes wander over the scars from the field of battle. When the Boy’s hands moved to touch the football, the grandpa reached back in an old-school football pose like the quarterback does and threw the ball across the room to his grandson who caught it above his head with both hands.

Nice one! Just like your old man!

 

 

He lost

his favorite coffee mug. The Old Man poured dark roast into a short glass mason jar mixing it with the golden liquid already left waiting at the bottom. It wasn’t meant for hot liquids and the Old Man reached for a red trimmed potholder with a green and yellow wildflower pattern to hold it with. He sat down into his favorite corduroy rocking chair, one hand against his lower back for support. He smiled with the jar between his legs letting the glass cool, the steam from the roasted beans rising to his nose. Smells of earth and sweet honey warmed the room. The sting of diesel was nearly absent.

Please, just one-story Grandpa. I promise I won’t ask for more. Please—

Well shit, you’re old enough by now. I promised your dad I wouldn’t, but hell in my day you could drive a tractor at ten, and you’re nearly that. It can be our little secret. What do you want to know?

About the War, about—Korea. Like, what kind of gun did you use?

A few, but mostly the ole Browning M1919. I bet you don’t even know what that is, do you?

The Boy shook his head no.

It’s a light machine gun. L.M.G. It took two of us to shoot and two more to carry everything. It was a real son-of-a-bitch to get around.

Did you have to shoot it a lot?

I never shot it once, to tell you the truth, not at anyone anyway. See, I just fed the ammo to keep it firing. Do you know what that means, to feed the ammo?

The Old Man didn’t wait for the Boy to answer.

I was what they called an assistant gunner. Corporal did all of the shooting and stuff for us. He liked that kind of thing.

The Old Man grabbed the hot mason jar from between his legs and took a long drag of his coffee. The rounded glass edge burned against the crease of his lips, but he drank it anyway. He remembered the Corporal well. They grew matching mustaches; they all did. The lieutenant dubbed them his “Mustache Maniacs,” which later got shortened to just “M&M’s.” It was a real hoot with the men. The Old Man shaved it shortly before returning home. He felt stupid with it by himself. It didn’t feel right without Corporal Lopez and the rest. He wouldn’t tell that story today, though.

They didn’t deserve it, the people. Not too different from us you know—some of the best God-damned people I’ve ever met, actually. They fought side by side with us. Those Koreans, real God-damn patriots. We suffered together; I remember how hungry they were. How hungry we were—and cold, for shit’s sake was it cold. Colder than a well digger’s ass, if you ask me. You have to understand, it’s a different kind of cold they have there in Korea. It’s all any of us thought about most of the time. We weren’t ready for any of it. It was a terrible War.

Why were you fighting then Grandpa? If they weren’t bad?

It wasn’t them we were fighting; it was those god-damned Reds! You see, retreat was never part of the plan, hell, War was never part of the plan—we just killed that other bastard five years earlier! You have to imagine, when they first came over them mountain tops, millions of ‘em, I swear to God, the God-damned ground disappeared. I don’t know if they shot back, or hell, if they even had guns. Corporal █████ just kept firing. There was so much smoke you couldn’t see more than a few feet in front of you. I loaded until my hands charred like wood. We could hear them breathing they was so close. A wave of glowing lead to the left. A wave of glowing lead to the right.

The Old Man’s arms followed waves of bullets from one side of his body to the other in a repeating pattern. The aged wood from underneath his corduroy rocking chair snapped with the weight of his story. Liquid from the mason jar in one of his hands splashed over the rim.

The Boy breathed hard, too afraid to look away.

We screamed for the runners to bring more ammo; I don’t remember when they stopped coming. The Reds didn’t. They never stopped. When they were right God-damned on top of us, Corporal █████ handed me his pistol, a Colt 1911. Just a small little thing. He picked up that son-of-a-bitch Browning with his bare hands and we fired until we both had nothing left. And then, we ran. We all ran. Everyone did. And we kept running. When the order finally came to stand fast; we already made it to the God-damned ocean.

The Old Man drank from his mason jar again, the amber glow of liquid not able to hide behind his lost porcelain coffee mug. He nearly spit it out when he started laughing from somewhere deep down in his belly. He had to use his free hand to cover the top of the jar to keep the liquid from spilling everywhere.

You know, when we finally did stop, there were these two supply crates, just sitting there waiting for us. One had ammo, one had food. We hadn’t had a single round of ammunition to fire in over a week and no one had eaten in at least double that amount of time, probably longer. But wouldn’t you God-damn believe it, I was the only shit-stick dumb enough to go for the ammo first. I was more scared of those god-damned Reds than I was of starving to death. Go for the ammo first, that’s what Corporal █████ would have done, so that’s what I did. He always knew what to do.

Invitation to a Gunfighter, staring Yul Brynner and George Segal, played at a low volume in the background on a black and white television screen. The film ends after the hero takes a shotgun blast to the chest and one bullet through the stomach. The hero manages to jump from his horse in a dramatic roll before single-handedly disarming the bad guys in one swift motion. An entire town watches from the side. The hero then spends the next two minutes and thirty-four seconds forcing the bad guys to apologize in front of all the town’s folk for their crimes against their own neighbors. Eventually, the hero succumbs to the injuries and the people carry him away on their shoulders. The Old Man and the Boy sat in silence until the credits finished and the screen turned to black.

The Boy wasn’t sure what was meant to be funny about the ending to his grandpa’s story. He waited for the rest of the story to finish, but it never came.

 

 

The Sheriff

first met the Boy when he was still just a boy. The Sheriff took the Old Man away but said he could come back home once he was feeling better. The Old Man said it was the bitch’s fault. The Sheriff also gave the Boy a pack of Colorado Rocky baseball trading cards and a golden sheriff’s sticker that he could put on the outside of his shirt. The Boy wore it to school the next Monday and everybody wanted to know where he got it from but he told them it was a secret.




New Poetry from D.A. Gray: “Cactus Tuna”; “We Return from the Holy Land. God Stays”; and “Reverse Run”

FARMER OF ROCKS / image by Amalie Flynn

Cactus Tuna

A semi-sweet taste
of watered-down nectar
bleeds out from the prickly
pear nestled
PUT_Aon a crown of thorns.

In the desert you once
sneered over rifle sights
at the farmers drawing
PUT_Arakes over the sun-
baked ground, and now,
PUT_Aas atonement
you’re a farmer of rocks
and what comes with them.

Stained fingers tear through
leathery skin. Sometimes you
forget you’re standing
alone in a cactus patch
PUT_Ared trickling down.

Grace is not this –
living on what grows where
nothing had a right to grow,
seeds fine as sand
PUT_Ahide between teeth.

And crows, refusing to starve,
land unafraid, pick through
the rinds, eat, take flight
scatter seeds on rocky places
PUT_Aand among thorns

even on tops of walls,
and maybe it’s resilience
PUT_Aor spite
something finds purchase here.

 

We Return from the Holy Land. God Stays.

The mystery is often in the gaze of men
and women waiting for the sky to speak.

We used to spend days in the desert
waiting until the sky whistled and then
we wished we hadn’t.
Someone’s former
home, now sharp edges of cinderblock
cut upward through our soles. We kept
walking through the desert; everything
radiated, catching us in the crossfire.

* * * * *

We spend days in the Hill country
beneath a blistering sun, a clean sky,
traces of blue that have faded,
burnt off but for the edges by noon.

‘Say something,’ we shout in our minds,
looking up as if it’s God.  Eventually
the sky speaks in the language of wind,
fear fills our hearts. Still, we knew
it would be this bad, yet wanted so much
to feel something – until the moment we did.

 

Run in Reverse

In dreams the ball bearings and nails and flame
are sucked backwards out of the truck, along
with the screams, and the shrapnel enters
The IED, a makeshift paint can half buried in sand.

The boy’s face heals, his body slides back
into the passenger seat and after a momentary
glare at this pained country he turns and smiles
at the driver. It’s a calm hundred-degree morning
and the Baghdad street is filled with shoppers
carrying bags, laffa bread, eggplants poking
out the top, Turkish vendors serving doner kebab,
their angry looks toward the truck
have softened now and they’re joking.

***

Some days walking with my wife, I turn,
walk backwards just to say something silly.
It’s that moment that seems truest. She is
looking at what’s to come just beyond my shoulder,
no regrets about the past, and I’m trying to hold
on to what we left, moving against my will
into the future blind, the scene I’m trying
to make sense of, moving farther away.




New Poetry from Tanya Tuzeo: “My Brother, the Marine;” “My Brother’s Shoebox;” and “My Brother’s Grenade”

WAR HAS DONE / image by Amalie Flynn

 

my brother, the Marine

the recruiters come weeks earlier than agreed—
arrive in alloy, aluminum with authority,
military vehicle blocks our driveway
announcing to the neighborhood
they’ve come for a boy here
who will have to go—
though he sits at the top step
and cries

i follow them,
strange convoy to Staten Island’s hotel
where all the boys are corralled—
farmed for war, becoming weapons
of mass destruction
when before they picked apples
at family trips upstate

a hotel lobby—last stop before using lasers
to blow off golden domes,
silence muezzins in the crush
of ancient wage and plaster—
Hussein’s old siberian tiger left thirsty,
watches other zoo animals
being eaten by the faithful—
just like a video game

i clamp onto my brother
beg him not to go, we could run away
he didn’t have to do this—
recruiters quickly camouflage me,
am dragged outside—my brother lost
did not say goodbye
or even look at me.

 

my brother’s shoebox

the room across the hall is inhabited again,
home now from another tour
like sightseeing from a grand canal
where buildings are art
and storied sculptures animate street corners—
my brother returns a veteran.

i want to remember who this person is,
or at least, find out what war has done.

he leaves with friends to drink—
that is still the same,
later tonight
he might howl at our parent’s window
or jump on my bed until the sheets froth,
uncaring and rabid.

but i don’t wait for him to come home
and begin searching the room
that is his again.

it is simple to find
where people hide things—
a shoebox under his bed
that wasn’t there all these years
furrowed by sand
and almost glowing.

i open to find drugstore prints,
rolls of film casually dropped
for a high school student to develop—
silver halide crystals take the shape
of shattered skulls
goats strung and slit
a school made of clay
blasted in the kiln of munitions
“KILL ZONE” painted across its foundation—
each 4×6 emulsion a souvenir
of these mad travels,
kept to reminisce and admire.

 

my brother’s grenade

my brother’s room in our family vacation home
has embossed wallpaper, indigo or violet
depending on the light that filters through the mountains—
and his grenade in the closet.

i saw it looking for extra blankets,
thought it was an animal resting in eiderdown
kept by my mother in one of her tempers
but it didn’t move
and so
i picked it up.

inhumanity held beneath iron’s screaming core—
a pleasant weight,
like the egg i threw across the street
detonating onto the head of boy
who said i kissed him but i didn’t,
is it like that for my brother?—
fisted mementos of thrill?

seasoned by cedar sachets,
neatly quilted metal shimmered as i turned it
forbidden gem, his holy relic—
i placed it back in the closet and began making dinner,
said nothing.

the slender pin preserves this household
where our family gathers
unknowing a bomb is kept here—
my brother roasts a marshmallow
until it catches fire, turns black,
plunges into mouth.




New Poetry from Shannon Huffman Polson: “On Orthodox Easter in Mariupol”

BETWEEN THE CRACKS / image by Amalie Flynn

 

On Orthodox Easter in Mariupol

We finished our jelly beans
red and yellow, purple, green,
the last bite of chocolate, unaware

that over in Mariupol
on this most holy day
sleepless mothers cradle children
on a steel factory floor.

Christ is Risen!

But in Mariupol people lie crushed,
the crossbeam too heavy,
cold factory chimneys rising cruelly
against the grey sky.

Nobody steps in from the crowd
to carry the cross.
There is no crowd
but circled tanks

in Mariupol.

Where is the Risen Christ
in Mariupol?

Outside the factory
mud is drying, small flowers
pushing up
between the cracks,
the birds returning, unaware

that inside people wait
in darkness,
the factory made for steel,
not people—
they sit
in vigil,
waiting.




New Poetry by Michal Rubin: “I Speak Not Your Language” and “Omar Abdalmajeed As’ad of Jijlya”

MAN AND LAND / image by Amalie Flynn

I speak not your language

 I, born from the womb of
my mother’s remembrances
wrapped in the cocoon
of her story

PUT_CHARACTERS_HEREAAAAAAAAAAyou, amongst the trees, the earth
PUT_CHARACTERS_HEREAAAAAAAAAAbelow littered with unpicked olives
PUT_CHARACTERS_HEREAAAAAAAAAAthe story of Hagar and Yishmael
PUT_CHARACTERS_HEREAAAAAAAAAAis your womb

my skin a scroll,
an epic of what was
my skin like tombstones
etched with numbers

PUT_CHARACTERS_HEREAAAAAAAAAAthe remains of the broken down
PUT_CHARACTERS_HEREAAAAAAAAAAhome in the arid field pasture
PUT_CHARACTERS_HEREAAAAAAAAAAyour diary
PUT_CHARACTERS_HEREAAAAAAAAAAcarved in the stone

PUT_CHARACTERS_HEREAAAAAAAAAAYou laugh in pleasure
PUT_CHARACTERS_HEREAAAAAAAAAAyour small act of defiance
PUT_CHARACTERS_HEREAAAAAAAAAAyour urine naturally marks your
PUT_CHARACTERS_HEREAAAAAAAAAAterritory which
PUT_CHARACTERS_HEREAAAAAAAAAAI have marred

I feel its warmth running down
my sweaty shirt
my tongue tied in shame

PUT_CHARACTERS_HEREAAAAAAAAAAyou are telling your story

I speak not your language

and it’s 2pm
the radio announcer
reads out names of
lost relatives,
maybe they have survived

PUT_CHARACTERS_HEREAAAAAAAAAAyours, they live in a tent
PUT_CHARACTERS_HEREAAAAAAAAAAsomewhere
PUT_CHARACTERS_HEREAAAAAAAAAAwithout radio announcements
PUT_CHARACTERS_HEREAAAAAAAAAAyou guard the stones
PUT_CHARACTERS_HEREAAAAAAAAAAthat have survived

 

Omar Abdalmajeed As’ad of Jiljilya

Haaretz newspaper reports
3am
Omar Abdalmajeed As’ad is stopped by Israeli soldiers on his drive home, after spending time with friends.

the moon is smiling, oblivious to the rattled
heart    thumping against the white shirt
buttoned tightly over a late-night dinner
of rice and maybe thick lamb stew

3:05am
The soldiers demand that As’ad step out of his vehicle. They argue with him for 15 minutes.

Hebrew and Arabic mingle in a snake-like dance
or a sword fight with only one sword
and one victor

always
the same one wins

3:20 am
The soldiers walk As’ad to an abandoned yard, where they handcuff him, lay him on the ground, gag him and blindfold him.

the rancid aroma of cumin and cinnamon, the
leftover flavor of friends, permeates the thick
gag with a terrifying intimacy of living in a dream
of dying on the cold dusty ground

3:35am
Soldiers lead two more detainees to the yard. One of them notices As’ad is lying still on his stomach.

his full stomach is pressed against the small pebbles
as 78-year-old skin surrenders to the indentations
branding As’ad
declaring the kinship of man and land
as the almost full moon still is in oblivion

3:45am
Two more detainees are brought to the yard. No one is handcuffed apart from As’ad.

his hands bound to each other clutch fleetingly
moments stored in his wilting veins
toddlers joyfully
squealing    love   making
lamb stew   sweetness of pistachio-
filled baklawa

4am
The soldiers free one of As’ad’s hands and leave the yard.

not bound together the hands no longer harbor
As’ad’s stored moments
they “rest” upon the spillage of his life
leaving handprints
branding the earth
the kinship of land and man

4:09am
One of the detainees calls a doctor after noticing As’ad is unresponsive and his face has turned blue.

no flickering of the moonlight to mark
the moment As’ad’s blindfolded eyes   dimmed
the absence of air bluing
the wrinkled face

stillness

4:10am
A doctor arrives at the yard from a nearby clinic and tries to resuscitate As’ad.

the white shirt ripped    dusted
with the land      no longer white
and new hands part the sea
of stillness in a futile effort
to infuse life into
this body      an empty vessel

zip tie on its wrist

4:20am
As’ad is brought to the clinic and medics continue to treat him.

neon flares   no more  moonlight
frenetic world  life-sustaining measures    violent
clanking desperation against As’ad’s bare chest

desecrate the holy stillness
of dying at dawn  

4:40am

The doctor pronounces As’ad’s death

One commander will be
rebuked

two subordinate company and platoon commanders will be
dismissed

As’ad is buried in his village Jiljilya

*https://www.haaretz.com/israel-news/.premium-death-of-80-year-old-palestinian-was-moral-lapse-israeli-military-report-says-1.10581018




New Fiction from Cameron Manning: “Glory Chasers”

May 3, 2009

After Captain Short returned from his training with the Australians, he scheduled himself to take leave the following week, which meant he’d be gone all of May. While I waited for him to go, I didn’t do shit except play Axis and Allies with the guys and cook for everyone.

Until this morning, that is. At about oh-three-hundred, I jumped out of my bed to the sound of gunfire and a helicopter. When I ran outside, I found Sargent Doran and a few of the soldiers peering over our northern Hesco barriers through their Nods. The noise was coming from Shahr-e Safa, and I darted to the Tracker in my truck to see if there were any blue icons on the screen. There weren’t.

Short came over to me, dazed and confused. “What’s going on, Lieutenant?”

“I think it’s the Colors,” I said without hiding the enthusiasm in my voice. If I was right, this was exactly what we needed. No use in relying on a mismatched team of weekend warriors to exterminate the enemy when we could depend on the most elite fighting units ever developed. Maybe the Colors had caught some Taliban traveling through Shahr-e Safa. More dead Taliban meant a securer Jaldak. If Taliban were staying over in Shahr-e-Safa, maybe the Colors could also tell us who was hosting them—or being forced to host them. I called Zabul Base, but they didn’t know what was going on.

While our soldiers geared up and started the engines, Zabul called back a few minutes later and told us to stand down. Thirty minutes later, I got a message confirming it was the Colors, and I asked for more information on the nature of their mission and who they’d engaged—maybe they killed the Dad—but they had nothing else to share. I called Dickson later in the morning, but he said he didn’t know about any operation in my area either.

Around oh-eight-hundred, our mixed patrol of Cobra soldiers and Jaldak police walked into Shahr-e Safa and up the beaten path to the top of the hill. Instead of running up to us asking for candy, the children avoided us this time, and the ones who came out of their huts were crying.

“What happened?” I asked a cop.

