New Fiction from Jesse Goolsby: “Anchor & Knife”

The first time I met you I fought your father in the driveway. He fisted a tire iron, but he’d been drinking and he only clipped my forearm with his looping swing. That’s really where my scar comes from. The afternoon had been nice, your mother made kabobs, but you wouldn’t touch the green peppers, and you wouldn’t speak to me, so your mom brought the soccer ball out and we kicked at it in the small backyard and I pretended to know something about Pelé, and she made you hug me before I left out the front door, running into your dad, who had spied our embrace.

You’re ten. You stood in front of our autumn oak, your white-casted right arm at your side above the rocky ground that shattered your elbow on your fall from the old tree. I warned you about climbing the dead branches, and still I ran to you when I heard your animal groan, your dangling lower arm, inverted, twisting, and I waited to take you to the hospital and belted you first because you never listened to me, a stepfather, and it felt good to whip that leather at your lower back, to hear sharpness in the air, and see your body quiet and stiffen.

Sometimes you’d crawl into our bed and curl into your mother. You looked just like her, and I’d imagine you seeping back into her womb, breathing her liquid, splitting into cells, into her egg, his sperm, but when I’d slip into half sleep I’d feel your fingers on my anchor-and-knife tattoo, tracing the shapes.

You tried me two times when you were sixteen, and each time I let you get the first jab in, just so you thought you had a chance. I remember the living room: the worn gray carpet, little bay window; I remember choosing where to land the next blow, then wrestling you down to the floor, lying on top of you, your mother pulling, yelping, pleading as I took your arms above your head and locked them with one of my hands, feeling your helpless slither underneath me, knowing none of it mattered because you weren’t mine.

You’re twenty. You lifted your sleeve at the dinner table, unveiling your mother’s name on your bicep after your first tour in Iraq. When she asked you if you’d killed anyone, your mouth was full of mashed potatoes and you said I’d go back. And when you volunteered to go your mother refused to see you off, but I was there, standing and cursing you in the midday heat, watching the C-17 take you away, staying until they began folding up the plastic chairs.

When you called before the battle at al-Qai’m you asked for your mother, and she sobbed and shoved the phone at me, so I took it, and you told me you loved me. You thanked me for the fishing trips on the Truckee River, for sitting in the stands at miserable band performances, for toughening you up for the Marines. And after the battle you told me you’d lied, that you didn’t love me, that my belt and fist still filled your dreams, and fearing death had made you say things you thought God wanted to hear.

Your mother and I were pulling weeds in the front yard when the chaplain’s clean blue sedan edged up to the curb. He asked us to step inside, but your mother wouldn’t budge; she took the news on the sidewalk with a fistful of crabgrass. I drove through a lightning storm to the green bridge we used to fish below. It’s where I taught you to smack trout heads against the large black rocks before slicing the guts out.

Once, we tried to catch them with our hands, and I showed you how to reach into the water and rub their soft bellies, lulling them for a moment before the surprise clench and lift. I told you I’d caught hundreds of trout this way, and that my scar was from wrestling a twenty-pounder on the rocks. For all I could tell you believed me.

Your mother fell apart. She locked herself in our darkened bedroom, taking small meals there. She didn’t talk to anyone, but on the third day she came to me: Tell his father, she said. I waited a couple of hours, and after cursing and circling town, I drove to his place by the lumber mill. My hand gripped the car door handle, but I couldn’t pull the damn thing, and I sat there for twenty minutes, his dog barking the whole time. Finally, your father emerged and slowly approached my rusting Ford. He carried a baseball bat in his strong hand. I didn’t fancy up the news. He’s dead, I said, and drove away. I drove until I ran out of gas on a dirt road out by where we shot at clay pigeons. I walked the eight miles back to town.

When I arrived home, your father’s truck rested in our driveway. As I passed the truck I looked inside the cab on the chance that he had just arrived, that maybe he was sitting in the driver’s seat, buying time, but it was empty. I walked up the steps you helped me build and stood at the threshold with an overwhelming urge to knock at my own door.

 

Excerpted from “Acceleration Hours: Stories” by Jesse Goolsby. Copyright © 2020 by University of Nevada Press. Excerpted by permission of University of Nevada Press. All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.

 

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Jesse Goolsby

JESSE GOOLSBY is an Air Force officer and the author of the novel I'd Walk with My Friends If I Could Find Them and the short story collection Acceleration Hours. His fiction and essays have appeared in Narrative, Epoch, the Literary Review,Alaska Quarterly Review, the Greensboro Review, and other publications. He is the recipient of the Richard Bausch Fiction Prize, the John Gardner Memorial Award in Fiction, and a Holland & Knight Distinguished Fellowship from the Hambidge Center for the Creative Arts. He has earned honorable mentions in both The Best American Essays and The Best American Short Stories, and his work has been included in The Best American Mystery Stories. Goolsby was raised in Chester, California, and now lives in Tallahassee, Florida.

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