Rocky translated. “He says the U.S. came in helicopters and murdered six men from the village last night.”

“Murdered?” I said.

“Martyred,” he said, before immediately correcting himself again. “They were killed when the U.S. broke into the compounds of the men and shot them.”

“The men they killed lived here?”

“Yes, sir.”

“They lived here?”

He confirmed again with the cop. “Yes, sir. They lived here with their families. They were part of the Dad’s team.”

What the fuck? “Where’s Ghani?” I scanned the crowd and the mud huts looking for the man we’d so often relied on to provide us with Taliban intel—nowhere.

“Sir, this is very bad,” Rocky said. “An Afghan’s home is his sanctuary. It’s a terrible message you’re sending to the people here. You need to tell your people to stop raiding homes at night and killing villagers.”

Un-fucking-believable. We’ve been living next door to six Taliban families this whole time.

On our way up the hill, two women burst out of a nearby hut and ran over to us, with crying children following after them. They tore the heads of their burqas off and began screaming and yelling. Two of the cops stood between them and us, and Short kept walking forward. I drifted toward the women, though. One was old—a mother of the dead, I assumed—and the other was younger than me. The old one shouted and wailed at the cops and me, wagging her finger as tears ran down her face. I didn’t need to speak Pashto to understand the vulgarity streaming out of her mouth. And then she stopped to spit on me. It hit my forehead and began rolling down my cheek, and I wiped it off with my sleeve and headed back toward the front of the patrol.

My stomach ached as I remembered marching with Freeman through Kakaran and the home of Abdul Kabir and the Dad, listening to their mother yell at us and our police. That had been satisfying, rewarding almost. But this was different now. Here I felt guilty and sick. But why? The men we’d just killed were no different from any of the others who’d tried to kill us. Or the ones who murdered their fellow Muslims in the streets.

And then it hit me—no matter how justified the killings were, we shouldn’t have been here. Our patrol shouldn’t have been taking a victory lap. Spiking the football right in the villagers’ faces. Taking a self-congratulatory tour of the destruction we’d caused. Freeman would have known better than to come and do this today. He would have sent the cops instead and brought the village elders back to talk. I should have known our presence now would feel like a spit in the face.

When we got to the top of the hill, close to where the groundbreaking ceremony for the well had been, Short approached a village elder. It was Razaaq—the father of Naney the pedophile—and he asked what we could do to help in the aftermath.

I wished we could have killed his son, too.

I walked to the well and looked up at the top of the tower where the solar panels used to sit.

Fucking bastards.

Even though I knew what would happen, I pulled the lever on the faucet beside the well and watched as nothing flowed out of it, symbolizing my failure. I headed over to Doran and Lane.

How could we have been so close to the motherfuckers? For almost a year, I’d slept next door to a village of insurgents. These guys weren’t Taliban from Pakistan traveling through the area, forcing villagers to feed and host them—they were our fucking neighbors. After eight years, we hadn’t even “cleared” the village beside our base. “Clear, hold, build” my ass. And if there were six Taliban living in Shahr-e Safa, guys whose children I’d spent a year throwing candy to, how many lived in the other villages in Jaldak? Jesus Christ, they’re everywhere. They’ll never leave this place.

“It’s pretty fucking hot, LT,” Lane said.

“Yeah, pretty fucking hot.”

“We gonna be out here for a while?”

“Look, dude, I don’t know. Pull security.”

He made a face and headed off.

I walked back to Rocky, lost in my own fog of disgrace. “Let’s get names of the Taliban killed,” I said as I handed him my notebook.

I watched as he stopped a policeman and talked to him for a while, writing in the notebook. When he returned, I scanned the list of names but didn’t recognize any of them. Across the way, I noticed that Short was still talking to Naney’s father.

“The police are saying the U.S. who came in the helicopters stole a bunch of weapons and explosives from the men they killed,” Rocky said.

“Stole?”

“I mean confiscated.”

Fuck this.

Rocky turned to leave, but I grabbed his shoulder. “They were bad guys, Rocky. Taliban. If they had guns and explosives and—”

“It doesn’t matter, sir.” He pointed to a boy standing beside his older brother, both of them crying. I got the message.

I surveyed the mud huts on the slope of the hill we’d just hiked up. These were the people we’d been trying to make life better for? The people we fed and provided running water for and whose children we built schools for? The people who’d never told us about the six Taliban living in their village—the village that neighbored us?

But why would they tell us? These men were their sons and fathers.

This is fucking hopeless.

By now, Short was done talking to Razaaq, and we headed back down the trail to the highway, where I put myself on the south side of the patrol. The side away from the woman who’d screamed and spit on me on our way up. But there was no escape—more women came out of another hut and started in on me and the cop beside me, wailing and cursing in Pashto, more orphaned children behind them. Their bare faces streaked with tears, they made wide menacing hand gestures whose meaning I could only guess at. I could feel their hatred just like I could feel the heat of the sun.

Fuck all this.

At the road, Ghani was waiting for us. I ran to him, and Rocky scurried along after me.

“Did you know these men?” I demanded.

There was a pause.

He said something to Rocky. “Yes, for many years.”

I glared at Ghani, the crooked bastard. All this time I’d thought he was the kind of guy we needed to save this place from Taliban, but he must have only been using us because he hated Zahir. Not because he hated Taliban.

“Why?” I stepped forward, my face close to his “Why not tell us?”

Rocky didn’t hesitate. “He knew them well, sir. They were part of his clan.”

Ghani just stared back at me sheepishly.

I wanted to spit on him. Instead, I turned and walked down the driveway as our crooked fucking cops opened the wire gates for us.

All this work for the sake of the women and children and this was the result? A police force corrupt to the core and a well that didn’t work and a generation of fatherless sons and daughters? Sons who would grow up to join the Taliban and kill us if we were stupid enough to still be around? Daughters who would be forced into marriage as soon as they menstruated? Imprisoning their faces behind those suffocating burqas for their entire godforsaken lives?

Why the fuck are we still in this place?

The people would never support the police as long as we were here. But if we left now, the Taliban would replace the police force we did have. Every man and woman who died in this country for the sake of this war would have died in vain. None of it would mean anything, to anyone. Vietnam all over again.

What a tragic fucking joke.

I kept walking, leaving the wailing and cursing behind. If only till the next time.

*

Back at base, we debriefed in the Toc even though it was hotter inside than out and there were just as many flies.

“You see how empty the whole place was?” Kilgore said.

“The elder I talked to said just about everyone’s left, and tomorrow they’ll all be gone,” Short said.

I slapped a fly on my arm. “The business owners and the villagers?” I grabbed the flyswatter from my desk and waited for the next one.

“Everyone. They’re all afraid of U.S. in helicopters coming to kill their sons and husbands again.”

“Well, if their sons and husbands are fucking Taliban trying to kill us, stealing solar panels—”

“God, you really got a hard-on for that solar panel thing, don’t you, LT?”

Kilgore laughed.

“If they’re fucking Taliban, they ought to die,” I said, glaring at him, knowing that I wasn’t going to bother trying to explain to him the complicated truth I’d just learned. The fact that we’d just given every child in that village a once-in-a-lifetime experience that would shape their decision-making for the rest of their lives. The invaders had just killed their fathers and brothers, and they’d gladly take up arms against us as soon as they got the chance. The truth that killing more bad guys could never be the answer to winning this war.




New Poetry by Chris Bullard: “All Wars Are Boyish”

THE MELTDOWN MEADOW / image by Amalie Flynn

 

All Wars Are Boyish

Autopilot on self-destruct,
we went joy riding on tanks
into the thermal wasteland.

The static of roentgens played
like parked ice cream trucks
on the detection equipment.

Playgrounds went incendiary
as squalls of cluster bombs
skipped over the pavement,

but our camo HAZMAT suits
insulated us from the acts
we had been ordered to take.

They were on the run, maybe,
or counterattacking. We took
rations beside a napalm campfire.

Jets among the sweep of stars,
scorched amphibians peeping
in the meltdown meadow,

what more could a kid ask for,
except dinosaurs? They were
already working on them in the lab.




New Fiction from Adrian Bonenberger: “Fort Mirror”

 

Ruined Fort

Getting posted to Fort Mirror was a death sentence. The most coveted of all postings, soldiers jockeyed for the honor, begged superiors to send them to the fort on patrols or did what they euphemistically called “drug deals” to get assigned to units deploying soon. You went there, you died. Or you didn’t. Some people got hurt. Many of the people who spent time at Fort Mirror came away unharmed. Others went mad.

Officers were the worst. Ambitious young men and women subjected themselves to demanding and physically exhausting trials, hazed themselves brutally just for a chance to deploy to Fort Mirror. Knowledge of which units were headed where was highly sought after. If based on rumor and forward planning at headquarters it looked like there was a 20% chance a particular unit was going to Fort Mirror, that was considered quite good, and the officers lined up to serve. Over time, officers became conniving, wheedling things, strong from their training, ruthless in their networking. Most of them (save for the luckiest who knew somehow they were going to Fort Mirror) lost themselves completely trying to get there.

But Fort Mirror was worth it. That’s what everyone said. People knew that at Fort Mirror whatever else happened, the enemy would attack in strength—they’d come in the night, from some direction nobody thought possible. Or they’d come during the day in overwhelming numbers, and it was all hands on deck, fighting from one side of the fort to the other with a box of hand grenades to share on those occasions the enemy attacked at the place defenses were strongest, and still got in, punched their way through, although the base commander had anticipated that very move.

People went to Fort Mirror because catastrophic, once-in-a-decade attacks were bound to happen. Soldiers and officers went there in pairs, with their best friends, each knowing that the other would likely die, and it would be a formative tragedy. Each man secretly believed it would be the other who perished. Sometimes, a man went to Fort Mirror to die, and formed a friendship with a soldier or officer whom they believed would make it through, thereby keeping their memory strong. It actually played out that way a few times. A few times it played out the opposite, with the person who went there to die living, and the person who went there to live dying unexpectedly.

Those were the glory years for Fort Mirror. Rumors spread from the military to the writers obsessed with military affairs. Journalists began showing up to write stories and record television spots, to film for documentaries. This furthered the fort’s fame, spreading its name far and wide among those paying attention. The more that soldiers and officers were recorded or written about at Fort Mirror, the greater the numbers of ambitious young soldiers and officers clamoring to join units going or staying there. To a certain type of man, this notoriety was reassuring, knowing not only that one would perform brave valorous feats, but that afterwards, there was a reliable chance that one might read an article about it in the newspaper, see themselves on television.

For the career minded, Fort Mirror became a rite of passage. Promotion was assured for those who could deploy there and turn it to their advantage. Many junior officers went on to distinguished careers after serving at Fort Mirror, likewise with the sergeants. Medals for bravery were handed out there like pieces of candy at Christmas. Every other year or so, a soldier or officer would earn the highest honor their country had to give.

*

The military hierarchy hated Mirror. Its existence repudiated so much of what the war was said to be about in the generals’ press releases. It was the grain of truth in the myth of the war, it was the persuasive argument justifying some new barbaric action. Academics wrestled with it as a problem, conceding that its being an outlier to their models spoke to some more essential lesson about conflict. Meanwhile outside of government and the military, few had heard of Fort Mirror—and that’s because few had heard of the war, in spite of the journalists writing stories about it, in spite of the television spots and occasional documentaries. Even though there was no specific awareness of Fort Mirror, it’s safe to say that without it, the war as a phenomenon would not have been possible.

Operations at Fort Mirror were sometimes mission driven, but they were never metrics-driven or data-driven. It had not been optimized for search results, there were no subheds partitioning it into sections or dragging readers’ eyes from one section to the next. It had no keywords. Its reading level could not be assessed. It was not hyperlinked or back-linked to other pages. Its domain authority score could not be established.

In terms of its layout, Fort Mirror was not exceptional. It consisted of walls, and an entrance, and guard towers, and a dining facility; all the things you’d expect a fort to have. Still, because of the terrain on which it had been built, part of Fort Mirror extended onto a flat plateau—a brooding section that seemed to gaze out at the surrounding countryside like a man lost in thought. There was a second, lower section at the base of the plateau. A trail cut into the stone cliffside centuries before by some farsighted builder or military commander connected the two positions and had been expanded and fortified over the decades. In its whole, Mirror was remarkable, a shining, demented visionary, a Castle Frankenstein or one of Frank Lloyd Wright’s lesser-known experiments; a part of its surroundings, and also totally apart from them, impossibly alien.

When the military arrived they stationed artillery and mortars on the plateau, and had a place to land helicopters full of food, mail, and other sundries needed to keep a fort going. Around 300 soldiers lived at the fort at a time though occasionally the number would grow for bigger operations.

The terrain deserves more consideration. Because of its appearance in various print and broadcast media across various seasons, it’s possible to get a sense of the place, but in spite of widespread coverage, descriptions of it conflict and can even at certain points as was the case in a feature in The New York Times and another in Der Spiegel, explicitly contradict each other. In some recollections the plateau on which the fort was founded grew out of a hill within a valley, ringed by foreboding mountains. In others, the plateau jutted out above a deep river that cuts through what appear to be plains, or emerged from buildings in a town or bazaar. It was compared favorably and unfavorably with a decayed New England industrial center, hollowed out by offshoring. Others saw in it the mountains and rivers of Central and Eastern Europe. One thing that everyone agreed on, in describing the milieu in which Mirror occurred, was that the weather in the place varied wildly, with sunny calm often replaced with no warning by torrential downpours. Fog, too, often obscured the fort, rendering it vulnerable to attack, but also difficult to detect.

There were several Observation Posts or “OPs” higher in the hills, manned by soldiers and local constables in groups of 8-12, total. The precise number of OPs varied between three and five, depending on the goals of the commanding officer. At first the OPs were named for cardinal directions, but over time, took on the names of soldiers who fell in fighting. One was even named for a heroic local constable who sacrificed himself during a particularly desperate action, unexpectedly saving the lives of eight soldiers. This act of love was seen as something of an exception to an unspoken rule to acknowledge the local residents as little as possible; in general, places were named only for military soldiers or officers, or cultural signifiers or signposts from home. Locals had their own names for things. They even had their own name for the fort, though it was deployed as trivia and assigned no particular importance, save to the occasional soldier or officer who thought taking local matters seriously ameliorated their complicity in the war, or because it reminded them of a spouse or partner.

*

The oddest thing about Fort Mirror, and the thing that most people remarked on when they first arrived, was that every inch of the fort was covered in mirrors of the sort one might find on the local economy. The walls were covered with mirrors outside and inside. Instead of windows, there were mirrors, instead of paintings, mirrors, instead of doors, great opaque slabs of reinforced glass, in which one could see one’s own reflection and that of one’s surroundings. The outside of the fort was draped in mirrors which were affixed by metal wires or placed into stone or wooden fittings designed for the purpose. This was true of the lower and upper portions of the fort, with the exception that the mirrors hung in the lower part of Fort Mirror were in general larger and heavier than those above. Some suggested that this was owing to the difficulty of porting larger mirrors up the cliffside; prior to air travel there was no easy way to bring mirrors up from the surrounding valley to the plateau.

When mirrors were damaged by the fighting, as they often were, they were quickly replaced. Mirrors had been built into and onto the fort long ago—more credulous soldiers said that this was done by special operations during the initial phase of the war, but the special operators who had seized the fort from enemy forces maintained that the mirrors had been there when they arrived. Earlier accounts from militaries of other, older armies, had also described the fort as having been draped in mirrors or “reflective glass,” and hypothesized that it had at one time been the residence of a great king or emperor.

One officer developed a friendship with a popular and well-educated interpreter, “Johnny,” who said that the fort was a place of great religious significance. According to him the fort was on very old ground, perhaps predating monotheism—perhaps, indeed, contributing to it in some obscure way. The local villages all regarded the fort with dread and superstition, and the fort and its occupants played significant roles in myths of the sort still regularly encountered in distant rural areas even in the 21st century. Furthermore, the fort factored into local religious stories, which attested to its durability, as myths of a certain power and endurance were always incorporated into orthodoxies rather than destroyed. Every time the enemy attacked, they would leave behind new mirrors to replace the ones they’d damaged. With time, it became a tradition among soldiers as well, with new units bringing new mirrors of all shapes and sizes, and purchasing quantities on the local economy at a significant mark-up.

In the arts, Fort Mirror inspired many essays and fictional stories focusing on its construction and layout, and the effect that living there produced on many soldiers and officers. Journalists helped lead the way by writing about it in public, and always seemed eager to consider its significance in terms of what to them was a unique experience. There was invariably a part in every article or video where the author or narrator would show how little most soldiers and officers cared about living among their own reflections, as well as how odd and disorienting it was to new arrivals. Many soldiers and officers took it upon themselves to understand the significance or consequences of living on Fort Mirror through graphic novels, fiction, memoir, movies, video games, and art.

“I wake up in the morning blinded by the light of thousands of suns, trapped in a funhouse maze of my agonized and distorted, shattered body,” wrote one reporter, “while a sergeant walked by me in flip-flops to the showers, totally oblivious, as if this were the most normal thing in the world. A mortar boomed in the distance, and as I dropped to the ground, he reached the bathroom and opened the mirror, then disappeared nonchalantly inside as an explosion burst a few hundred meters to our south…”

It was a strange place. Legends grew up about and around it over the years within the military, though you truly had to have lived it to understand many of them. Some soldiers fell in love with local women, others, with each other; others still, with the idea of escaping Fort Mirror, which while one was posted there was almost impossible. Some went mad sitting in their barracks rooms, at night, flicking a small flashlight on and off, staring at themselves in the mirror-walls, wondering about what they might have done differently during the previous day’s patrol, or how they’d perform on the upcoming operation. It was said that one could see the past in the mirrors, dead soldiers from wars long past or from actions just months old. Perhaps those who died within Fort Mirror’s walls were doomed to walk within forever. A persistent but idiosyncratic story was that one could see the future in the mirrors, given credence by the many soldiers who experienced professional success in their subsequent civilian lives. Another story concerns a distinctively squat and strong-willed but disliked colonel, who disappeared from the fort, but who was subsequently reported roaming the mirrors of the fort too many times and by too many different sources for it to have been coincidence.

*

One might think that there would be some taboo against breaking mirrors while posted to the fort. There is some truth to this, to deliberately destroy a mirror needed some justification. If, for example, one broke a mirror accidentally, firing at a perceived foe, this was permissible. To destroy a mirror in order to “liberate” the image within was also viewed as understandable, though officially it was frowned upon and never encouraged. Breaking mirrors out of an instinctual desire to wreck or destroy was also dissuaded even though soldiers and officers caught doing it were rarely punished. As with all things Mirror, justice bent toward mercy and understanding when it came to acts of violence.

Adjusting the mirrors — changing their orientation or marking them with paint or markers — was something that inspired instinctual revulsion by all, soldier and local alike. Soldiers caught changing the mirrors in any way would be transferred out from the unit after a quick investigation to determine the facts. Locals caught changing the mirrors in any way were never seen again.

Another notable characteristic of the fort was that having struggled so mightily to be posted there, as soon as a soldier or officer would leave, they’d be filled with a burning desire to see the place closed. They justified this desire by explaining that no more people should die or be injured in so pointless and strange a place. Meanwhile, the soldiers and officers who’d yet to deploy to Fort Mirror maintained that this was bitter jealousy, that Fort Mirror veterans wanted to hoard all the glory for themselves; that they only wanted to close the fort so that nobody else could get medals, so they’d be the only ones who were special.

Would the war ever end? Would the soldiers stop flowing into Fort Mirror, fighting desperate battles at night or in the day? Would the junior officers stop competing for posts there, stop gazing into Mirror’s walls to regard their square-jawed future political campaigns? Would journalists stop writing nuanced pieces balancing the reality of the war with the idealism of the energies that had brought the military to occupy the fort in the first place? Would the timeless myth, whispered among the oldest locals, ever come to pass: that someday a line of light would appear in the middle of the fort’s mirrors and all the mirrors of the world, accompanied by the thunder of countless horses hooves, before the people of the mirror world burst their magical reflective confines to enter our own world? And what would happen if they did?

 




New Fiction from Brian Barry Turner: “Death Takes a Temporary Duty Assignment”

Death had narrowed his search of potential candidates down to two soldiers, both with high kill counts. Qualified applicants were always military men assigned to the line. Death had been a knight under Robert the Pious. His predecessor had been a Centurion under Augustus. Snipers, artillerymen, and pilots were ineligible, too much separation from the butchery. Intimacy and closeness were necessary for a harvester of souls.

Blackburn and Rojas. Each man had seen the whites of enemy eyes before pulling the trigger. Death had brushed shoulders with each of them, literally and figuratively.

Death sat beside his laptop computer, his bony finger pressing SEND on the last of his 555,000 emails: intercessions, near death experiences, and miracles forwarded to him by God. “Finally,” he said as he rose and grabbed his scythe, “I’m all caught up.”

Death had been granted a two-hour Temporary Duty Assignment to pick a successor. Having completed his thousand-year tour of duty, he had extended for three more years to clear up a client backlog. The twentieth century had been a busy time for the Grim Reaper, perhaps the busiest in history. With the invention of the cell phone and internet, the incumbent Death received a constant barrage of text messages and emails which—considering his birth 400 years before the printing press—he managed adroitly.

As a spirit operating outside the bounds of space and time, Death’s job granted him near omnipresence: only a fraction of a second later he was standing within a concertina-lined forward operated base in Northern Iraq. He checked his watch­—1300 hours.

Invisible to the Living, Death strode through Task Force Warrior’s Tactical Operating Center, spotting Sergeant Major Muerte haranguing a long-haired private. “Sergeant Major,” he said to himself as he stepped into Muerte’s body, “I hope you don’t mind me possessing your soul for a tick.”

The private reeled as Muerte’s Aztec hue shifted to a bloodless pallor and his face, previously the picture of health, deflated. Staring through opaque eyes, Muerte—now Death— snapped his fingers, and his scythe instantly appeared in his pale hand.

The private straightened up, eyes trained on the razor-sharp scythe. “No need for that,” he said, backing out of the TOC, “I’ll cut my hair, Sergeant Major.”

Scythe in hand, Death, now Muerte, walked around Warrior Base, finally locating Charlie Company’s first sergeant. He had little time to dawdle.

“I need to speak with Sergeants Blackburn and Rojas, First Sergeant.”

Staring at the large Scythe, the square-jawed first sergeant hesitated. “What about, Sergeant Major?”

“A promotion.”

“A promotion? To what?”

“The Angel of Death.”

“Oh…” he said, exhaling in relief. “I thought I was getting transferred.”

Located in a derelict guard house, Muerte’s office was the epitome of military austerity—desk, two chairs and a laptop computer, the antithesis of Death’s Victorian-era quarters. Muerte set his Scythe against a bullet-riddled wall and took a seat behind his computer. He logged onto his email and sighed at the 300,000 unread messages in his inbox. He downloaded Blackburn’s file.

Just as Muerte was about to call in his first candidate, the report of a mortar round rocked his office. With less than ninety minutes to conduct his interviews, he couldn’t afford any distractions. Within an instant he was outside Warrior Base’s perimeter standing beside a truck occupied by three insurgents and a mortar.

Upon seeing the now manifested scythe-wielding, eight-foot tall skeleton draped in a black robe, the insurgents’ faces froze in silent screams. “Do you mind?” he said in perfect Arabic. “I’m conducting interviews.”

“Malak al-Maut![1] Malak al-Maut!” yelled the driver as he stomped on the gas, covering Death’s robe in a brume of powdered dust.

Transposing himself back into Muerte’s body, he checked his watch. 77 minutes. Barely over an hour left to select a candidate for a thousand-year tenure of abject grief and hopelessness. He’d kill for more time.

Sergeant First Class Blackburn stood in his doorway as Muerte reviewed his file, “You asked for me, Sergeant Major?”

“Take a seat, Blackburn.”

Standing a portly 5’ 2”, Blackburn’s stature was exacerbated by his unusually long arms which necessitated his wearing gloves to protect his dragging knuckles. Blackburn took a seat across from Muerte and reached for a pack of cigarettes.

“Mind if I smoke?”

“Be my guest,” said Muerte, “Can I bum a square off you?”

Blackburn offered Muerte a cigarette from his sausage-shaped fingers. Muerte took a deep drag, relishing the tobacco, tar, and carbon monoxide as it entered his lungs. Cigarettes and Death. Death and cigarettes—like ham and cheese to the Living.

Muerte gazed at his laptop. “It says here you killed 22 insurgents.”

“23, Sergeant Major.”

“No, Sergeant, 22. One was shot by friendly fire.”

“Oh…”

Muerte leaned back in his seat and took a deep drag, sizing up Blackburn’s homuncular appearance. “What does that mean to you, to kill 22 men?

“Are you with JAG?”

“No, I’m not with JAG.”

Blackburn’s eyes darted around the room. “I don’t know if I should answer that.”

“Anything you say here stays in this room.”

Blackburn leaned across the desk. “I’m the Angel of Death,” he whispered.

“Say again?”

“I’m the Angel of Death.”

You’re the Angel of Death?”

“Yes, Sergeant Major.”

Muerte was taken aback by Blackburn’s hubris.  Boasting was bad form even among the Living.

“That’s awfully presumptuous, isn’t it?”

“Presumptuous?”

“Can you answer two million emails in a single day?”

“No, Sergeant Major.”

“Can you answer three million phone calls a day?”

“No, Sergeant Major.”

“How about travel? Can you be in a million places at once?”

“No, Sergeant Major.”

Muerte stood. “Thank you, Sergeant. I’ve heard enough.”

Blackburn offered a handshake, but Death politely refused. He hadn’t come to collect Blackburn, only to interview him.

Muerte returned to his chair and checked his in-box. 700,000 unread emails. Never a moment’s rest. Death gave the Rojas file a quick look. Just as he was about to call him in he heard a truck turn sharply into Warrior Base’s entrance. He rolled his eyes, “Here we go again.”

Materializing beside a pick-up packed with explosives, Death killed the engine. He had dominion over the Living and all forms of technological devices, including internal combustion engines. Few were aware of this.

The suicide bomber sat motionless in the driver’s seat, horrified by the cloaked figure towering over the hood of his truck. Death walked to the driver’s side and tapped his bony finger on the glass. The suicide bomber rolled down his window.

“Kinda busy right now,” Death said in Arabic. “You mind coming back later?”

The suicide bomber nodded and put the truck in reverse.

Death returned to Muerte’s body. 1,200,000 unread emails in his inbox. He’d give his soul for a personal assistant. He checked his watch—30 minutes. He was out of time.

“Next!”

Sergeant First Class Rojas entered Muerte’s office. Five-foot ten with a rail thin physique, Rojas looked like he’d be ground to powder by a sandstorm. His freckled face was capped by a thatch of red hair. Death smiled at his surname. Rojas.

“You summoned me, Sergeant Major?”

Muerte motioned for Rojas to take a seat. He stared at his laptop, then turned to Rojas. “25 insurgents. It says here you killed 25 insurgents.”

Rojas sat silently, running his hand over his ginger brush cut.

“How does that make you feel, to kill 25 men? “

“Are you with JAG?”

“I’m not with JAG,” Muerte said. “Why does everyone keep asking me that?”

“It’s a loaded question. If I said I felt nothing I’d be a sociopath. If I said I enjoyed it, I’d be psychotic.”

Muerte chuckled. “You Living, always putting labels on your own agency.”

“Living?”

“I’m not here to diagnose you.”

“Honestly?” said Rojas as he straightened up. “Part of me felt good to kill those men.”

“Good?’

“Yes. They were trying to kill me, but I killed them first. I suppose it’s primal.”

Muerte leaned back in his seat, “Please elaborate.”

“It felt good, but I don’t get any joy out of taking another man’s life. I simply did what had to be done.”

“And that is?”

“Bring my men home. Those men I killed, they have families, but so do the soldiers in my platoon.”

“So, in a way,” Muerte said, closing his laptop, “you view death as simply a consequence of your chosen profession.”

“Yes, Sergeant Major. And I take that profession very seriously.”

Muerte ruminated on his words, sizing up the freckly-faced, red haired non-commissioned officer. There was no doubt about it. He’d found his replacement.

“Congratulations,” Death said as he rose and offered a handshake. “You’ve got the job.”

Rojas stared at Muerte’s pale fingers. “Job?” Rojas asked as he rose and offered his hand in return.

“Yes, a job,” supplemented Muerte. “But I must warn you, the workload will kill you.”

 

 

[1] Angel of Death




New Poetry by Kevin Honold: “A Brief History of the Spanish Conquest”

 

RADIANT AS NOON / image by Amalie Flynn

 

A Brief History of the Spanish Conquest

Tell me again of that fabulous
kingdom where a single
ear of corn is more
than two strong young men can carry, where cotton
grows untended, in colors never dreamed of,
to be spun by gorgeous slaves
into garments that lie
cool as cornsilk against the skin and shine
radiant as noon.

*

How sordid and predictable history can be.
Within sight of the prize
but out of ammunition, they
lowered three men down the volcano’s throat
to fetch sulfur for gunpowder.
PUT_CAAAAAAAAAAAAAAAAAAAAThis
was the vision
prefigured in the prophet’s eye:
three men curled in a basket peering
back across the centuries,
their dewy starving faces so
desperate with hope
as they dissolve in a yellow mist,
felons set adrift.

*

North by west toward the cities of gold,
the soldiers in rags walked half-bent
with hunger and dysentery, nursing
grievous wounds sustained in hit-and-run attacks
by moss-troopers talking Choctaw.

Beside the mother of rivers, the horses sickened and died
but the soldiers, being less reasonable,
proved less destructible.
At disobedient towns they dragged out
chopping blocks to punish malefactors
and departed in a shower of ash, their legacy
a heap of severed hands slowly
clutching at flies.

*

But the much-sought golden cities sank below the horizon
like the tall ships of fable. For the Spaniards,
the age of miracles ended
somewhere in southwest Arkansas. The palaces of silver
turned Outlaw Liquor Barns, Triple-X Superstores,
the stuff of vision a mustard-colored mix

of smoke, dust, emissions
from riverside refineries and coal
plants along the Mississippi where squadrons
of John Deere combines like barn-size locusts
roll in drill order over the dry land,
half-effaced by squalls of chaff.

At night the fields burn.
Stray flames browse the blackened
shoulders of the interstate,
crop the stubble beneath the billboards.

*

In the state park south of Hot Springs
I fell asleep in a chair in the heat and woke
to a titmouse perched on the toe of my boot
with that peculiar weightlessness
shared by birds and planets

and I searched without hope for my place in the book.
Buzzards killed time there, their shadows
slipping across the iron ground
like fish in a shallow pool
while Time gaped
PUT_CAat the spiders that battened
PUTon the flies that
swarmed the rotten
windfall apples.

*

Tenochtitlan.
At the imperial aviary, we found
a pair of every kind of bird in the world:
parrots and finches in profusion, brooding vultures,
egrets, ibis is sacramental scarlet.
Seahawks stooped and banked

through that hostile truce and we marveled
at God’s prodigality, His exuberant
inventiveness, then piled tinder
to burn the thing to the ground.
Flames sheeted over the soaring

lattice dome like the fleet
shadows of clouds. For a time,
the structure smoldered,
a hissing wickerwork steaming as it cooled.
Here and there, a bird crashed the skein of ash

like a rogue comet bursting
the flaming ramparts of the universe.
Charmed in place, we held our breath,
beside ourselves, like couriers
trapped in a snowglobe, blinded
PUT_CAAAAAAAAAAin a tempest of embers,
astonished at the work of these hands,
the everyday miracle of destruction.




New Fiction from J.G.P. MacAdam: “A Sleeping Peace”

Author’s note: I arrived at this story after reading an article in Rolling Stone called ‘Highway to Hell: A Trip Down Afghanistan’s Deadliest Road’ and I thought, what if what’s happening in Afghanistan ended up happening here, in America? Would Americans finally “get it” then?

*

Sometimes the weariness in my bones was so bad it took near everything I had just to get out of bed in the morning. Captain Hernandez tapped on the front door at 0400. I was already packed and dressed. I slipped my nose out of Zachary’s doorway. His bedsheets were tousled and I wanted to tuck him back in, but I didn’t want to risk waking him. Let him sleep. I slid his door shut and turned the knob. Matt was waiting for me at the bottom of the stairs, as he was every Monday morning. He handed me a thermos of Klickitat Dark Roast.

photo: Andria Williams

“Thanks.”

“Text me every hour on the hour.” He hugged me close. “Please.”

His beard was just the right length, not too scratchy. “Go back to sleep. Try to grab another hour or two before Zachary wakes up.”

“I’ll try,” he whispered in my ear and squeezed me closer.

Captain Hernandez tapped on the door again.

“Gotta go. Remember to ask Teacher Julie about Zachary’s—”

“I’ll remember.”

“And you’ve got another doctor’s appointment this—”

“I’ve got the home front covered, Charlie-Echo.”

“Okay.”

We kissed. Matt made sure I had my briefcase, bulletproof vest and everything else, then opened the door. The damp predawn air blew in with the sound of idling engines and Captain Hernandez’s voice. “Morning, ma’am.”

“Morning, Captain. Latest intel?” I knew Matt liked hearing the Captain’s briefings. It was practically every other week that Matt was trying yet another prescription for his anxiety. None worked.

“Contractors for ODOT took an ambush on Saturday, trying to patch up that one crater near mile marker 270. No casualties. The hole’s still there, though.”

“Any IED’s?” Matt stepped onto the threshold.

“Four, sir. EOD’s taken care of them though.”

“Maybe you guys mix up your route a little bit? Take one of the bridges across the river, or several, crossing back and forth.”

Shaking my head: “I’m already leaving at the crack of dawn as it is. We’ll take eighty-four all the way out.”

Captain Hernandez agreed. Matt shifted uncomfortably; he didn’t like being reminded that in a very real way he didn’t know what the hell he was talking about. The Captain knew when to take his leave. “Clock’s ticking, ma’am.” He tapped his watch and stepped his combat boots down the front steps.

I glanced back at Matt, hoping he wouldn’t but knowing he would.

“I don’t see why you can’t just deviate your route a little. These National Guard guys don’t know their ass from a hole in the—”

“Matt, honey, please. I gotta go.”

“Why’s the Governor making you do this? Plenty of other County Executives don’t have to travel out to the sticks. In Baker, in Grant, in Malheur, in any of the eastern counties there’s not even any county government left to speak of.”

“You know why. There needs to be a government presence in Umatilla. It’s the bridge. It’s the dam. It’s the interstate.”

“I don’t want to lose my wife to some goddamned—” I saw how much it took him to swallow his worries down. He couldn’t help himself; he always grew so anxious right at the last minute. “I’m sorry, you gotta go.”

“I’ll see you Friday.”

Matt nodded and sighed. “We’ll be here.”

“I love you.”

“I love you, too. Zaniyah?”

“Yeah?”

“Text me, please.”

Emails were already rolling in on my phone. Captain Hernandez was waiting, holding the armored door to my SUV open for me. “I’ll text you when we make it past the Hood River base.”

*

My phone scrolled with endless memos. Everything Umatilla County—population 43,696 and dropping—from road maintenance to school renovations. Reviewing and e-signing as much as I could in the back of my de facto mobile office, a hulk of an SUV outfitted with bulletproof windows and steel-plated undercarriage.

We picked up Muri, my counterpart in Wasco County, before taking I-5 to the I-84 interchange. Our order of movement was lead Humvee with a gunner and a .50 cal in the turret, my SUV, a second Humvee, followed by Muri’s SUV, then a rear Humvee. We hit the interchange at a smooth 70 mph maintaining a strict 20-meter interval between vehicles.

I yawned and glimpsed the shadow of someone standing under an overpass. They were holding their phone to their face and tracking our convoy with it.

“D’you see that one, Captain?”

“I did, ma’am.” He commanded the convoy from the passenger seat. “Third lookout this morning.”

“They know we’re coming.”

“They always do.”

I suppressed another yawn and tried not to think about it, bending to my memos again, sipping my Klickitat Dark. Portland swirled by my window. Even at this hour the streetcars were running, bicycle lanes filling up, another day in the life of a great American city no doubt suffering its fair share of contested neighborhoods, crime, refugee-packed stadiums and smoke-filled summers where the air itself became an enemy to defend against. But the insurgency held little sway here. Portland, Salem, the coast and anything within artillery distance of the I-5 corridor was safe insofar as the National Guard continued to pour manpower and materials into defending it. As for any territory east of the Cascades, however, the same could not be said.

The first couple hours of our trip sped by, the lead truck passing smoothly around the handful of semis still making runs into contested territory, the whole convoy flowing apace. The question, the one question that always gnawed its way into my brain every Sunday evening, before even waking Monday morning, before saying goodbye, hit me, once again. Why not turn back? It was the sight of the first military outpost atop Tooth Rock that brought the question on. The Tooth Rock outpost was, for me, the western entry point to the Columbia Gorge, the Cascades, thickly forested, magical, wet with ferns and moss, riven with canyons and waterfalls, a fairy tale place of my youth, a place to camp, to hike, to explore. But it wasn’t that way anymore. Now, I saw only violence. The way the Columbia River had once upon a time blown a mile-wide hole through the mountains. The way the land was torn apart and uplifted, itself a testament to the hundreds of thousands of years of earthquakes and eruptions from the resident volcanoes at present asleep under their cones of ice.

Tooth Rock disappeared around another upthrust of rock. A spattering of headlights on the westbound lane, some people still commuting into Portland. Why not turn back? Herrera, the County Executive for Gilliam County, was not in the convoy. He called in sick, as usual. The Hood River CE, Jules, slept in a bunker in the base there. Sherman County’s CE was a no-show, probably nursing a hangover, the stress of the job driving her to drink her way out and drink her way back every week, or so I heard. The only other county besides my own along I-84 was Morrow County. That was Henderson’s territory, or had been. He boasted of being born and bred in Morrow County, knew the people and the hills like the back of his hand. He once said to me, “Zaniyah, just be yourself. Don’t be the Governor’s lackey. Don’t be the authoritarian dictating curfews and martial law. Don’t be the savior. Just be yourself, the girl from Umatilla. You’re from Umatilla, right? That’s why the Governor appointed you, wasn’t it?” He was right and he was dead. Insurgents ran a Corolla rigged with fertilizer and a suicide bomber straight into his SUV as he was leaving the compound down in Heppner, the county seat.

“We should have choppers.”

“What’s that, ma’am?”

“Nothing, Captain. Just thinking aloud.”

Choppers were too scarce and expensive to fuel. The winds in the Gorge too treacherous for most aircraft, the weather too unpredictable.

The Bonneville Dam slid into view, its turbines and buttresses stretching across three separate islands. It was soon followed by the white-trussed expanse of the Bridge of the Gods which seemed to hover midair under a blaze of spotlights. A checkpoint searched vehicles before allowing them to cross. Why not turn back? Even this lake of a river fell dam-to-dam down to Portland and out to the Pacific. To travel east was to go against gravity. “I’m appointing you all to be my eyes and ears on the ground,” said the Governor. “The mayors and county commissions elected locally, well, they’re not what I would call cooperative all of the time, especially in the eastern counties.” My phone vibrated with a new email from the Mayor of the City of Umatilla. His email was mostly a rant interspersed with all-caps saying that I did not have the authority to direct road maintenance, though they were state funds and the State Legislature explicitly directed CE’s to monitor all state expenditures. I did not have the authority to make the curfew start earlier and end later. I did not have the authority to ration medical supplies or food aid. Mayor Pete even brought out the big guns, the telltale codewords and innuendo of popular insurgent threads, the language of which was now near ubiquitous across much of eastern Oregon. “It’s only because of the Governor’s MILITARY DICTATORSHIP via stationing TROOPS in our backyard that YOU even survive your little trips out here!” Was that a threat? What else could it be, in times like these? “Where are you anyways?” he wrote. “Why aren’t you in the office yet?” I replied with only an “En route. — Z.” and pictured his face reddening at the screen. Why keep going? Why fight for people who did not want you to fight for them?

The interstate slithered its way between the dark river and darker upthrusts of rock. Exits were blocked off and closed. Corporal Barnes, ever the silent driver, clicked on the windshield wipers as the air congealed into a mist of rain. A prominent slab of rock jutted out over the right side of the road and when our headlights passed across it, I saw the message, we all did, could read those white letters spray-painted across the wet black of the rock plain as day. We Will Never Stop, We Will Never Tire, We Will Fight Until Our Blood Runs Dry.

No one said anything, hearing only my own voice in the back of my head repeating a question.

*

“What’s that, sir?” Corporal Barnes pointed up ahead.

The sky was still black but for a rimming of cobalt. In the mountains across the river, in Washington state, the subtlest red sparks arced back and forth like a mini meteor shower. “Tracers,” said Captain Hernandez. “One of our own out of Hood River.”

We saw the glow of Forward Operating Base Hood River before we saw the base. The jade trusses of the bridge, too, popped out of the dawn, its floodlit reflection shimmering across the water. FOB Hood River sat on what was once a waterfront park. It was the operational and logistical hub of the entire Mid-Columbia region. The main employer, too. Our convoy slowed as traffic thickened and then crawled and then stopped altogether, the line to get on-base overflowing onto the interstate.

Captain Hernandez yawned.

“Get much sleep, Captain?”

“No, ma’am. The baby woke up two, three times before I got up to leave. Hungry little guy. Tell me, when do they start sleeping through the night?”

“It takes a while,” I said, “but they eventually do.”

The town of Hood River sloped uphill on our right, broad yellow windows capturing the view, though more and more of those houselights never switched on anymore. Whoever had the means moved east. Ever since Town Hall was pipe-bombed people just didn’t feel safe anymore. That happened despite the nearness of such a massive base with its five-meter-high Hesco walls and thousand-or-so troops and reams of concertina wire and guard towers bristling with machine guns. Begged the question: how much did all this military might actually protect anybody? Still, I’d be returning to FOB Hood River before sundown to spend the night on a cot in a tent. I never expected I’d be sleeping four out of every seven nights inside of a bunker, but whose career ever goes according to plan? The cooks in the chow hall made omelets for everyone pulling midnight duty and for the rest of us who couldn’t sleep.

“There they are,” said Corporal Barnes. I was about to text Matt but stopped to stare out at the platoon of Humvees limping their way across the bridge. One had a cockeyed wheel and half its bumper blown off. Even from where we were on the interstate you could see the spiderwebs in their windshields, the smoke stains across their hoods.

*

Terraces of rock stepped into the clouds. White threads of rain-born torrents wound off their green flanks and spilled onto the broken and tumbled basalt below. We rolled at a steady 55 mph. The trip always felt a little less perilous once the sun broke and I could watch the sides of the Gorge panning by, at least for a while. We sped through The Dalles, with its orange-trussed bridge and hydroelectric dam. Muri and one Humvee peeled off, taking the second-to-last exit. I texted Muri a good morning because I knew he’d be just waking up. He replied with a good luck.

I resumed my work: sewer repairs, budget shortfalls, a new zoning ordinance to prohibit illegal squatting. Another email from Mayor Pete discussing an upcoming committee vote to move the county seat back to Pendleton, an hour further east down I-84. Out of the question. A teleconference with the Governor, tedious logistics details for air drops to the Yakama and Umatilla Indian Reservations, their militias still holding their own, even regaining territory previously stolen by the insurgents who wanted access to salmon fishing hotspots. Then came another spray-painted rock outcropping. The Government Does Nothing For Us. Absolutely Nothing. Why could we not hire someone to cover those up?

“These cams have all been spray-painted,” said Captain Hernandez. The entirety of the interstate was under surveillance, except when the insurgents managed to jerry rig one of those drones you could buy at Walmart and rig it with a can of spray paint and a funny robotic finger to depress the nozzle. “They’ll be out till next week, at a minimum.”

Beyond The Dalles traffic virtually disappeared. We passed the half-sunken remains of the Union Pacific train that had derailed last year, waves lapping at the sides of empty boxcars. Trains could use only the Washington side of the river now. But for how much longer? The Trunk Rail Bridge slid into view next. Its middle section was missing, it had been blown apart and sunken into the river, only twisted fingers of steel reaching through the air like two rheumatic hands straining to grasp one another again. I was still half-listening to the Governor in the teleconference. “—strong intel that the infrastructure through the Columbia Gorge remains a top target. We must—” but I already knew what he was going to say. The carcasses of vehicles, both civilian and military, began to propagate across the shoulders of the highway like roadkill, just pushed off to the side, no time to get a wrecker out here to remove them. We groped our way around the blast crater leftover from a recent IED, then another crater, and another, then a few more hastily filled-in ones. “We must remain committed,” said the Governor. “We must keep moving, keep pressuring the enemy even if they’re people we grew up with, even if they’re family.”

The lead truck slowed and maneuvered around something like the tenth blast crater in a row. Corporal Barnes followed in its tracks. We regained a 45 mph speed and kept moving.

*

“Why’re we stopping?” The windshield filled with brake lights, more than you’d expect on a seemingly empty highway.

“Don’t know, ma’am.” We came to a dead stop. “I can’t see beyond those semis up ahead.” Captain Hernandez touched his hand to the mike on his throat. “Alright, TC’s dismount, drivers and gunners remain in your trucks. Let’s go see what’s going on.” The Captain got out. Three other soldiers linked up with him, everyone kitted in their helmets and vests. They locked and loaded before disappearing into the mingled glares of the sunrise and the red taillights up ahead. It was just Corporal Barnes and me. I slipped my own vest on though it didn’t fit well and the plates were heavy and the velcro scratched my neck. Other vehicles—civilian cars and trucks—began piling in behind us. Locking us in. Trapping us.

It all started coming back to me, flooding in like a waking dream. It had been over a year since the attack on my life but an attack of another kind made it real again, made it now. Those woods were these woods. Thickets of gangly black oaks. Cloaking the multiple ravines the enemy used to ingress and egress. The insurgents knew that if they simply kept shooting at one portion of bulletproof glass at some point it was sure to fail. They prevailed. One bullet made it through, exploding stuffing out of my seat, missing my head by mere inches. Then the enemy broke contact, the sound of their four-wheelers fleeing into the hills. The bark of our .50 cals as they returned fire. Captain Hernandez shouting into two hand mikes at once. Me, just lying on the floor, touching my trembling fingertips to the side of my head, my temple, my ear, my hair—just to make sure it was all still there.

I realized I was doing controlled breathing like when I was in labor with Zachary, twenty hours in that hospital bed, Matt counting my contractions for me. I counted the seconds, minutes, until Captain Hernandez returned.

“Shit.”

“Ma’am?” said Corporal Barnes.

“Nothing, nothing.” I had only forgotten to text Matt. Texting him now. I’m alright, we made it past HR. Smooth sailing so—

“Another crater,” said Captain Hernandez, huffing back into his seat, slightly wet from the rain. He slammed his door shut, locked it. “Big one. Both lanes. Same one as last week. Contractors still haven’t filled it in yet.”

“They’re tired of getting shot at.”

The Captain ejected a bullet, catching it out of the air. “I would be, too. In the meantime both lanes are squeezing onto the shoulder to get through.”

“State patrol up there?”

Captain Hernandez only chuckled and shook his head.

“Figures.”

“It unfortunately does, ma’am.”

We waited, everyone’s mufflers chugging in place. Captain Hernandez peered up the cliffs looming over our righthand windows. He radioed Hood River. “Hot Rocks, this is Charlie-Echo-Six, over.” Garble in his earbud. “Requesting a UAV flyover on the high ground to my south, break. Our position is whiskey-mike-niner-four…”

I tried not to count the seconds ticking by on phone. Other vehicles were inching forward. Why were we still stopped? Not moving at all? I could smell myself I was sweating so bad, forcing myself to breathe in my nose, out my mouth, closing my eyes, unsure how much longer I could continue skating along the edge like this until—“Wake the fuck up.”

The Captain slapped the back of Corporal Barnes’s helmet.

Barnes snapped his head up. “Huh?”

“We’re moving.”

“Sorry, sir.”

It took a minute but we finally made it past the blast crater, its hole so deep and wide we could have fit our entire SUV inside of it. Then we were moving again and all I wanted was to take the next exit, turn around and beeline it back home. I wanted to be there for my husband, for my son. So what if these people wanted to deny election results? So what if they wanted to set up their own shadow governments and threaten, coerce, kidnap or kill their own elected officials? So what if they wanted to build shooting ranges and IED-making academies out in the pathless hinterlands? What difference was fighting them year after year after year ever going to make? Even once we arrived in Umatilla, I wouldn’t be allowed out of the SUV. Our convoy would roll straight into the Municipal Compound, behind the blast barriers, and there I’d sit, stuck, working what I could until nightfall, unable to so much as steal a glance out of my office’s sandbagged windows. I couldn’t walk the streets, couldn’t talk to people, and the people knew it. All they ever saw of me was my tinted silhouette as the convoy drove by. God knows it wouldn’t have mattered. Even if I could meet them where they were, still there’d be that wall of suspicion, that resentment in their eyes. I knew it, heard it nonstop growing up, that bile, that bitterness, that anti-government propaganda tinged with racism, the whitewashing of history, the so-called patriotism of “real” Americans, and so long as the supply of guns remained unchallenged, so long as the schools suffered in these blighted depopulated areas where an eighth-grader in Portland on average possessed a higher math and reading competency than any high school graduate in Umatilla, so long as there remained an endless supply of disaffected white boys willing to shoot up a shopping center or plant a bomb in the road or runoff and join the rest of “the boys” to stick it to the government treading all over their rights, this war, this insurgency, was never going to end. But it had to, it had to end, the hate at some point had to stop. Because I couldn’t stop. The convoy couldn’t stop. Even as the interstate raised and the Gorge ended and a clear blue sky beckoned and the land smoothed into familiar expanses of tumbleweed and rabbitbrush, dry empty capacious lands, the dual bridges out of Umatilla sliding into view, I let myself hope. I let myself drift, reminding myself of why I could never turn back. Because just above the bridges, beyond the McNary Lock and Dam, maybe another hour’s drive along the river, there was a spot where the sounds of traffic died away, where there was just the wind on the water, in the grass, and the feel of the rounded rocks under your galoshes as you stood ankle-deep in the blue, where my father had taken me when I was young and we had thrown our lines in and waited, waited for what felt like decades, till a fish nibbled and finally snagged upon the hook. I was going to take Zachary to that place, whether it be next year or two years or ten years from now, he needed to know that place, a country, a land where things weren’t violent or contested but resounding in its quietude, abiding in its own mysterious slumber, that waited for us if we’d only waken to hear its singing soul once again, a song of sleeping peace.




New Poetry by Michael Carson: “Politics”

BLAME OUR BRUISES / image by Amalie Flynn

Politics

Every 20 years or so boys dress up
And kill each other for fun.
It’s the way of the wrack of the world
The wind of our imagination and our love.
To blame our costumes for our beauty
Is like to blame our bruises for our blood.
The chime is what drives us, what ticks
Our tock forward to the next spree.
The foreshortened humiliation,
The immaculate imprecation,
Is neither what we fear or what we covet.
Man is. Rats are. Take what you can
While the day is rough
Move lengthwise into the past
And blame god for never enough.




New Nonfiction from Jon Imparato: “You Had Me at Afghanistan”

“I was lying in a burned‐out basement with the full moon in my eyes. I was hoping for replacement when the sun burst through the sky. There was a band playing in my head and I felt like getting high. I was thinking about what a friend had said. I was hoping it was a lie. Thinking about what a friend had said, I was hoping it was a lie.” —Neil Young

k.d. lang’s voice carries the Neil Young lyrics on a mellifluous ride; notes keep swirling up as I crash to the ground. I’m clutching a wet dishcloth as if it were a rope, thinking about what a friend had said, and I was hoping it was a lie. I’m staring at the fringe tangled on my terracotta‐colored sarong and my beaded anklet. I grab the heavy sweater I am wearing over my tank top to cover my face as I sob. My skin is the darkest it has ever been from traveling in five Asian countries during their summer. Being thrust into cold, rainy weather frightens me. I want to be back in oppressive heat. I am thinking about what a friend had said, I was hoping it was a lie. I have heard those lyrics my whole adult life, but now it means something entirely different. It means the unspeakable.

*

I am a radical on sabbatical. I have been working as the Artistic Director of the Lily Tomlin/Jane Wagner Cultural Arts Center for ten years. When I asked my boss for sabbatical, I was shocked when he said yes. I’m taking three months off from my job. I started out in Thailand, then Cambodia, Laos, Hanoi. (Or, as I like to call it, HanNoise. It is a city without a moment of silence, a never‐ending cacophony of traffic, people, and blaring intrusions of sound.) My final destination is Bali. I have learned on this trip that most of the travel agents have never left the town or village they live in. But for some reason I think I can trust this father‐daughter team. The daughter insists I call her Baby, and she calls me Mr. Delicious.

When I arrived in Bali, one of the first things I was told was that my name, Jon, meant “delicious” in Balinese. I had just come from Cambodia, where I gave a piece of my heart to a man whose long name I had a hard time pronouncing. At one point he was joking and said, “Just call me Delicious and I’ll call you Mr. Delicious because that is what we are to each other…delicious.”  We had a brief four-day affair, a travel affair; they are so transitory and carefree, no one expects anything except the momentary pleasures.

A young girl at the travel agency loves that my name means delicious, and she thinks this is hilarious. When I tell her it also means toilet in English, I then become Delicious Toilet.

“I think you like me, Mr. Delicious, I think you do.” “I like you fine, Baby; I will like you even more if you can get me onto a remote island.” Baby keeps flirting with me and asking me if I like her. She is oblivious to the fact that I am gay, and her flirting seems just to be on autopilot. Her flirting is learned; nothing about it is organic. Baby’s father is watching his daughter flirt. He is in on the game; all he wants is for Baby to make the sale. We are all in on the game; everyone is trying to get what they want.  Nonetheless I find myself charmed by Baby. All I want is a quiet island where I can write and stare at water while I do a slow brain drain. Both Baby and her father have assured me that I will be on a quiet, peaceful island, with a bungalow on the ocean.

I want to be face-to-face with the ocean. I want a wave confrontation. I take an hour boat ride and arrive on an island across from Lombock, Gili Trankang, right next to Bali. This is an island with seven hundred people, no cars, no motorbikes, and no police. This is not a lush resort but a Rasta party island. Visitors are met at the dock by tuk-tuk carriages pulled by very sad horses. There is poverty here, you just can’t escape it. The power goes out several times a day, hot water is never guaranteed, and most bungalows have saltwater showers, very strange to the skin. Imagine someone has spilled a margarita on you and rinsed you off. My bungalow is attached to an open café with a bar painted a bright red-orange, sunshine yellow, and a deep green. The stage faces the most beautiful turquoise, sea-green ocean. Yet trash is piled up on sandbanks. You must turn your head toward the beauty, and there is plenty of it. 

I am hanging out, having lunch with the reggae band and staff. They are quick to tell me that I will do very well on this island because it is filled with beautiful women. I nonchalantly say that I am gay and hope there are also lots of beautiful men. Suddenly I can feel the chill, as if a hurricane’s gust of wind suddenly changed direction. Some of them are cool, but many of them are not. I quickly learn that most of the people on the island are Muslim. I have been in the accepting bliss of Buddhists and Hindus, so for the first time I need to keep a low profile about being gay. In all these travels, this is the first time that I have encountered any homophobia. The Rasta world is full of wonderful male affection—everyone calls you his brother, yet there is a homophobic and sexist element to the Rasta world that can’t be ignored. It is ever-present and inescapable.

Of course, it takes hours for my room to be ready. Ganja is king here; everyone is stoned and moves at a snail’s pace from the herb and the heat. They have two speeds: slow and stop. I get in the water, and I have arrived! This is the ocean I have longed for: crystal clear, warm in a way that requires no adjusting to the temperature, the color is spectacular, and it feels like flower petals on my skin. I have arrived…yet I am not happy. I miss my New York friend Roberta something awful. She longs for water like this too.

We have always shared the ocean in a deep way; when we met, we found as many ways as we could to spend time at the ocean, and I want her here with me. I want to be stupid and silly with her, laugh and splash. The ocean floor is filled with mounds of pure white coral; you can scoop it up with your hands and have little pieces of coral rain down on you. Roberta would freak. The absence of my friend is stinging. I scoop up empty water and pour it over my head as I cry, my sobbing face plunged into the ocean and staring at the coral floor. I remember that I always take a while to get my footing on my first day in a new country. I’m thrilled to get an email from a friend I met in Cambodia, named Mags. Mags is seventy-two. She has short-cropped, maroon-purplish hair. Her hair spikes up like an eighties rock star. She wears long, flowing dresses with wild prints and tons of large jewelry from her travels. She is from Queensland, Australia. She moved to Phnom Penh, in Cambodia.  Mags checked into the gay hotel where I was staying. She convinced the hotel owner to let her live there. The only woman in a gay hotel where she holds court. We exchange our lives over scotch by the pool, and instantly we feel great love for each other. Everyone calls her Mum. Her daughter, Morag, will be arriving in three days. I can’t wait for them to arrive on this magical island. This lifts my spirits and just knowing I will soon have some friends on the island is a comfort.

*

I am at a place called Sama Sama. It means “same-same” but also signifies that we are all just a little bit different, but everyone is the same and welcomed. The Rasta band is really good, and there is a huge dancing-drinking-smoking scene going on. They play mostly Bob Marley covers. They tell me it is the happiest music on earth. Yet I am in my room, I am not happy. I am trying to read or do some writing, but the sound of the band is deafening. I’m mad at the happiest music, mad at Baby and her dad for sending me here, mad at feeling like an outcast, mad at the world. I finally give in and say to myself, “Get out of this bungalow and just embrace this bizarre scene.”

I’d made friends with one of the bartenders, named Zen, that afternoon and he seemed cool. I sit down at the bar and drink my scotch with all this Rasta joy bouncing and swirling around me. I am certain I am the only gay man on the island and feel like I don’t belong, like an island unto myself.

Suddenly, one of the most beautiful men I have ever laid my eyes on sits next to me. He is straight, no question about it. He is trying to get the bartender’s attention. I shout, “Hey, Zen, can you get my buddy a drink?”

The beautiful man says, “Thanks for the hook-up.” I learn he is from Canada. The best people I have met on my journey who aren’t native are Canadians. They are open and sturdy. I will refer to my friend as Huck for reasons I will explain later. We start talking and within a few minutes the conversation is off and running. Our ideas, opinions, and insights are crashing in on us like the waves a few feet away. This guy is smart, insightful, and profound, and we are in deep, exchanging who we are with each other. We talk politics for a good part of the conversation: He can’t stand Bush; Sarah Palin is an unquestionable joke—his views are so liberal. I tell him I often feel like I am what is left of the left, an old Lily Tomlin joke. He laughs and says he feels my pain. About an hour into the conversation, he hits a curveball in my direction that almost knocks me off my seat. He tells me he is a soldier on leave from Afghanistan, and he goes back to war in a few days.

Traveling around Southeast Asia, you can talk to people for the longest time and, unlike in America, they don’t ask you what you do. Your work doesn’t define you. I would never have thought this beautiful, sensitive man was a soldier. That information seems so incongruous to the man I am talking to. I am so thrown and confused by this news. I turn and say, “Okay, let’s break this sucker down.” Like an archaeologist, I keep digging. Who is this guy?

Our conversation goes deep and wide, fast, and furious. It moves with speed and intention but always with grace. We close the bar; he is now even more fascinating to me. It is 4:00 a.m. and I assume I am off to bed. Huck turns to me and says, “Here is how I see it. We are not done with this conversation, and I am not done with you. Let’s go get some weed and smoke a joint on the beach and talk until sunup.” I tell him I am so there.

As we walk on the dark dirt road, following the sad horses’ hoofprints, Huck says, “Where do you think we can score some weed?”

I point to an old man in his eighties with a Marley Rules T-shirt selling bottles of scotch, cigarettes, and Pringles. “I guarantee you he is our best bet.”

Huck turns and says, “Come on, little buddy.”

“Huck, I feel like Gilligan on Gilligan’s Island. Why are you calling me that?”

“Oh, it’s too late, that’s who you are. I like calling you that.”

Scoring takes all of five minutes. Huck returns with this sneaky smile on his face. “I not only got you enough weed for the week that you’re on this island, but I also got you papers and a lighter.”

I turn to him and say, “If you are trying to get down my pants, you had me at Afghanistan.”

Mind you, at this point I have not smoked weed for eight weeks, and this is the first time on my trip I even feel like getting high. We sit by an ocean lit by beach lamps that keep the waves sea-green while the ocean further down is a deep blue-black.

Huck and I continue to share our lives, and I learn that he had an epiphany in Afghanistan that has transformed him. After 9/11 he felt a deep need to fight against the Taliban. Canada never went into Iraq nor would he. But fighting the Taliban was something he felt he had to do. “Little buddy, this is the way I see it. I’m young, strong, and capable. If not me, then who? I don’t know how else to say this, but I had to go; it is my destiny. Believe me,” he said, “it is that complicated and that simple.” I don’t know if I agree with him. All I know is that I want him to be safe.

Now he sees how wrong the war is. Huck explains that we are fighting a losing battle. We will never build the army this country needs. He has developed a deep affection for some of the Afghanistan children, and he no longer thinks it is right to kill anyone. He is hoping for a replacement assignment where he could leave combat and become a search‐and‐rescue expert for the Canadian Army. Every now and then I just burst out, “God, you are beautiful!” He lowers his head, blushes, and says thanks. In return he says, “God, you are great.”

He knows I’m not coming on to him; it’s clearly beyond that. Yet my appreciation for his unquestionable beauty must be proclaimed from time to time. He proclaims how great I am in return, and we laugh.

Neither one of us had known this island existed, and we have no idea how we ended up here. It was never on either of our trajectories. Our conversation just glides from one thought to another. I will show him L.A., and he will show me Canada. We talk about books, his girlfriends, my boyfriends, the demise of the Bush administration, the hope of Obama, saving lives, and living them.

While we talk the night into day, the full moon stares us down, right in my eyes. It is a bluish‐ gray moon that looks as if a prop person hung it between two island trees. The sky begins to turn ever so slightly into its morning yellow as the moon seems to be replaced instantly by the sun. We both have the reggae band playing in our heads. Mine is tossing around over and over a reggae version of “Leaving on a Jet Plane.” Huck’s is “No Woman No Cry.” We joke that we will have the Sama Sama reggae band playing in our heads for weeks. As we say good night, he tells me he will be getting an enormous tattoo tomorrow and asks me if I would stop by the tattoo shack with the huge orange hammock on the porch.

*

Lying in bed, I had been feeling sorry for myself. I have just spent five days at a gay villa, and I am longing to be around my gay brothers. I feel resentful of the homophobia I know is coming at me from many of the straight men. The last person I ever thought would rescue me from that state of mind is a straight Canadian soldier.

I stay up trying to write a short story about the encounter of Huck and Jon. In the morning I finally go to bed at 9:00 a.m. because my encounter with Huck has my mind reeling.

*

I race over to the tattoo shack around noon. My feet can’t get me there fast enough. I want to be with Huck and yet am baffled by the intense urgency I feel. It has been gray and cloudy morning, but as I pick up my pace, the sun bursts through the sky shouting and waving hello, and I can’t wait to let the water feel me again.

At the tattoo shack there is a guy with the longest dreads I have ever seen dangling through a hammock, as if long, black snakes were sweeping the old wooden floor as the hammock sways back and forth. The tattoo artist is older and seems as relaxed as a human can get. Some obscure Tracy Chapman song is playing on a radio. Huck must have told the guy in the hammock that a friend was stopping by because he just points his finger to the back room. Huck is lying on the bed in just his swim trunks. He tells me he is getting really scared because this is going to take about four hours and it’s going to hurt. He is clearly freaked. The design is huge and will be on his left side, a place where people rarely get them. The tattoo artist tells him to be patient and to expect a lot of pain. In twenty-three years, he has never given anyone a tattoo of that size in that area. “It is all bone,” he keeps muttering and shaking his head. “It is all bone.”

I grab Huck’s leg and say, “Okay, Huck, here’s the deal. Do you really want this tattoo? If you do, I will hang out and keep you company. I am a really good nurse.”

He nods yes, then mutters, “Stay, please.” I become the tattoo nurse. I run back to my bungalow and get him some pills that will help him sleep. I make sure he drinks a lot of water, buy him Pringles (they are everywhere). I buy a fifth of scotch, tell him funny stories, put cold towels on his forehead, and basically make sure he is okay, documenting the ordeal with my camera.

The tattoo is of a devil-looking serpent coming out of the ocean. This image gives me chills. As the serpent with its sword rises, a huge splash of water hits the air. The other half is some sort of angel figure carrying a torch of glowing light. He told me it was his personal reckoning of the good and evil inside himself. The never-ending reminder to himself…that he chose to kill. He is utterly motionless. The tattoo artist is amazed, as I am, at Huck’s perfect stillness during four hours of intense pain. I think to myself, this is a soldier’s story. He understands all too well what a false move can mean. He knows how to be a statue or risk being killed.

*

Later, over lunch, I interview him for a short story I plan to write about him. I ask him for examples from combat when he had to be that still or it could cost him his life. He tells me not long ago he was searching a burned-out basement for weapons. He heard footsteps above and hit the basement floor. As he was lying there, he knew that if anyone heard him, he would be dead. It was a soldier’s strength. The determination I witnessed during those four hours while he was getting his tattoo was staggering. I learned once again that the will of the human spirit is indomitable.

The tattoo shack has a back room behind the tattooing room with a mattress on the floor. The room rents out for ten dollars a night. Huck is turned on his side, eyes closed; the drugs are working. The tattoo artist was taking a break to eat his lunch.  The door opens and a beautiful, young, blonde woman who reminds me of Scarlett Johansson walks in, says her name is Daliana, and she wants to rent the back room. Then she looks at Huck, looks at me, and whispers, “He is so hot.” I laugh and agree. She tells me she is from Canada, and I tell her, “Don’t rent that room, you can do better.” Huck turns and says, “Canada, where?” Canadians love meeting other Canadians. I tell Daliana to meet us later at Sama Sama to party.

The moment she leaves I can see Huck is having a really hard time keeping it together. The tattoo artist says, “Get ready for round two,” with this ominous tone in his voice. Huck’s body isn’t moving, but his face tells me he is in severe pain. He turns to me and says, “You are a lifesaver. Do you realize you are saving my life? Do you get that, little buddy?”

I say, “Huck, saving lives, come on. That is what we talked about last night. Isn’t that what this new friendship is all about? You went into the war to kill and had your epiphany that you are here to save lives. Now you have to stop calling me little buddy; it is way too Gilligan on this island.” He shakes his head no. He flashes me that look that says don’t make me laugh; it hurts. I tell him about John Irving’s A Prayer for Owen Meany. It’s one of my favorite books, and I have reread it on this journey. I explain that it is a book about the Vietnam War, God, the act of killing, and destiny. I think it’s an important book for him to read. I know it will speak to him.

He told me the night before that he thinks one of the reasons we’ve met is so I can help him read novels again. I will send him off with this book and hope it has a deep effect on him.

*

I am at a café on the dock with Huck and Daliana, who has become another amazing friend from good old Canada. She has also spent time with Huck. I’ve played matchmaker and set them up for the night. They share their own moments of exchanging their lives. We can hear the boat coming into the dock, dropping off new guests. About fifty people are walking down to the main sandy road. I hear someone yell my name. It’s Mags wearing the brightest orange dress. It looks like the sun is walking towards us, giving new meaning to the word sundress. To her right side is her beautiful daughter Morag.  People always tell you their kids are beautiful, but Morag had a casual effortless beauty. Everyone introduces themselves and they join us for a cold drink. Huck only has about ten minutes until he has to get on that boat, the boat that would begin his journey back to war. Daliana and I are both heartbroken to see our soldier off. As he gets up to leave, I hug him, kiss him on the cheek, and tell him how special he is and that he is the best, most unexpected surprise on my journey.

I am crying. Hard. My dad is a Korean War vet and had to live through the horrors of that war. Several bullets pierced various parts of his body while parachuting into combat. The first five years of my life were spent in and out of VA hospitals in Brooklyn, New York. My ex‐lover, James, was in Vietnam and has had to deal with the horrors of exposure to Agent Orange. I have a lifetime of connections to vets. It suddenly occurs to me that I have never met anyone serving in this current war.

I start to worry about Huck’s safety and think, Okay, gods, you have played with me enough, and it has been great fun, but now PLEASE turn your eyes to my friend. Play with him and keep him safe. If he comes out of this, he could do so much good.

Even thinking the word “if” scares me. Yet his bags are packed and he’s ready to go…and I can’t control what I can’t control. I can only say to my friends on this island: Don’t say a prayer for Owen Meany; say a prayer for my new friend Huck. I tell Huck I want to write about him on my travel blog, but I need to make sure he is cool with what I write. I show him the first entry, and he blushes and said, “It’s all good; just change my name.” It’s the weed. He asks me not to use his name and I tell him I will respect that. I say I am going to call him Huck because I just read The Adventures of Huckleberry Finn for the first time. He looks puzzled and asks why. I tell him that Huck was a character who initially can’t see his compassion for Jim, the runaway slave, as a man, as a human being. But on that raft, he sees him as a man with a full life, finds out he has a wife and kids, and instead of getting him killed, he saves his life. The epiphanies seemed to coincide.

*

I’m back in Los Angeles, and after three months away I could be walking on the moon. The cold weather hurts, the wet rain has no heat in it, and I am a stranger in a strange land—my own.

I can’t sleep so I roam and putter around my home like a visitor getting acquainted with his new surroundings—a sixth country. Lorraine, my oldest and dearest friend since I was fourteen, has come to see me.  She is a tough, smart, gorgeous Italian woman. She has the biggest eyes, brown, almond shaped, and everyone even strangers remark about them. I regale her with stories about the magic that happened. I go on and on about Huck and tell her she will die when she meets him. We are watching the Super Bowl and screaming about one of the most magnificent touchdowns in football history.

My cell phone rings. When I check the message, it is Daliana, there are five messages. She tells me that she needs to talk to me and not to mind her voice, as she has a cold. I tell Lorraine that it was not a “cold” voice but a crying voice. I mutter, “Lo, I’m scared; Lo, I’m scared.” I frantically check my email. She has sent a message saying to call her anytime, and she needs to talk to me.

We shared our love for Huck like two schoolgirls; this must be about him. Lorraine tells me to go into the living room and call Daliana.

When she picks up the phone, I yell “tell me he is okay. Tell me he has no legs. I don’t care if he can’t see, just tell me his brain is intact, tell me he is alive!”

She cries hard. The death cry, the hard, searing cry of sudden loss.
I say, “You got the information wrong somehow. It’s a lie!”

Through her deep sobs she keeps saying, “He is gone, our friend is gone.” 

I fall to the floor and feel grief and political rage collide head on. Like two boxers smashing each other’s brains out, each blow numbing the other.

My friend was killed by a roadside bomb. The term almost sounds friendly, “roadside” seems so harmless.  I am thinking about what a friend had said: I was hoping it was a lie.

I have heard those lyrics my whole adult life, but now it means something entirely different. It means Huck, it means Sean.




Interview with Navy Veteran and Artist Skip Rohde, by Larry Abbott

Skip Rohde was an officer in the Navy for twenty-two years, with four submarine deployments and service in Desert Shield, Desert Storm, and Bosnian peace-keeping operations in 1996. After retirement (as a Commander) he attended the University of North Carolina at Asheville and received his Bachelor of Fine Arts degree in painting in 2003. He opened a studio in Asheville and became a full-time artist. After five years of civilian life in 2008 he was tapped by the State Department to go to Iraq for eighteen months as a Program Management Advisor to manage reconstruction programs in country. He then went to Afghanistan in the fall of 2011 for a year to again help the citizenry with government and business management. While in Afghanistan as a Field Engagement Team Advisor he sketched the faces of various individuals, like merchants, local officials, and elders during meetings, which led to some eighty drawings and pastels in the Faces of Afghanistan series.

These works are now in the Smithsonian Institute’s National Museum of American History. He has said about these works, “For an artist, these people are fabulous subjects. They have wonderfully unique faces, great dignity, passion, and expressiveness.” Rohde returned to the States in 2012 to resume his career not only as an artist but as a teacher and mentor to young artists.

His oeuvre is diverse, but one of his primary interests is the human face. In addition to the Afghanistan series he has a series of portraits of men, women, and children. To him, faces are revelatory and can uncover the truth of the person’s experiences and disclose their inner lives. He feels that faces can reveal the individual’s story and has noted that he draws and paints people “to tell their stories. Not mine.” The Model in the Studio paintings follow up on this interest by depicting figures in various poses.  The Stories and Mysteries series go in a bit of a different direction, although the human figure is still predominant. “The Three Primary Graces” references Greek mythology. “Aftermath” shows an apparently carefree young woman in a summer dress walking on a dirt path with a destroyed city in the background, while “The Conversation” is ironic in that there is no conversation portrayed. With echoes of Hopper, a woman sits in a chair in isolation, aloof from those around her. He has said about these paintings: “Stories come to me from all sorts of people and places.  Sometimes they are very real: the actual people involved in the actual situation. Other times they may come from something I need to say on my own. And sometimes, I don’t know where the hell they come from. But they do.”

Many of these works capture a moment of human emotion that resonates beyond the canvas.

Although he feels that the works in the Twisted Tales series lack relevance, I would argue that although the paintings are a “moment in time” they are far from mere curiosities of a bygone era. Ann Coulter is still a presence in contemporary culture (for good or ill). Although the reputation of George Bush has been somewhat rehabilitated in the eyes of some, he is still responsible for the Iraq War, and the aftereffects of that war are still being felt today.  I would also argue that Karl Rove’s legacy of divisive campaigns is responsible for state of politics today. He is also a commentator on Fox News so his “philosophy” is not a thing of the past. And Dick Cheney? Well, avoid duck hunting with him.  In “Pleasantville” and “Ma Petite Femme” the presence of guns as a normal and essential part of American society has more bearing today, perhaps, than in 2008.

In the former work, the smiling family of dad, mom, son, and daughter (and dog) pose happily in their suburban backyard (with razor ribbon strung on the property’s fence) holding M-4’s.  In the latter, the painting looks like an advertisement for a high-end handbag(“Fine Leather Accessories”) but in place of the purse is an M-4. There is also ironic juxtaposition in some of these works. “American Style” could be a postcard image (“Let’s Go!”) as it depicts a snazzy red 60’s coupe with a snuggling man and woman out for a cruise. In the near background, however, is a burning tank, and further back there appears to be smoke rising from a bombed-out city.  Similarly, “American Acres” depicts the entry to a gated community (“A Halliburton Development”) with an American flag on the massive stone wall with “No Trespassing” prominently posted on the padlocked gate. However, behind the gate is the Statue of Liberty, inaccessible, co-opted and for sale by Bush and Company to, presumably, the highest bidder.

The Meditation on War series is Rohde’s most powerful. The eighteen paintings in the series depict various aspects of war, about some of which he says “I found that the quiet things are just as important as combat itself.” Some show the effects of war on places, such as “The Wall, Gorazhde” which shows the side of a building, windows blown out, bullet holes in the bricks; in “Terminal” a bus sits by the side of the road, a derelict hulk; the lone building in the ironic “Welcome to Sarajevo” has its roof blown off   Other casualties of war are more compelling with their human subjects. “Warrior” depicts a legless veteran in his Army uniform in a wheelchair looking at the viewer. Are his eyes asking us not to look away? The human costs of war are also shown in the diptych “You Don’t Understand.” On the left side of the canvas, a woman (girlfriend? wife?) stands with arms folded, looking away; on the right-hand side a seated soldier in uniform (boyfriend? husband?) also looks away.

At first glance the painting might suggest irreconcilable differences with neither figure able to “see” the other. However, the soldier’s cover is in the woman’s frame, while he holds a piece of her clothing.  Perhaps there is hope for mutual understanding?

“Lament” is Rohde’s most poignant piece in the series. An African-American mother cradles her dead son, still in uniform, who lies upon an American flag.  Although the painting may reference the Iraq War the visual analogue to Michelangelo’s Pieta transcends a specific war to become more universal: a mother’s grief over her fallen son, the irreclaimable loss of life.

These paintings suggest that war doesn’t end with treaties and troop withdrawals, or end with dates and tidy proclamations. Instead, a son is dead, a mother suffers, and her suffering will continue well beyond the official pronouncements about “Mission Accomplished.”

Rohde’s landscapes are at the other end of his artistic spectrum. These are usually unpeopled natural spaces of rivers, mountains, rural dirt roads, vistas, sunsets, and animals. There is a sense of calm and repose here that are counterpoints to the scenes of war and destruction, the dark irony of the Twisted Tales, and the anxiety and unease in numerous portraits seen in other work. “Clouds Over the French Broad River” has echoes of the Hudson River School with the billowing clouds of pink and white, while “Old Church on the Hill” recalls an earlier more peaceful time. Rohde calls these paintings “liberating,” with “usually no carefully thought-out narrative, no ulterior motive, just the enjoyment of trying to capture the essence of a particular place at a particular time.”

This idea of particularization is important in a consideration of Rohde’s work. Whether an image be of war and its aftermath, or models in a studio, or faces, or scenes of nature, he grounds his images in a specific time and place while at the same time creating a sense of the universal. 

*

LARRY ABBOTT: What was your military experience and background?

SKIP ROHDE: I went to Navy OCS in late 1977. After commissioning, I spent four years as a surface warfare officer. Then I transferred to the cryptologic community and had a wide variety of assignments: surface ship and submarine deployments, field sites, and staffs afloat and ashore. I was at sea during Desert Storm and later was part of the Bosnian peacekeeping mission. I retired in late 1999 with twenty-two years of service.

ABBOTT: How did that influence your work?

ROHDE: Some of the influence was obviously in military-related subject matter I’d say the biggest influence was in how I think and in how I approach a new artwork.  Twenty years of military life made me a very linear and logical thinker. The military has no time for ambiguity: it’s “make it clear and make it concise.” And that’s how I tend to think about subject matter and how to paint it. I’ve had a difficult time trying to back off that approach and give viewers more room to find their own interpretations.

ABBOTT: What are you working on currently? A Possible Future is scheduled for Spring 2022.

ROHDE: There are several lines of work going on right now. I have a show scheduled for spring ’22 with the working title A Possible Future, which I think is accurate but a terrible title and I’m wide open to suggestions. The theme is what this country might be facing in the future if we don’t get our collective acts together politically, economically, and ecologically. Admittedly, it’s a bit of a “Debbie Downer” theme, but one I think about a lot. The show will include paintings done over many years as well as some new ones.  Another line of work is that of wedding paintings. I’ll talk about that more in a minute. And a third line are my figurative works, some charcoal and pastel, others oil. Those are personal works, trying to capture a specific individual’s personality, or capture an emotion.

ABBOTT: What is your art training/background?

ROHDE: My parents were very supportive and enrolled me in private art lessons starting in about the sixth grade and continuing through high school. During my first time through college, back in the 70’s, I was an art major for a couple of semesters, but they weren’t teaching me anything and I thought artists were just weird. I got a degree in engineering and went into the Navy. I continued to take classes when I could while on active duty. After I retired, we came here so I could study art at the University of North Carolina at Asheville. I graduated with a Bachelor of Fine Arts degree, with a concentration in painting, in 2003.

ABBOTT: You also do commissions and “event paintings.” What is your approach to these?

ROHDE: I’ve always done portrait and other commissions. About four years ago, I had a lady call me up and ask if I could be the live event painter for her sister’s wedding.  I said absolutely, I could do that and would be happy to. Then I was immediately on Google trying to find out what the hell a “live event painter” was. I wondered if it was too cheesy or kitschy, or if I’d even like doing it, and whether it was something I really wanted to try out. So I did a couple of trial runs, making wedding paintings based on photos that I already had of the weddings of friends and relatives. I decided it seemed like fun, so I gave it a go, and now it’s an ongoing line of business. Yes, it’s kitschy, but it’s also a celebration of one of the biggest moments in somebody’s life. If I do my job right, this will be something that will hang on their wall for years, and be handed down to their children, and then their children, and in a hundred years somebody might be saying “that was great-grandma and grandpa when they got married way back in 2021.” That’s a pretty cool thought.  I do about eight or nine events a year. I turn down a lot more than that. If I do more, it will turn into a “job,” and that will suck the life out of it.

ABBOTT: You seem to have great interest in the human form and faces, like in New Works 2016-2021. You’ve said they are “more than just simple figure drawings,” maybe more “stories and mysteries.”

ROHDE: It’s all about people. I like talking with people and finding out about who they are and what they’ve seen and done. You can walk down the street and have no clue that you’re passing people with some of the most amazing stories you’ll ever come across in your life. Trying to capture some of that on paper or canvas is what really excites me. And yes, that applies to the wedding paintings, too.

ABBOTT: Related are the sketches Faces of Afghanistan,” which depict the people you interacted with. How did these come about?

ROHDE: In 2011, I went to Afghanistan for a year as a temporary State Department officer.  I was stationed in a remote district in Kandahar Province to be a “governance advisor.”  And no, I don’t know anything about governance. Our mission was to help the local government and businesses to improve their capabilities to run their district and improve their lives. I was regularly in Afghan-run meetings as an observer, supposedly taking notes. Afghans have the most amazing faces. These are people who’d been in a war environment almost constantly for over thirty years, and who lived in a very difficult environment on top of that. So instead of taking notes, I’d often wind up sketching the men in the room. Sometimes I’d give the drawing to the guy I’d drawn. Maybe a little “diplomacy through art”?

ABBOTT: What were you concerned with in the Meditation on War series? I thought that “Lament,” “Warrior,” the diptych “You Don’t Understand,” and “Empty Boots” were extremely powerful.

ROHDE: The paintings you noted were all done around 2006-8. I started doing paintings about the Iraq conflict in 2005. This was early in the war and there was a lot of effort in trying to build up enthusiasm for going over there and kicking ass. It was “you’re with us or you’re against us,” questioning your patriotism if you thought it was a mistake (which it was). My intent with Meditation on War was to say “look, if you want to go to war, here’s what it means: people die or are mutilated, stuff gets destroyed, things go wrong, and it never, ever, goes to plan.” The paintings were based on my own experiences in Desert Storm, Bosnia, and military life in general.  “Warrior” is a man who really has lost his legs. “Lament” is based on Michelangelo’s Pieta. Every military member who’s been deployed, especially to a hot zone, has lived “You Don’t Understand.” “Empty Boots” were my Desert Storm boots. The individual in “Saddle Up” was a Marine sergeant in the Au Shau Valley in Vietnam in ’67-68. I still add more paintings to this series whenever a particular idea comes to me.

ABBOTT: On the other end of the spectrum are the landscapes. What is your interest in these “unpeopled” spaces?

ROHDE: These are more relaxing than my people paintings. They’re just paintings for the sake of painting, to capture a moment in nature, experiment with getting the effects of light while using paint, working fast while trying to get it done before the light changes and always failing. But that experience feeds back into my other paintings. So maybe it’s a form of painting exercises.

ABBOTT: What was the impetus behind Twisted Tales? There is a bitter edge to them, like “American Style,” “Pleasantville,” “American Acres,” “A Pachydermian Portrait,” and “Ann’s Slander,” referencing Ann Coulter.

ROHDE: Anger and sarcasm go together, don’t they? And where can you learn sarcasm better than from your military compadres? Most of those were done around 2005 when I was really angry about the country’s direction. I eventually had to stop.  To do those paintings, I had to get really pissed off and stay that way in order to get the emotion into the artwork. Plus, they were very much of a specific moment in time.  The “Pachydermian Portrait” was about George Bush and the Iraq invasion, but Bush has been gone for years and who cares anymore?  A lot of work went into each of those paintings and they aren’t relevant anymore.  In ’06, I decided to shift to something that was more timeless, about military life in general, and that started the Meditation on War series. Regarding “Ann’s Slander,” Coulter had just published a book called Slander (2002) in which she said that people like me were traitors.I took that very personally, so I called her out on it in paint.

ABBOTT: Any final thoughts on your art—where it’s been, where it’s going.

ROHDE: I’m very fortunate to be able to do what I do. I really am. I’m trying to follow the guidance that my parents instilled in me: to leave things better than the way I found them. I’m doing some paintings that are celebrations of great things, and some paintings that are cautionary tales, and some that are just my own impressions of the way things (or people) are. Sometimes they turn out well.

 

 




New Poetry by Ben Weakley: “In Some Distant Country” and “How Will You Answer”

STRAW-BLONDE HAIR / image by Amalie Flynn

In Some Distant Country

We have seen this before, in books
and on the screen, like dust plumes rising
in some distant country. Except,
some distant country is Michigan –
armed patriots (terrorists)
in the marble halls of a statehouse.
Long guns and body armor.
Stars and bars on the flags they carry
and nooses for the nervous traitors (lawmakers)
who can read the signs on the lawn outside –
TYRANTS GET THE ROPE.           

Now they are here, inside
the United States Capitol Building,
these armed patriots (terrorists)
smearing their urine and their fecal matter
on the floor and the walls, roaming
the halls with zip ties and body armor,
looking for traitors (lawmakers)
to bind, to carry outside,
where the gallows wait.

Their work is not finished.
Tomorrow, these armed patriots (terrorists)
will return to their homes, victorious,
triumphant. They will return
to towns across the fifty states
where they work at hospitals and gas stations,
at schools and police stations. They will smile
when they greet us in the grocery store
while they do their shopping.

They will tell us to unite.
They will tell us to listen
and be calm, that time
will grant amnesty (without repentance).
They want us to forget, but
their work is not finished.

Who will tell us how to love
our neighbors now?

Who can show us how to rescue
our would-be executioners
from the gallows they built?

How Will You Answer

What is the word for home
after houses become bombs
as they did in Baqubah and Mosul?

One afternoon your wife
has you drill pilot holes
to hang a flat screen-tv on the brick wall.
The mortar dust and shards of clay
erupt from the spinning bit
like bone ejected from kneecap
and skull in the Baghdad torture rooms.

At night, you put your son into bed
and draw the blankets up
over his freckled shoulders.
You stroke his straw-blonde hair
and wonder, what
is the word for son, now?

What can you call your son
now that you’ve seen another man’s son
burning?

How will you answer
when your son calls you father
in the world you turned
into ash and bone?




New Poetry by D.W. McLachlan: “Tanana River” and “The Heaviness of Age”

THE RIPARIAN ZONE / image by Amalie Flynn

Tanana River

We followed your Hilux along the riparian zone,
a green snake blooming through the desert brown,
when you met in secret like lovers, and the way you
hugged each other in greeting showed an intimacy
I didn’t particularly want to consider at that moment.

The second before the Hellfire splashed down, you
looked into the sky, and I still wonder if you thought
it was a sign from god, but when your world went
black I think it must have confirmed your suspicions.

My first full memory was standing on a grassy shore
watching my father catch a salmon in the Tanana river.
And I can still see the coil of the fly line snapping silent
and how it unfolded and laid out onto the silty sheet.

There was something above elegance in those motions
as the salmon breached, and I saw the slick of its back
as it stretched the surface, the rippling kick of its tail,
and then it shot back down, the line gave, my father’s
back bent, the line went in, went out again.

As a modest crowd grew slowly along the muddy banks
watching my father race up and down the shallows,
it seemed to me that he was going to pull up a demon
straight from hell, and I remember the shouts and jeers
when my father finally dragged the salmon on shore.

And I remember my commanding officer’s laugh when
half of you was dragged gently under a shade tree.
I remember the grip on my shoulder as he told me
that it was a damn good job, a fuckin’ good job.
I remember the way his boots rested on the desk,
and how he donned his number twenty-four hat,
and how he drank his coke, turning his attention
to the NASCAR race circling on the other screen.
I remember the way the other man laid you back,
how he talked to your body under that shade tree.
I still to this day wonder what he was telling you.

I was scared when I stepped close to that salmon,
dancing and darkening the dirt with wet slapping flops,
its mouth opening and closing, sucking in nothing.
The great gibbous black mirror of its pupil asking
for something, something that I knew I couldn’t give.
I felt small and shameful in that goggle-eyed stare,
so I picked up a long stick and gouged out its eye.

The Heaviness of Age

Sometimes in my dreams the world is covered in sand
and I wonder why no one cares.
I can feel it in my sheets as I sleep, in my mouth
and crusted in my eyes. I kick and brush it away,
but it’s never gone, and the sand always returns.
But no one cares and they act like they don’t see it.
Why is it then that I’m treated so funny?

The custodian on my floor looks like a man
we tracked down and killed in Helmand province.
The custodian on my floor thinks I’m racist
because I avoid him and never look him in the eyes.
I have to sit in my chair to get over the nausea sometimes.
He once told me I’m not gonna bite you and laughed
and I laughed and I asked him about football
and then he walked away, and I took my fifteen minute
break to step into the utility closet and cry.

I don’t even remember why we killed the man.
I don’t remember anything but the face
That’s mostly all I remember now.
His mouth blood black and tongue lolled in a dog pant.
And I don’t know why we had to take pictures of them all.
It’d be much easier if they hadn’t taken the trouble
to fly out there and take their god damn pictures.

A child still visits me at night.
I see him sitting at the edge of my bed
He’s always looking away, out the window
and when my wife wakes up
and asks: what’s wrong?
I tell her nothing, it’s just a bad dream.

But he’s not a bad dream,
he doesn’t deserve that epithet.
I sometimes want to hold him like I hold my son
when he feels betrayed by the world.
I like giving that feeling of love and security.
I’d give it to him if I could.

I see paintings of heaven
and I never see any children in the paintings.
Where are the children?
Homer has no children in his underworld.
Just indifferent or spiteful adults.
Sometimes I think it must be the heaviness of age
that allows us to sink down and rest.




New Fiction from Moe Hashemi: “Javid”

We buried Javid on a gloomy Friday morning in late December, shortly before Ali was gassed on the battlefront. All the guys from the eleventh grade attended the funeral, most of the teachers too.

Later that day at the mosque, Javid’s dad, a well-groomed, bearded, middle-aged man who sold rosaries and prayer stones to pilgrims, stood at the podium with an Abrahamic disposition and gave a speech about how proud he felt as a father to offer a martyr to God and to the Supreme Leader of the Revolution and how much Javid cared about both.

*

I had known Javid ever since the second grade. I still remember our first conversation when he approached me timidly and asked why my old eraser was so unusually white and clean.

“My baby sister grabs it whenever I’m not looking and she licks it clean.”

“Wow!” he said and walked off pensively looking at his dirty eraser.

The next day he came to class with his eraser all nice and clean:

“Look what my baby sister did to my eraser!”

He didn’t have a baby sister. I could picture him licking his eraser for hours.

*

No matter how hard Javid tried to blend in, he stood out like a bad stitch in a Persian rug. He was too scrawny for his age and always wore a buzz cut and clothes that were either too small for him or too large. One year, he became the butt of jokes when he showed up to school in early September in ugly blue winter rubber boots with conspicuous large white dots. The boots were a bit too big for him and made loud farting noises with every step he took. He pulled his pant legs as far down as he could to cover the boots and walked like a geisha to diminish the noise, but this just made him look even more awkward.

*

Javid was an easy target for bullies. They called him Oliver Twist, played pranks on him, locked him in the school bathroom, hounded him on his way home and pummelled him hard. But, the bruises he received from the bullies were nothing compared to the ones he brought from home; he never complained or talked about his bruises. He seemed to be able to take all insults and injuries with a rueful smile and move on.

*

His undoing though was his unfeigned innocence.  Mr. Nezami, aka “Mr. Psycho,” was our disgruntled science teacher.  He was a vicious, paranoid man in his early forties who thought the world was after him, so he went after his students.

“Javid! Read out the passage! Page 45, Plants.”

Javid opened his book and started reading.

“Although plants can respond to certain stimuli such as light by turning towards it or by opening their petals and leaves, they do not have nerves or any equivalent system to feel or respond to stimuli such as pain.”

At this point Javid fell silent and looked kind of lost.

“Why did you stop? Go on,” snapped Mr. Psycho.

“Sir! Does this mean that if people kick trees and break off their branches, the trees don’t cry inside?”

The whole class burst into laughter at this; Mr. Psycho strode menacingly toward Javid.

“Are you mocking me, kid?”

He twisted Javid’s arm and pulled him off the bench, then slapped him hard a couple of times on the back of his shaved head, and kicked him out of the classroom.

*

Once we got into comic books, Javid found a passion. He didn’t own any comics, but he managed to borrow some from the few friends that he had. At first, he became infatuated with Captain America and drew the superhero’s pictures on all his notebook covers, but Captain America lost some of his glory once Javid became acquainted with Rambo.

*

In those days, the Iran-Iraq war was at a stalemate. The two sides had lost lots of manpower and they were desperate for recruits. Iran’s Revolutionary Guards would visit high schools and show action movies like First Blood, tell tales of valour and glory on the battlefield, and then try to sign up as many kids as they could. As long as you were fifteen or older, all you needed to join was a consent letter from your father or your legal guardian.

*

Ali, who was the oldest kid in our class, as he had failed and repeated a grade, was the first to sign up. His older brother had joined the Basij paramilitary militia before him and had been dispatched to the battlefront, so Ali’s father was reluctant to let his second child join. Ali forged his dad’s signature, and then taught Javid how to do it as well. Ali was hoping to go to seminary school after graduation and he was a true believer in martyrdom and going to paradise. Javid, on the other hand, signed up for the love of guns. He wanted to get a big machine gun and kick ass like John Rambo. Perhaps, he fantasized about taking all that pent up rage inside him and blasting it at enemy soldiers.

*

I visited Ali at the hospital a few months after Javid’s funeral. He had been poisoned with mustard gas during the Battle of Faw Peninsula. He had hideous blisters all over his body, was blinded in both eyes and had irreversible lung damage. There was a breathing tube taped to his nose. He asked about school. I told him about our classmates and the pranks we played on teachers. I also told him how Mr. Psycho had ended up dislocating a kid’s elbow, and had been fired; he had eventually locked himself in a hotel room, swallowed all his meds and died.

Lucky bastard! I wish I could go that easy,” He wheezed.

You’ll be fine,” I lied and tried to change the subject, “Tell me about Javid.”

We took our intensive training course together. Javid had a real talent for marksmanship. He finished at the top of our class. The night before we were sent to the front, he was so excited that he couldn’t sleep.” Ali burst into a fit of coughing. He continued talking after a long pause, “We were taken to the front in a military truck. Javid was among the first to get off. An Iraqi sniper was waiting in ambush and started shooting at us right away. Javid took a bullet in the chest and was gone, just like that! He took the blow and moved on to paradise. That’s the way I’d imagined I’d go.”

He paused again, breathless, his sightless eyes staring up at invisible entities beyond the ceiling.

“In a way, I also feel sorry for him,” Ali murmured, “after all, he didn’t get to fire a single bullet at the enemy.”

*

Ali died the next June after a hard battle with cancer right around the time we were graduating from high school. He was buried in the same plot of the cemetery as Javid, among the throngs of other fallen soldiers.

I visited both their graves one last time before I was drafted. I placed a small picture of Rambo on Javid’s grave and one of a blind angel on Ali’s. I left the cemetery wondering what others would put on my grave.




New Fiction from Adam Straus: “ANA Checkpoint”

 

Sergeant Reiss insisted on giving a full patrol order every time we left the wire. I thought it was overkill, but I didn’t mind as much as some of the other guys. Haggerty especially was always going on about how it was a waste of time. It’s not like there was anything else to do, but he was obsessed with efficiency. Back in Twentynine Palms, he had a million little projects he would work on in our barracks room during the endless hours we spent waiting to be told what the plan for the day was, waiting to be released in the afternoon, waiting to deploy. While I’d sit and play video games like a normal person, he’d try (and fail) to learn foreign languages, do hundreds of pushups, and pace like a maniac. Haggerty just couldn’t accept that some time wasn’t his to spend.

On deployment, he had the bunk above mine in our squad’s platform tent. Inside, there were six other racks and a beat-up TV that the guys we relieved had left for us. Outside sat a generator that sometimes coughed exhaust into the tent. Our stained sagging mattresses had been around since the war started, and I could feel the bedframe’s springs under my ass as Haggerty and I sat side by side on my rack, taking notes while Sergeant Reiss briefed.

“Fuckin’ simple shit tonight, gents,” he began. “We’re going to depart the east ECP, swing by the ANA checkpoint on Highway 1, and return via the airfield. Orientation remains the same. We’ve still got Little to our east, the highway to our north, Big just past that, and fuckin’ nothing to our west and south. Weather tonight will be clear, with 6% illumination…”

I copied down all of the meteorological data, along with the same enemy situation and the same friendly situation that had held true for the previous three months of deployment. I wrote word for word “the Taliban are active throughout Washir. I expect them to mass to fireteam size in order to carry out hasty ambushes if they are alerted to our presence” and “the ANA maintain checkpoints along Highway 1. At night they are often high or asleep, so we can’t count on them for help. 3rd squad will be on QRF and they’ll be able to reach us within 30 minutes.” I glanced over at Haggerty’s field notebook. All he’d written down was “ANA checkpoint, Highway 1.” In his defense, that was all any of us really needed. We’d already done this exact same patrol at least ten times.

Sergeant Reiss read off our mission statement (“On order, 2nd squad interdicts the Taliban in the vicinity of Highway 1 in order to deter enemy activity and strengthen our partnership with the Afghan National Army”) and walked us through the patrol route, using empty cans of dip to signify our vehicles on a mockup of the surrounding grid squares he kept in the middle of our tent. He finished by listing all the frequencies to program into the vehicle’s radios (the same frequencies we’d been using the whole deployment) and telling us the succession of command, in case he went down. Sergeant Reiss asked for questions. There weren’t any.

“Alright. Check your shit, then get some sleep. We’re pushing out at 0200 so I want everyone at the vehicles by 0130.”

The brief over, we turned to personal preparation. My pre-patrol routine was automatic: I kept my kit staged in the same spot, with my rifle hung from the same bedpost and my boots pointing the same way with one sugar-free RipIt (the caffeine equivalent of two cups of coffee) stashed in each of them. Everyone had their own way of getting ready, from the rosary Schumacher prayed to Doc Warrington’s habit of jerking off before bed. Whatever it was, we’d all had plenty of practice, and 30 minutes after Sergeant Reiss’ order ended, the squad racked out with our alarms set for 0100.

*

Everyone killed their alarms on the second or third ring. We got dressed and kitted up in silence, each set of bunkmates in an island of light from the bare bulbs that hung from the canvas above our racks. I chugged one of my RipIts and pocketed the other, in case I started nodding off later. The center of the tent was still dark.

February nights in Helmand are cold as fuck, and we shivered underneath our flaks and kevlars during the five minute walk to the motor pool where our up-armored MaxxPros sat waiting. Haggerty and I took our seats in the back of vic one, with Sergeant Reiss in the passenger seat as vehicle commander, Donahue driving, and McClellan in the turret.

Our interpreter Aziz was already in the vehicle. He rolled with our fireteam, but he never came to Sergeant Reiss’ briefings. He’d already been working out of our FOB for nearly two years. His job was to sit inside the vehicle, get out when Sergeant Reiss told him to, repeat whatever shit Sergeant Reiss and the Afghans were trying to say to one another, and then get back in. He was older, with bifocals and flecks of gray in his well-trimmed beard, and he wore a knit sweater under his castoff flak. He looked like a college professor.

Like Aziz, Haggerty and I didn’t have anything to do until we got to the checkpoint. There, our job was to get out with Sergeant Reiss and Aziz and make sure none of the ANA shot them in the back of the head. An implied task was to not get ourselves shot either.

While Sergeant Reiss got comm checks with the operations center and requested permission to depart friendly lines, Haggerty bent towards my jump seat and motioned for me to lean in.

“I think Gabby’s cheating on me.”

“Are you serious?”

“I mean, I’m not 100% sure. It’s just little things. Like I saw on her Instagram story that she was at a party on Saturday night. When we talked on Monday and I asked her what she’d done over the weekend, she said ‘nothing.’ And the other day some dude commented on one of her photos. I asked her who he was, and she said it was one of her cousins. But I remember her telling me like six months ago that all of her cousins are girls. My point is, why lie if there’s nothing going on?”

“Fuck, dude. Do you know anyone she’s going to school with who could keep an eye on things for you?”

“The only people I know there are her friends, there’s no point asking them.”

“Fuck. I don’t know what to say.”

I really didn’t. But I did know that Gabby was a junior at UC Riverside. She had two older brothers that she got along with well, her parents lived in Palm Springs, she was majoring in biology, she wanted to be a doctor someday, and she played on the club volleyball team. She was tall for a girl, she almost always kept her hair tied back in a ponytail, and she wore the same floral perfume as my sister. Gabby chewed gum constantly, which made kissing her taste like spearmint.

Haggerty knew all of this too, except for the fact that I knew any of it. He turned to our terp.

“Aziz, you’re old. You got any girl advice for me?”

Aziz laughed. “I am maybe not the best to ask. My wife, I have not seen her in more than one year. The Taliban came to my house and said they would kill me next time I come home. So she tell them I’m already dead. Now, she pretends to be a widow until I make my three years and get our visa. Then, both of us go to America.” He wiped his glasses on the sleeve of his sweater. “I still send money home and we talk on the phone. So that is maybe my advice to you. Call on the phone and send money.”

“Goddamn Aziz, you always keep it heavy.”

He shrugged. “You ask me, this is what I tell you.”

We fell silent, listening to the low throb of the MaxxPro’s engine as we left the FOB. Our route took us through what used to be the largest American base in Helmand. We’d turned over most of it to the Afghans, and our perimeter was now a square postage stamp in the corner of their envelope. The Afghans manned the outer fence, sort of. In between our walls and theirs was a wasteland of materiel: Old canvas tents, rusted out vehicles, coils of barbed wire protecting nothing, long-empty concrete bunkers. The Afghans had taken anything worth the effort years earlier, when the American tide had first receded. All that was left now were the equivalent of tidal flats, wide expanses of dust reeking of dried piss and rotted wood.

We crossed this nothingness and reached a small guard post with a metal arm blocking the road, the main entry control point for the Afghan base. Beyond was Afghanistan. The real Afghanistan, not the FOBs on which most Americans spent most of their time. To be fair, in our armored vehicles and flaks we were basically tortoises who took the FOB with us like a shell. Still, beyond the ECP was something closer to reality. A small Afghan in tattered camouflage trousers and a yellow t-shirt that glowed under the shack’s lights jumped up from a plastic chair and lifted the arm for us.

“MANANA!” McClellan yelled from the turret. Sergeant Reiss was big on making us say “thank you” to the Afghans. He was kind of a boner about counter-insurgency stuff. The way I saw it, if saying “please” and “thank you” was all it took to win this war, we would’ve been out of here fifteen years earlier. But it couldn’t hurt, I guess.

No matter how many times I’d done it, I still got a bit of a rush from leaving the wire. Even though there was no real difference between the desert we’d just crossed and the desert we now entered, there was something unmistakably different on the north side of that guard post. An undercurrent of electricity ran through the air. We were out and about in Helmand Province, Afghanistan; anything could happen. It could be the last ten minutes of our lives and we might not even know it. I straightened in my seat and craned my neck to see out the MaxxPro’s portholes. I could just discern the outline of a cluster of mud huts some 800m distant, the hamlet we called “Little” (to distinguish it from “Big” on the other side of the highway).

Even outside the wire, Haggerty couldn’t keep Gabby off his mind. He whispered now, having gotten bitched out by Sergeant Reiss plenty of times for talking about bullshit on patrol. Haggerty was saying something about how he didn’t want to waste his time, and if they were going to break up, they might as well do it sooner rather than later. I pretended to listen, muttering that if that was the case he shouldn’t date anyone he wasn’t going to marry. But the truth was I couldn’t keep Gabby off my mind, either.

I remembered sitting across from her at a table in the back corner of a bar, comparing the fake IDs we’d used to get in. Hers was from New Jersey; it was a joke between her and her cousins (yes, they were all girls) that they’d used the same uptight single aunt’s address in Cherry Hill for their fakes. Mine was from Minnesota, a hand-me-down from one of the older mortarmen. It’d cost me $100. Gabby’s had run her five times that, and it was laughably bad. But a perk of being a girl that looks the way she does is that bouncers could give less of a fuck whether her ID is any good. So we’d both gotten into this bar, a fifteen minute walk from her dorm and a two hour drive from my barracks. I’d insisted on making the trek, partially to be a gentlemen and partially on the off-chance she’d invite me back to her place. After a round of drinks, she was laughing at my jokes and leaning towards me while she compared our IDs side by side.

“This doesn’t even look like you,” she laughed.

“At least it looks like an ID. Yours looks like one of those fake permission slips kids try to make where they sign their mom’s name in crayon, saying they were late to school because their dog escaped or whatever.”

“Oh come on, it’s not that bad. It worked, didn’t it?”

We mostly just joked back and forth like that. It wasn’t one of those epic first dates you read about where the couple talks until dawn and gets married as soon as the courthouse opens the next morning. But we didn’t hate being around one another and she was seriously cute, both of which are big wins whenever you meet someone off a dating app. Still, we only had two beers, because I was driving, and there can’t have been more than an hour between our awkward “nice to meet you” hug and when I settled the tab.

The part I think about the most is the last twenty minutes or so, beginning with when I asked to walk her back to her dorm. It was the sort of thing I thought grown men were supposed to do. The entirety of my experience with women up to that point consisted of a long-term high school girlfriend and a handful of one night stands in San Diego; I didn’t know how to handle a real, no-shit date. But walking Gabby back to her place felt right, and she agreed at least enough to have me along.

I still had some vague idea of fucking her, but as we traced the leafy edge of her campus, it became more like a fantasy than something I could be doing within the next hour. I felt like I was carrying a priceless Ming vase in my hands, and the only thing on my mind was not messing it up. Not tripping on a crack in the asphalt and splitting my face open, not saying the wrong thing, not pushing too hard too fast.

When we reached the stone steps of her dorm, Gabby paused, looking down at her feet. My heart pounded in my ears and I found myself breathing hard, like I’d just run the half-mile from the bar to her place.

“Well, thanks for the drinks. I had a nice time.”

I don’t think I said anything back; I just kissed her.

Normally, driving up the hill to Twenty-nine Palms is the most depressing shit in the world. First the road weaves between these angry-looking mountains, and then for the last half-hour civilization slowly fades away until you find yourself in Two-Nine, a town with a “Hundred Miles to Next Service” sign on its far edge. But for once I didn’t mind the desert. I was blissed out, my truck’s engine wailing to maintain 85 MPH going uphill. I thought I’d found an oasis with Gabby, I really did.

In a different desert, far from the smooth asphalt of Highway 62, we turned off the gravel access road leading in and out of base. Our command didn’t want us driving on the Ring Road itself. The shoddily constructed highway could barely handle the weight of our vehicles, and the few long haul truckers who kept Afghanistan’s economy running hated having to slow down for our convoys. At Sergeant Reiss’ direction, Donahue eased our MaxxPro onto a washed-out dirt path that led to the Afghan checkpoint we were visiting. As we bounced along, I could hear the occasional truck fly by on the highway 200m to our north.

The checkpoint consisted of two buildings, a new guard shack made of corrugated metal reinforced with sandbags and an old, abandoned mud hut that the Afghan soldiers had claimed as their hooch. Our squad seamlessly brought the three vehicles into a tight 360 degree security perimeter between them, forming a peace sign if viewed from overhead. Donahue lowered the back stairs, and Haggerty, Aziz, and I walked out to link up with Sergeant Reiss and head inside.

I dropped my night vision goggles down for the short walk. Our NVGs worked by magnifying ambient light, but it was a new moon, and with no light to magnify, I could barely make out where the buildings ended and the sky began. Looking up, though, I could see all of the stars that were normally too dull to be visible. I thought of an old Incubus song I’d liked in high school: The sky resembles a backlit canopy, with holes punched in it… I wish you were here.

I pulled my NVGs up and off my face when we arrived at the guard shack. The four of us stepped inside and were greeted with the overwhelming smell of hashish. An Afghan soldier sat on the floor, reclining against the sandbags that lined the wall. His back was to the highway.

“Salaam aleikum,” Sergeant Reiss said, placing his hand over his heart in the traditional Afghani greeting. The Afghan nodded and smiled. He didn’t stand or gesture for us to sit. Sergeant Reiss told Haggerty to post up just outside the door. He’d brought both of us because there were supposed to be two ANA soldiers inside.

With his own knowledge of Dari exhausted, Sergeant Reiss turned to Aziz to translate. They made small talk with the Afghan, discussing how cold it was outside and how much traffic had been coming by on the highway. The purpose of the checkpoint was to deter the Taliban from moving around freely on Highway 1, but short of stopping every vehicle and ripping it apart to search for weapons, there was no real way to do this. The actual value added of this particular spot was to serve as a bullet sponge, drawing attackers away from the larger base half a mile to the south. This guard shack was a reincarnation of one that had been leveled by a vehicle-borne IED a year and a half earlier. The Afghan seemed to accept this, replying to Sergeant Reiss’ questions with the tired air of a man who knows his answers don’t matter. Or maybe he was just stoned.

Sergeant Reiss eventually cut the shit. “Aziz, ask him why there aren’t two guys in here. Tell him we know they’re supposed to have two guys in here.”

Aziz and the Afghan went back and forth in fast, lyrical Dari. The Afghan punctuated his sentences with a series of shrugs and flicks of his hand.

“He says it is because two of their men are home on leave,” Aziz explained. “They were told to be back two days ago but they could not travel because of violence. At the checkpoint, they do not get a replacement and now only four are here. If they have two awake all night then there is no time to sleep.”

“Alright, whatever.” Sergeant Reiss shifted his shoulders under the weight of his flak. “Ask him all the oversight questions. You know, last time he was paid, last time he got leave, last time one of his NCOs came out here to check on him, all that shit.”

While Aziz and the Afghan talked, I continued to scan the room. Besides a ceramic bong, the only other furniture was a chamber pot. Thankfully, it was empty. The walls were lined with sandbags stacked up to waist height. A light machinegun stood on a fixed post, pointed out along the short strip of dirt road that led from the checkpoint to the highway itself. It wasn’t loaded. Belts of ammunition sat coiled in a rusted can on the floor.

Aziz finished with the Afghan and turned to Sergeant Reiss. “He says they were paid last week but not enough. I do not know if this is true or if he just wants more money. They have not seen any of their leadership in two weeks. He says it is because they are with the operation in Marjah right now. And he has not been home in six months. He is from the north, near Mazar-e-Sharif he says, and he wants you to know that there, the people are very good, but here, in Helmand, they are very bad.”

Sergeant Reiss nodded. “Alright. Tell him we say thanks for his time or whatever. Let’s get the fuck out of here.”

We said our goodbyes and filed out the door. I went last. The Afghan stared up at me from the floor, and before I turned to leave, he flashed a toothless smile. I waved back awkwardly and closed the door behind me.

Haggerty was waiting for us outside. “Sergeant, are we going to go over to the other compound?”

“Nah, they’re just sleeping in there. No point in waking them up.”

“Good to go, Sergeant.”

Donahue saw us coming and dropped the stairs. We took our seats and began the drive back to our FOB. While the vehicle turned, I looked out the porthole and caught a glimpse of the Afghan highlighted through the checkpoint’s window. He was standing up now, but instead of watching the highway, he was watching us drive away. I thought to wave again, but he had no way of seeing me in the dark.

“Anything happen in there?” Haggerty asked.

“Nah. You see anything?”

“One of the guys from the hut got up and took a shit, like, right outside. That was it.”

“Cool.”

“Yeah. I got some good thinking done, though.”

“Yeah?”

“I’m not gonna break up with Gabby.”

“Really?”

“Yeah. I mean, what’s the point? I’m over here. There’s nothing I can do about it. I guess it’s nice having someone to talk to. I’ll see what the deal is when we get home.”

“I feel that.”

“It’s not like I have any other options, you know?”

I told him I did. I hadn’t chosen to end things with Gabby, either. We’d actually made plans to hang out again the weekend after our first date. She was going to take me to a house party off-campus. I wondered what she would introduce me as. Friend? Acquaintance? Something else? We’d be drinking, obviously, so she probably didn’t expect me to drive back to Twenty-nine Palms that night. I hadn’t told any of the guys, not even Haggerty, because I didn’t want to jinx anything.

But then one of my seniors decided he wanted to go to LA that weekend, and he voluntold me to stand duty for him on Saturday. Gabby was busy Friday night, and I would be in the field the following weekend. So we had to slow our roll for two weeks.

And then two weeks turned into forever. It was day three of the field op we went on the week after I had to stand duty. Our platoon had some downtime between shooting all day and shooting all night, and a bunch of us were hanging around on our packs. Haggerty was bragging about this girl he’d been talking to on Tinder, an absolute dime he said, and he passed his phone around so we could all admire her profile.

It was Gabby. I didn’t blame her for that; I still don’t. We’d only hung out once, it wasn’t like we were exclusive. And I know that’s how the game works, that you have to keep your options open until you really commit to someone. I just felt weird about the whole thing. Which is why I tried to change the topic every time Haggerty brought her up after that, why I made a point of being at the gym while he got ready for their first date, why I avoided hanging out with them on the weekends once they started seeing one another, and why as far as Haggerty knows Gabby and I have only met each other once.

The one time he knows about was impossible to avoid. She came to our farewell before we deployed, and I obviously had to be there, too. The parking lot cordoned off for our goodbyes was pure chaos. Some of the wives were bawling, a bunch of over-tired toddlers were running around, and guys were trying to chug final beers without their leadership seeing.

Haggerty, of course, insisted I meet Gabby. I followed him to where his truck was parked. I realized that, for the moment, I was more nervous about seeing her than deploying. She seemed at ease, though, sitting on the tailgate, chewing a stick of gum and kicking her feet in the air.

“Gabs, this is my roommate Joey that I told you about.”

A flash of recognition crossed her face. Having had more time to prepare for our reunion than she had, I covered for her by introducing myself and saying I’d heard so much about her. The three of us made small talk, trying to focus on anything other than the fact that Haggerty and I were potentially heading off to our deaths and that the last time I’d seen Gabby she’d been running her hand through my hair while we made out.

Our platoon sergeant saved us from any further conversation, shouting with his gravely former drill instructor’s voice that we had two minutes to get on the fucking busses.

“Well, you two keep each other safe over there, ok?” she said, voice quivering.

We both nodded. I took the hint and boarded the white prison-style bus to allow Gabby and Haggerty a private goodbye. Somehow, I managed to resist the urge to spy on them through the window of the seat I’d claimed. Haggerty seemed shaken when he sat down next to me.

“You good?” I asked.

“Yeah, man.”

And then the bus lurched forward and we were gone. Gabby stood in the middle of the crowd of crying women, waving goodbye until they melted together and vanished behind us into the desert. I thought to myself that I’d see her again at our homecoming.

*

The same Afghan with the yellow shirt let us back into base, but this time we took a hard left along the fence line. Sergeant Reiss refused to take the same route out and back, so even though we were inside the Afghan wire, we had to take a dog leg by the airfield. Our FOB was too small for anything bigger than an Osprey to land, so we still relied on the Afghan flight line for most of our troop movements. They were supposed to have a guard posted 24/7, but as we drove by, the tarmac was empty. A random assortment of runway lights blinked on and off. The control tower was chained shut.

“You see anyone, McClellan?” Sergeant Reiss asked.

“No, Sergeant.”

“Fuck it, let’s just head back to the FOB.”

Donahue reversed our MaxxPro onto the muddy road that skirted the perimeter of the airfield and turned towards home. I caught myself starting to drift off, but I didn’t want to drink my second Rip-It this close to the end. Instead, I smacked myself in the face twice, hard enough to make my eyes water, an old stay-awake trick I’d learned in boot camp.

“Are you alright?” Aziz asked me.

“Yeah, just trying not to fall asleep.”

He laughed. “Yes, I know you do not want to miss a second of this.” Aziz spread his arms wide to encompass the MaxxPro, the checkpoint, all of Helmand Province, the whole country, the whole war.

*

It was almost dawn when we got to the tent and dropped our flaks with a collective groan of relief. Sergeant Reiss told us to hang out for a minute while he went over to our platoon commander’s hooch to debrief the patrol and get some word on what was next for us. While he was gone, I brushed my teeth with a water bottle and got into my sleeping bag, ready to pass out the moment we were allowed to. By the time Sergeant Reiss returned ten minutes later, I was struggling to keep my eyes open. He said we were going to the same checkpoint on our next patrol, departing at 2200 that night. I rolled over and went to sleep.




New Flash Fiction from Mary Doyle: “Triple X”

It’s zero-three hundred and I’m yanked out of a sleep so deep I wake thrashing and fighting like a marlin at the end of a hook. It takes me a minute to figure out why. Then the sounds of raw, unrestrained sex slap me further awake.

The anger flashes immediately but I try to reign it in, to give it a minute to dissipate. I’m in such shocked disbelief at what I’m hearing, the offending noise so wrong, I’m hoping someone will come to their senses and the problem will correct itself.

When that doesn’t happen I toss and turn. The volume is disastrously high. It bounces around the tents, reverberating throughout this end of the camp. I begin to think they’re doing it on purpose.

I lay there, my fury building. Should I?

“Oh my god,” a woman a couple of cots down from me mumbles, turns over, slamming a pillow over her head.

That’s it. I have no choice. I’m the senior non-commissioned officer in my tent. It’s my duty.

I shove my bare feet into my boots, throw on my grey hoodie with the four big letters spelling Army on the front. I stomp over to the tent next door and pound on the flimsy excuse for a door before storming in uninvited, strafing them with my senior-leader glare.

“Turn that shit down. NOW!”

They turn to face me. They are shirtless, in shorts, sweatpants, t-shirts and flip flops. All of them wear the shock of interruption. One dives and fumbles for the remote.

Oh yeah. Oh baby. Harder, harder, and the rhythmic slap of naked skin on skin weakens. The seams of the sharp night air, ripped open by the echoes of the graphic sounds, slip back together across the camp.

They are Scouts, just returned from patrol. Defiant, young boy-men who glower through ancient eyes. They hate me right now, but too bad. They are soldiers. They respond to my authority even though I’m not wearing any rank and my bed hair probably looks horrific.

I take a second to look at each of them, memorizing their faces. Three are huddled over a poncho spread out on the floor, a disassembled SAW laid out where they were cleaning the complicated weapon, piece by piece. Two others are leaning over a bucket, scrub brushes in one hand, their other arms shoved almost elbow deep into mud covered boots. Another one is standing in front of a small mirror hanging from a nail on a post, his bald head covered in shaving cream, a plastic razor in his hand.

Not one of them is sitting in front of the small TV in the corner with the built in VCR.

They follow the lead of the man I assume is their sergeant. Those that aren’t already, stand slowly, arms folding behind their backs, going to parade rest, further proof of their submission to my will.

I’m working to keep the anger in my voice now. Exhaustion, physical and emotional, feels like a cartoon anvil on a rope hanging above us, the rope fraying, all of us in danger of being crushed by it. I have no idea what they have done, what they have seen this day.

“I live next door. There are ten women in that tent,” I say. The gruff rebuke sounds genuine to my ears, if a bit forced.

“Yes, Sergeant.”

“Keep it down now.”

“Yes, Sergeant.”

I turn my back on them and walk out. My boots feel like bricks as I kick them off and climb back into my rack, deflated. The mumbled ‘thank yous’ that drift to me through the anonymous dark don’t lesson the buzzing in my head.

The clock glows zero three twenty. Behind my heavy lids I see them staring at me. Young men flattened by fatigue, with eyes as rusted as the spent casings they’ve left behind in their work.

A guilt dagger in my gut makes me want to curl into a ball, but the metal sides of my cot won’t allow it. I throb with unleashed emotion. Grief? Regret? I don’t know. Whatever it is, it tastes sour.




New Poetry from G.H. Mosson: “Warrior With Shield”

                                                                                                after Henry Moore

AN X STILL / image by Amalie Flynn

Blasted, broken to frag-
ments, left arm won’t—
both legs blown &
absent, the spaces abuzz
w/ anger—but I edge
forward, shield up
as leg-stumps toe
for foothold. My mouth
is an X. Still-
ness. Yet I see. 
I’ve been left. 

Moonlight empties
onto my chest,
rivulets down
in a branching sheen
& I swell w/ a hunch
I’ll make it
as if an old tune
warms the heart,
as if I too
might sing
again to Shelly.

I’ve been        
PUT CHARAsome-              
PUT_CHARACTERS_HEREone     
else
PUT_CHARAonce 
PUT_CHARACTERS_HEREsome- 
body   
PUT_CHARAother:
PUT_CHARACTERS_HEREa child.
Dandelion
PUT_CHARApods
PUT_CHARACTERS_HEREtumble
past my
PUT_CHARAopen
PUT_CHARACTERS_HEREpalms.

 




New Review from Adrian Bonenberger: “‘The Hardest Place’: Wes Morgan’s Post-Mortem on Americans in Afghanistan’s Pech Valley”

If I were to write a morality tale about America’s counterinsurgency efforts in Afghanistan—something in line with Edmund Spenser’s The Faerie Queene or John Bunyan’s The Pilgrim’s Progress, I’d make heavy use of allegory. That’s what people did in the 16th and 17th century, they named monsters for the seven deadly sins, and great heroes and ladies for the seven optimal virtues. So using that principle, I’d probably make a valley in some hard-to-reach location, and place a village of strategic necessity there, and name it Want. And the Americans would fall all over themselves trying to take and hold Want, and they wouldn’t be able to, because Want is, as everyone knows, simply the state of desiring a thing or a state or a person—it can never be fulfilled.

Well, I suppose if this were a true morality tale, the way out of Want would be Faith, or Chastity, depending on the context. That’s how those books were written back in the day.

Wesley Morgan is a journalist. His debut book, The Hardest Place: The American Military Adrift in Afghanistan’s Pech Valley is not a morality tale, and there’s no need for the type of heavy-handed writing or obvious analogies popular a few centuries ago. Morgan simply writes what he sees in interviews, documents, and research, as well as what he observed during reporting trips to the Pech, which he covered as a conflict journalist about a decade ago.

As it turns out, there is a valley, and the valley does have a village of great importance to the Americans, and the village’s name is Want (the Americans transliterate its name from an old Soviet map to “Wanat” which could also be styled “why not?”) and sure enough, filling the village with soldiers does not satisfy anyone’s objectives or ambitions. Want—the place, the village—is a kind of bottomless pit, and, essentially, an allegory for itself.

Everyone, and I mean everyone who deployed to Afghanistan on a combat mission and observed the purposeless and absurd nature of the war should read this book. There are Americans and Afghans who are thoughtful, and optimistic, and earnestly try to make things better, and Americans and Afghans and other foreigners who are cynical and egotistical and through their busy, careless actions make things exponentially worse. There aren’t heroes or villains.

The Hardest Place is exhaustively researched, pulling on hundreds of interviews and many more sources and documents to paint a comprehensive portrait of the area—a hard to reach place in the northeast of Afghanistan, on the border of Pakistan. The soldiers and officers who are quoted and described offer vivid portraits of typical American servicemembers presented with a harsh and unusual challenge. Morgan doesn’t limit his scope to the American or Afghan side of things—he talks wherever possible with Afghans, and Taliban, and other local residents of the area. It is often during these discussions that some crucial fact or perspective missing to Americans clicks into place, such as the significance of the lumber trade and the various families engaged in that pursuit in the Pech river valley. Morgan’s familiar with the Soviet experience of the place, and he relays his own experiences, too, that cannot be fully put into words, but may be described as a mixture of awe and dread.

Reading The Hardest Place was hard to do and people with PTSD ought to be warned. One will see one’s officer leadership in its pages—one will see one’s units—one will see successes and failures, noble and wise visions to improve the place, and naked, disgraceful ambition. Morgan looks at the actions and events plainly, and without judgement. He writes about significant actions and results and the evolving context of the place.

Careful readers will note that there were places and schemas where it seemed like progress was being made, and that progress could be made. Those of us with multiple combat tours to Afghanistan under our belt know this phenomenon well; one sees or experiences a failure of a deployment where everything becomes worse, and decides to turn things around during a subsequent deployment, to learn from the mistakes of the past. An empathetic battalion commander and a visionary brigade commander make progress in a place for a year or two. Eventually, inevitably, a dumb guy wants to see action, wants to see combat, and jumps in and shoots the place up, and everything goes to hell.

Morgan lays bare a couple of illusions: first, that the good officers or good plans would work without the bad officers and cruel plans, and second, that the military is capable of selecting good officers to do good planning—as often as not, these people seem to leave the military, and the ones who remain are (as often as not) the dumb and cruel ones.

Even those officers who are neither dumb nor cruel, like Stanley McChrystal, come in for criticism. McChrystal’s impulse to do something rather than nothing when faced with doubt contributed to unnecessary catastrophes in the Kunar Province of which the Pech is a part. An entire mindset that has begun permeating the corporate world, depending on ideas like “data-driven” and “metrics-driven” and which earlier generations would have described as “results-driven,” led to avoidable blunders and worse. Americans, it seems, murdered in the name of progress. This type of behavior and mentality could be seen everywhere in Afghanistan, and plays out here in the United States.

A morality tale might have worked out differently for the people described in The Hardest Place. Some veterans of the Pech leave the military, others are promoted to greater levels of responsibility. The U.S. was drawing down from Afghanistan under President Trump; it seems that drawdown has been placed on hold under President Biden. In a morality tale, there would be some clear lesson to be learned. The lesson—that America’s business in Afghanistan concluded years ago and that we ought not to be there today—is present, but Americans seem incapable of learning it.

But The Hardest Place isn’t a morality tale; its protagonist is not named Christian, and nobody is trudging slowly toward the Celestial City. The book is long-form journalism at its best. Reading about America’s sad and doomed involvement in the Pech, one feels that the valley acts as a kind of mirror, reflecting the essence of the people and units that enter. What those units encounter, ultimately, is themselves—bravery under fire, civilian casualties, idealistic dreams of a peaceful Afghanistan, Medals of Honor, victory, defeat. The place eventually resists every attempt to change it, defeats efforts to shift how America’s enemies use it. What does that say about American culture? That America actually hoped to succeed, patrolling in a place named Want?

Morgan, Wes. The Hardest Place (Random House, 2021).

You can purchase ‘The Hardest Placehere or anywhere books are sold.




New Poetry from Andy Conner: “Apples,” “Untouchable,” “Remanded In Custody”

YOU MEAN NOTHING / image by Amalie Flynn

Apples
‘The landmines are just like apples’
Khmer Rouge survivor

Apples can peel your skin
Like it isn’t there

But more often than not
The cruellest fruit
Sucks the rusty blade

And leaves threads

Dripping

Threads of skin
Threads of your life
Dripping
Seeds onto barren ground

You mean nothing to the apples
You mean nothing to the apples
You mean nothing

Their anaesthetic minds
Hold no sense of time
No sense of pain
No sense
No sense of what remains

And if you
Are one of the hand-picked
Who escape in a step-right-on-it flash
Give thanks for this windfall

Which leaves survivors
Green
To the core

As they crawl
With the worms
With the worms
And the decay

Praying
To scrump a handout
With no hands
For the crumb
Which may or may not come

As they sit
In their own shit
Begging
On their stumps
For a friendly worm
To turn
Up
And eat it

Untouchable

On my recent trip
to Gujarat

I took
numerous
pretty photographs

of Modhera
Palitana
Dwarka
The White Desert

and other pretty places

but

the image
I can’t delete
from my heart

my hard drive

is of a ragged street child
at Vastrapur Lake
who stepped out
from the promenading crowd

raised
his left
index finger
into the stifling
late afternoon

air

and drew
a rectangle
to take
an imaginary selfie

with me

Remanded In Custody

How can you talk
Of an even split
When you’re parents
Of three kids

How can you ask
For understanding
When you won’t say
What you did

How can you demand
We keep calm
When all you do
Is shout

And scream
It’s your own business
When we’re what
The fight’s about

How can you plead
You need your freedom
When you’ve built
Our jail

Whose four sad walls
Have heard it all
Every selfish
Last detail

How can you think
We’re stupid
’Cos we don’t know
What it means

To move on and
Make a new start
When we’re not yet
In our teens

If you two
Are so clever
And know what
Life’s about

Why must it
Take forever
To sort
Your problems out

You’ve no thought
For our feelings
Or respect for
What we think

While you resent
That we need feeding
When you don’t have
Cash for drink

You complain
We’re far too young
To understand
Your trials

Well in this case
It’s not the children
Who’re acting
Like a child

You both believe
That you’re the victim
Of the other’s
Poisoned mind

But if your eyes
Can still open
You might see
The only crime’s

Neglect of
Your own kids
All three
Ripped apart

By being used
As silent weapons
Against your
Other half

How dare you
Claim us as conscripts
To fight
Your filthy war

When the offence
That we committed
Was only
Being born

You’d never think
You’re guilty
But if you’d any
Common sense

You’d see the last thing
Left in common
Is we’ve all got
No defence